A Girl of the Commune. Henty George Alfred

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СКАЧАТЬ great artistic event of the year was over, the Academy was opened, the pictures had been seen and criticised, there was the usual indignation at pictures being hung generally voted to be daubs, while others that had been considered among the studios as certain of acceptance, had been rejected. Two or three of Cuthbert's friends were starting at once for Cornwall to enjoy a rest after three months' steady work and to lay in a stock of fresh sketches for pictures for the following year.

      "I will go with you," Cuthbert said when they informed him of their intention, "it is early yet, but it is warm enough even for loafing on the rocks, and I hate London when it's full. I will go for a fortnight anyhow," and so with Wilson and two younger men, he started for Newquay, on the north of Cornwall. Once established there the party met only at meals.

      "We don't want to be doing the same bits," Wilson said, "and we shall see plenty of each other of an evening." Cuthbert was delighted with the place, and with his usual enthusiasm speedily fixed upon a subject, and setting up his easel and camp-stool began work on the morning after his arrival. He had been engaged but a few hours when two young ladies came along. They stopped close to him, and Cuthbert, who hated being overlooked when at work, was on the point of growling an anathema under his fair drooping mustache, when one of the girls came close and said quietly—

      "How are you, Mr. Hartington? Who would have thought of meeting you here?"

      He did not recognize her for a moment and then exclaimed—

      "Why, it is Mary Brander. I beg your pardon," he went on, taking off his soft, broad-brimmed hat, "I ought to have said Miss Brander, but having known you so long as Mary Brander, the name slipped out. It must have been three years since we met, and you have shot up from a girl into a full-grown young lady. Are your father and mother here?"

      "No, I came down last week to stay with my friend, Miss Treadwyn, who was at Girton with me. Anna, this is Mr. Cuthbert Hartington. Mr. Hartington's place is near Abchester, and he is one of my father's clients."

      Miss Treadwyn bowed and Cuthbert took off his hat.

      "We have known each other ever since we were children," Mary went on, "that is to say ever since I was a child, for he was a big boy then; he often used to come into our house, while Mr. Hartington was going into business matters with my father, and generally amused himself by teasing me. He used to treat me as if I was a small sort of monkey, and generally ended by putting me in a passion; of course that was in the early days."

      "Before you came to years of discretion, Miss Brander. You were growing a very discreet damsel when I last saw you, and I felt rather afraid of you. I know that you were good enough to express much disapproval of me and my ways."

      "Very likely I did, though I don't remember it. I think I was very outspoken in those days."

      "I do not think you have changed much in that respect, Mary," Miss Treadwyn said.

      "Why should one say what one does not think," Mary said, sturdily, "it would be much better if we all did so. Do you not agree with me, Mr. Hartington?"

      "It depends upon what 'better' means; it would be awful to think of the consequences if we all did so. Society would dissolve itself into its component parts and every man's hand would be against his neighbor. I do not say that people should say what they do not think, but I am sure that the world would not be so pleasant as it is by a long way if every one was to say exactly what he did think. Just imagine what the sensation of authors or artists would be if critics were to state their opinions with absolute candor!"

      "I think it were better if they did so, Mr. Hartington; in that case there would be fewer idiotic books written and fewer men wasting their lives in trying vainly to produce good paintings."

      "That is true enough," Cuthbert laughed, "but you must remember that critics do not buy either books or paintings, and that there are plenty of people who buy the idiotic books and are perfectly content with pictures without a particle of artistic merit."

      "I suppose so," she admitted, reluctantly, "but so much the worse, for it causes mediocrity!"

      "But we are most of us mediocre—authors like Dickens, Thackeray, and George Eliot are the exception—and so are artists like Millais and Landseer, but when books and paintings give pleasure they fulfil their purpose, don't they?"

      "If their purpose is to afford a livelihood to those that make them, I suppose they do, Mr. Hartington; but they do not fulfil what ought to be their purpose—which should, of course, be to elevate the mind or to improve the taste."

      He shook his head.

      "That is too lofty an ideal altogether for me," he said. "I doubt whether men are much happier for their minds being improved or their tastes elevated, unless they are fortunate enough to have sufficient means to gratify those tastes. If a man is happy and contented with the street he lives in, the house he inhabits, the pictures on his walls, and the books he gets from a library, is he better off when you teach him that the street is mean and ugly, the house an outrage on architectural taste, the wall-papers revolting, the pictures daubs, and the books trash? Upon my word I don't think so. I am afraid I am a Philistine."

      "But you are an artist, are you not, Mr. Hartington," Miss Treadwyn said, looking at the sketch which had already made considerable progress.

      "Unfortunately, no; I have a taste for art, but that is all. I should be better off if I had not, for then I should be contented with doing things like this; as it is I am in a perpetual state of grumble because I can do no better."

      "You know the Latin proverb meliora video, and so on, Mr. Hartington, does it apply?"

      "That is the first time I have had Latin quoted against me by a young lady," Cuthbert said, smilingly, but with a slight flush that showed the shaft had gone home. "I will not deny that the quotation exactly hits my case. I can only plead that nature, which gave me the love for art, did not give me the amount of energy and the capacity for hard work that are requisite to its successful cultivation, and has not even given me the stimulus of necessity, which is, I fancy, the greatest human motor."

      "I should be quite content to paint as well as you do, Mr. Hartington," Anna Treadwyn said. "It must add immensely to the pleasure of travelling to be able to carry home such remembrances of places one has seen."

      "Yes, it does so, Miss Treadwyn. I have done a good deal of wandering about in a small way, and have quite a pile of portfolios by whose aid I can travel over the ground again and recall not only the scenery but almost every incident, however slight, that occurred in connection therewith."

      "Well, Anna, I think we had better be continuing our walk."

      "I suppose we had. May I ask, Mr. Hartington, where you are staying? I am sure my mother will be very pleased if you will call upon us at Porthalloc. There is a glorious view from the garden. I suppose you will be at work all day, but you are sure to find us in of an evening."

      "Yes, I fancy I shall live in the open air as long as there is light enough to sketch by, Miss Treadwyn, but if your mother will be good enough to allow me to waive ceremony, I will come up some evening after dinner; in the meantime may I say that I shall always be found somewhere along the shore, and will be glad to receive with due humility any chidings that my old playmate, if she will allow me to call her so, may choose to bestow upon me."

      Anna Treadwyn nodded. "I expect we shall be here every day; the sea is new to Mary, and at present she is wild about it."

      "How could you go on so, Mary," she went on, as they continued their walk.

      "How could I?" the girl replied. "Have we not СКАЧАТЬ