The Continental Monthly, Vol. 4, No. 4, October, 1863. Various

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СКАЧАТЬ style="font-size:15px;">      'Never finish the beautiful Madonna, to which you have given so much time, and on which you have expended so much care!' Then with a sudden change of tone, in which astonishment darkened into fear, she exclaimed: 'Are you ill, Jemschid? You have already worked too long upon it. You will destroy your health; you need rest.'

      'Nay, sweet Imogen, not so; I am well, quite well, and too happy for words. But I cannot finish the picture. I have lost the expression for the face of the Madonna. Six months ago, when I began it, your face was so meek and tranquil it served me well, but now, even with its present air of meek entreaty, it is too passionate for the mother of God. It is far dearer thus to me, Imogen—but I can never finish the painting now—and only an angel can, for your young face is fairer and purer than aught else on earth.'

      Again fell the heavy lashes, half veiling the innocent love in the timid eyes, as the Painter parted the massive braids from the spotless brow, and softly kissed the snowy forehead of his betrothed.

      The harp of Angelo quivered, as the sun set behind the crimson clouds, under his nervous touch. Some sadness seemed to weigh upon his buoyant spirit too, in this eventful eve. His music always pictured the depths of his own soul, and he forced the heaven tones to wail the human Miserere. But the Beauty into which the sorrow was transfigured gave promise that it would end in the triumphant chorus of the 'Hosanna in Excelsis.' For music gives the absolute peace in the absolute conflict; the absolute conflict to terminate in the absolute peace.

      Fair as the Angel of Hope, the Rose listened with her heart. Her childlike, deep blue eyes were raised to heaven, while her long golden curls, lighting rather than shading her pale brow, like the halos of dim glory which the light vapors wreathe round the moon, mingled with the darker flow of wavy hair falling upon the shoulder of the harpist, on which she leaned as if to catch the flying sounds as they soared from the heart of the loved one.

      'Thy song is very sad,' said the Rose, as her eyes rested tenderly upon the inspired face. 'Is there no Gloria to-night, Angelo?'

      'I cannot sing it now, sweet Rosalie! The Hosanna is for heaven; not for a world in which Love is, and Death may enter. If I am to lose thee, my soul must chant the Miserere. Ah! that thought unmans me. I cannot part from thee, sweet wife. Cling closer, closer to me, Rosalie. There! Death must be strong to untwine that clasp! But he alone is strong—and Love'—

      'Love is stronger far!' cried the startled Rose, as she buried her face in the bosom of her husband, to hide the unwonted tears which dimmed her trustful eyes.

      'Parting! there is no parting for those whom God has joined. His ties are for eternity. The Merciful parts not those whom He has made for each other. Even if we must chant the Miserere here, together will we chant the Gloria before the throne of our Creator. Ah, Angelo, do you not feel that but one life throbs in our two hearts? Parting and Death are only seeming!'

      Thus sped time on until midnight was upon the earth. The little group were still together; mystic thoughts and previsions were upon them. Zophiel read at intervals weird passages from the Book of Life; Jemschid touched, now and then, the face of the Madonna, and some unwonted spirit of sorrow brooded over the harp of Angelo.

      'Rosalie! once more the Miserere ere we sleep,' said he. Scarcely had he commenced the solemn chant, when, suddenly resting his hand on the chords, he cried: 'Hark! brothers. It is the voice of Anselm—he calls he calls us—but I hear not what he says. Listen!'

      Lo! a Shining One from the court of the Great King suddenly stands among them. His gossamer robes seemed woven of the deep blue of the fields of space through which he had just passed, and the stars were glittering through the graceful folds bound with rare devices, wrought from the jasper, onyx, and chrysoprase of the heavenly city.

      'Brothers!' said the sweet voice of the beautiful vision, 'the term of exile is past; the Father has sent me to recall His children.'

      But the heart of the artists sank, for the human love was strong in their bosoms.

      Jemschid gazed upon the betrothed bride; the unfinished picture; and tears rushed into his sad eyes.

      The Angel was touched with pity for the double grief of artist and lover, and said:

      'Gaze not so sorrowfully upon the unwedded maiden; the unfinished picture! She shall yet be thine-and the picture shall be dear to thy fellow men. Lo! I am Rubi, the angel of Beauty!'

      Then, taking the brush in his glittering hands, with rapid touch he gave the lovely face an expression of tender innocence, of virgin purity, of maternal love and adoration, which will never cease to thrill the heart of the faithful.

      'It is the Mother of our Lord!' said the astonished brothers, as they gazed upon the finished work.

      'Zophiel!' continued the pitying angel, 'the lips of Sibyl shall repeat thy songs, for they are all graven upon her heart! But you are now to chant in heaven, and the canticle is to be for His praise who made all; and when you exalt Him, put forth all your strength, and be not weary; for you can never go far enough!

      'Angelo! the Hosanna is for heaven. The Rose lingers not here to chant alone the Miserere.'

      Alas! the wild human dread and sorrow overpowered all else in the breasts of the brothers as they gazed upon the women of their love. A strange smile played over the heavenly face of the Angel as he murmured: 'Are they not safe in the bosom of the everlasting Love?'

      Slowly through the Valley of the Shadow—and then more rapid than the flight of thought, moved the brothers, on—on—through myriads upon myriads of blazing suns, of starry universes; on—on—until they reached the limits of space, the boundary of material worlds. The angels left them as they entered the primeval night of chaos, the shoreless ocean between the sensuous and spiritual life. For alone with God through chaos do we arrive at the sensuous body; alone with God in chaos do we leave this body of corruption, from which is evolved the Body of the Spirit, 'glorious and unchangeable.' And again is clasped the thread of Identity, on which are strung the pearls of memory, and the Past and Future of Time become the Eternal Present!

      Clothed in immortal vesture, the brothers now stand before that Great White Throne, which has no shadow, but is built of Light inaccessible, and full of Glory.

      Summoned by the Holy Lawgiver, the meek Anselm knelt before Him, blinded with splendor, dazzled with fathomless majesty.

      'Behold thy creature before thee for judgment, O Thou in whose sight the angels are not pure! We are born to evil, and who may endure thy justice? Look not into my weak and sinful heart, O God, but upon the face of Thy Anointed, in whom is all my trust! Have mercy upon me!'

      Tears of mingled gratitude and penitence welled up, as in the days of exile, from his self-accusing breast.

      Wonderful condescension the Father Himself wiped them from the downcast eyes!

      And the Saviour of men clothed him in a garment of fine linen, white and pure, and 'to him was given the hidden manna, and a white stone, and in the stone a new name written, which no man knoweth but he that receiveth it.'

      Then the words over whose mystic meaning he had so often pondered, came, like the sound of many waters, upon his ear:

      'And he that shall overcome, and keep my works unto the end, to him I will give power over the nations; and he shall rule them with a rod of iron, and as the vessel of a potter they shall be broken.

      'And I will give him the morning star.'

      Thus the humble and self-abnegating Anselm, who had kept the commandments and СКАЧАТЬ