Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847. Various

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СКАЧАТЬ render them so effective in compositions of the highest order—but bluntly, carelessly, as if they were verily the first that came to hand, and the author did not think it worth his while to look for others. It should be mentioned, however, that this inequality of style is partly the effect of a desire to keep as close as possible in his narrative to the original Greek, so that it is the crudeness of translation we sometimes encounter. We raise no quarrel with him ourselves on this point; his language, in general, is all that is requisite; but a critic disposed to be severe on the minor delinquencies of style, might justify his censure by extracting many a hasty and neglected sentence, and many all uncouth expression. In fine, we accept of the present work as a valuable contribution to the history of Greece, and to the science itself of history; we accept it as a manifest improvement upon its predecessors in some of the highest and most important elements of historical composition; but we by no means accept it as the History of Greece, as the final narrative of the people of Athens and Sparta. For this it is too polemical, diffuse, incondite. On the ground which this writer and others have been obliged to contend for, which they have conquered and cleared, our posterity will one day, it is to be hoped, see a structure arise—grand, and simple, and yet ornate. For if the fitness of things be a rule for our expectation, we may safely prophesy that some future age will possess a History of Greece which will be to all other histories what the Grecian temple is to all other temples; which shall be itself a temple worthy of the memory of the most extraordinary people that have yet appeared upon the earth.

      Mr Grote has done in the history of Greece what Dr Arnold did in that of Rome: he has at once excluded the early legends entirely from the class of historical records. The outcry which we sometimes hear against that scepticism which has resulted from later and more severe investigations into the nature of historical evidence, and the loss thereby sustained of many a popular tale, is—need we insist upon it?—mere childishness. It is never found that we lose any thing by truth, and certainly not here. The popular tale, legend, or myth, may be displaced entirely from the records of the past, (for what it contains, or may be supposed to contain, of fact or event;) but it remains with us in its true character of fable, as the offspring of the teeming invention and the ready faith of an unlettered generation; and, in this character, is more thoroughly understood by our present race of thinkers, and more vividly appreciated, than it ever was before. But shall we believe nothing of it?—surely something, must be true,—is the whole legend to be lost? To such exclamations we answer, that the whole legend, instead of being lost, is regained, is restored to us. While you doubt of its true nature, and strive to make it speak the language of history, you can never see the legend itself,—never clearly understand it,—never gather from it the curious knowledge it is able to reveal of our own species. If, instead of looking askance at the bold inventions of past times, with a half faith and a half denial, busied with tricks of interpretation, and teased with ever-recurring incredulity, you embrace it cordially as the genuine product of an imaginative age, redolent of the marvellous, you will, as such, gather from it a far higher and more profitable instruction than could be extracted from some supposed historic fact which it is thought to conceal, and which is received as credible on the very ground that it resembles a host of similar facts already well established.

      We heartily approve and applaud the resolute abstinence with which Mr Grote has refrained from seeking for some supposed historical basis in mere legend and fable; we believe that his work, in this point of view, is calculated to have an excellent influence, not only on all future historians of Greece, but on all who shall undertake to write the early history of any people whatever. With the exception of Dr Arnold's History of Rome, we know of no work where there is the same true appreciation shown of the real value, and proper use, of legendary traditions. Certainly amongst the great scholars of Germany, whatever their undoubted merits in other respects, there is very little of this wise reticence, this philosophical forbearance; and if the two English historians, whom we have named together, be surpassed in critical knowledge by the learned men of Germany, or in brilliant narrative by the writers of France, they are superior to their contemporaries in both countries in the sound application of learning to ancient history, and their attachment to the sobriety of truth. With much less show of philosophic system, they have more of philosophy.

      "The times which I have thus set apart," writes Mr Grote, in his preface, "from the region of history, are discernible only through a different atmosphere—that of epic poetry and legend. To confound together these disparate matters is, in my judgment, essentially unphilosophical. I describe the earlier times by themselves, as conceived by the faith and feeling of the first Greek, and known only through their legends,—without presuming to measure how much or how little of historical matter these legends may contain. If the reader blame me for not assisting him to determine this,—if he ask me why I do not undraw the curtain and disclose the picture,—I reply in the words of the painter Zeuxis, when the same question was addressed to him, on exhibiting his master-piece of imitative art—'The curtain is the picture.' What we now read as poetry and legend was once accredited history, and the only genuine history which the first Greeks could conceive or relish of their past time: the curtain conceals nothing behind, and cannot by any ingenuity be withdrawn. I undertake only to show it as it stands,—not to efface, still less to repaint it."

      A simple uninstructed age believes its own legend; it asks no question upon the point of credibility; with such an age, to hear, is to believe. Originally, indeed, with all of us, to have a conception of any thing is tantamount to believing that it exists, or has existed: belief is no separate act of mind, but is itself included in the perception or the thought; it is experience and reflection which have to ingraft their disbelief, and teach us that every thing we think is not equally true. An ignorant people are all children, and with them there is but one rule of faith: the more vivid the impression, the stronger the belief,—the more marvellous the story, the less possibility of doubting it. And consider this—that we, owing to our scientific habits of thought, and the long record of the by-gone world which lies open to us, entertain it as a general law, that the past has, in certain essentials, resembled the present; but our unlettered people, looking out into the blank foretime, would have no such law to regulate or restrain their belief. On the contrary, their impression would naturally be, that the past was, essentially different from the present, or why was it past? Why all this change and transiency, if the same things were to be repeated? All people that have had no records have filled up the void with beings and events as unlike as possible to those they were familiar with. They had a prevailing impression that that blank space was the region of the wonderful; and the day-dreamer, the imaginative man, who was, naturally enough, proclaimed to be inspired, since none could tell how his knowledge came, was generally at hand to fill up the blank space with appropriate picture.

      An age of awakening criticism begins to find the legend doubtful—cannot entirely believe, cannot entirely dismiss the old familiar story,—begins to interpret it as allegory, or to separate the probable incidents from the improbable, receiving the first, rejecting the second. A new rule of faith has been introduced; not what is most captivating and strange, but what best harmonises with the common occurrences of life, is to be the most readily believed. The exuberant legend is therefore pruned down and mutilated, or it is represented as the fantastic shadow of some quite natural circumstance,—strange shadow for such substance!—and in this state it is admitted to a certain credence. But who sees not that this is no separation of history from fable, but merely a reduction of the fable into something we can pronounce to be probable? But the probability of this residue is no sufficient ground for our belief; no one, surely, supposes that imagination deals in nothing but impossibilities. The utmost effort, the wildest flight of fancy, could not always keep clear of probability; and it would be strange indeed if the romantic fiction could claim our faith at every point where, by chance, it had touched the earth. One might as well sift, in the same manner, a fiction of the Arabian Nights; and, setting aside the supernatural, admit whatever is natural to be true. The wonderful properties of Aladdin's lamp shall be given up; but that Aladdin had an old lamp, and that his wife sold it when he was out of the way, this shall remain admissible.

      A third age, however, arrives, still more critical, more justly and profoundly analytic. It recognises that, by the process just described, a dead residuum of little СКАЧАТЬ