Название: Loves Choices
Автор: PENNY JORDAN
Издательство: HarperCollins
Жанр: Современные любовные романы
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‘Oh, poor man!’ The shocked exclamation left Hope’s lips before she could silence it. The Comte glanced at her sardonically as he helped her from the car. ‘You would do well not to let Pierre become aware of such sentiments. He is not a man who cares for … pity … I was fourteen when it happened,’ he added, as though anticipating her next question. ‘At an age to feel very bitter, but, as all things must, it passed, and of course I had …’
‘Pierre?’ Hope offered, torn by compassion for the pain she had glimpsed in his eyes.
‘Pierre?’ The glance he shot her was sharply piercing. ‘Oh, yes, I had Pierre.’ He crossed the courtyard, leaving Hope to follow, and pushed open the heavy door. Standing inside it, surveying the vastness of the hall, Hope shivered, wondering if the chill was the effect of so much marble. It covered the floor in a black and white lozenge design echoed by the stairs, supported gracefully by marble columns, with polished mahogany doors set at pairing intervals along the walls.
‘This way.’ The Comte touched her arm, indicating one of the doors. ‘This central part of the château is all that we use now. This is the library. Later I shall show you the remainder of the rooms.
The library was heavily panelled with an enormous marble fireplace and a carpet which Hope suspected was Aubusson, the colours faded to muted creams, pinks and greens. Pale green velvet curtains hung at the windows, a large partners’ desk placed where it would obtain maximum benefit from the daylight.
‘This room doubles as my office,’ the Comte explained. ‘It’s where I keep all the vineyard records and data, but I shall now show you the rest and then Pierre can prepare dinner for us.’
Hope’s thoughts as the Comte showed her from room to room were that the as yet unseen Pierre must have his work cut out looking after such huge apartments, but the Comte told her that they received help from the village when it was needed. ‘After the vintage comes the time when we entertain the buyers, and then the château comes into its own. You look tired,’ he added. ‘I’ll take you to your room.’
The marble stairs struck a chill through the thin soles of her sandals, the last rays of sunlight turning the chandelier hanging from the ceiling into prisms of rainbow light, almost dazzling her in their brilliance. The landing was galleried, the walls covered in soft pale green silk, and Hope wondered who had chosen the décor which was obviously fairly recent, and who acted as the Comte’s hostess when he entertained his buyers. He indicated one of the doors off the landing, thrusting it open for her, watching her face as she stepped through it and started into the room.
It was huge, almost dwarfing the Empire-style bed with its tented silk hangings, the fabric drawn back to reveal the intricate pleating and the gold and enamel rose set in the ceiling which supported it. A chaise longue covered in the same cream and rose brocade was placed at the foot of the bed, with two Bergère chairs in front of the fire, and the delicate white and gold Empire furniture made Hope catch her breath in awe.
‘The bathroom and dressing room are through here,’ the Comte told her, indicating another door. ‘I’ll leave you to freshen up while I go and find Pierre. He’ll bring your cases up for you.’
When he had gone Hope wandered over to the window. It was already growing dark outside and she could just about make out the shimmer that was the lake below her window—perhaps originally it had been the château moat—and beyond it the formal parterred gardens, before the ring of trees closed round the landscape obliterating everything else.
While she was investigating the bathroom, Hope heard the bedroom door open and then close again and guessed it must be Pierre with her cases and boxes. The bathroom was obviously a modern addition and rather breathtaking. The walls, floor and sanitary ware were all made from creamy white marble, the huge bath sunk into the floor, and one entire wall mirrored. Hope wasn’t entirely sure that she cared for it. It rather reminded her of something she had once seen in a film the nuns had taken them to see in Seville.
The dressing room which she had to pass through to reach the bathroom was lined with wardrobes and cupboards, all of which were mirrored, and thinking that she could hardly expect Pierre to unpack for her, Hope returned to her cases and started to remove the clothes she would need for the morning. She didn’t plan to change for dinner—she would simply wash and re-do her make-up.
Just when would her father arrive? She quelled a feeling of disappointment that he hadn’t been there to meet them, but then she had guessed that this would be the case, for if he hadn’t been busy, surely he wouldn’t have sent the Comte to collect her. Rather like an unwanted parcel, she thought wryly as she stripped off her suit and returned to the bathroom to wash.
Half an hour later, her hair brushed and her make-up fresh, she opened the bedroom door and walked across the landing. Her shoes seemed to clatter loudly on the marble stairs. As she reached the hall a door underneath the stairs opened and a man walked through. Hope guessed immediately that he must be Pierre. His face bore several livid scars, his dark hair streaked with grey, but there was more curiosity than embarrassment in the look he gave her, and trying not to feel too self-conscious, Hope said warmly:
‘You must be Pierre. I am Hope Stanford and …’ Her voice faded away as she remembered that the Comte had told her that Pierre had been rendered both deaf and dumb by the bomb blast and, suddenly feeling awkward, she was relieved to see the Comte coming downstairs.
Unlike her, he had changed and her eyes widened a little as she took in the thick silk shirt and tightly-fitting dark trousers. Gold cuff-links glittered at his wrists, and she was suddenly and overpoweringly aware of him—not as her father’s friend, but as a man. Her heart started to thud with heavy, suffocating strokes, her body turned to marble, as stiff and unresponsive as the stairs, as she stared at him, barely noticing the signs he made to Pierre, or the comprehension burning to life in the servant’s dark eyes as he turned back to the door.
‘Dinner is almost ready. You need not look like that,’ he assured her, obviously misunderstanding the reason for her shocked expression. ‘Pierre is an excellent chef.’ He opened the door that Hope vaguely remembered belonged to the dining room, her eyes dazzled by the sea of polished wood and glittering glass and silver that swam before her, mentally contrasting the magnificence of the château to the refectory at the convent.
Two courses were served and eaten in silence, Hope merely sipping the wine the Comte had poured for her. She refused any sweet, watching instead while the Comte helped himself to some cheese—a local cheese called Chaource, he told her, offering her some. Again Hope shook her head. The long journey had tired her, her mind exhausted by so many new impressions.
A portrait on the wall behind the Comte caught her eye and she studied it. It looked relatively modern and depicted a dark-haired woman, proud and faintly arrogant so that Hope sensed a wildness beneath the conventionally elegant mask.
‘Is that … was that your mother?’ she asked hesitantly.
The Comte turned his head and studied the portrait for a while in silence, his voice harsh as he said, ‘No. My sister, Tanya. She is dead now, she committed suicide.’
For a moment Hope thought she must have misheard him, the words seemed to hover between them, and Hope looked again at the portrait. What could have driven a woman as beautiful and proud as she was to take her own life? She hadn’t realised she had spoken the words out loud until the Comte said bitterly, ‘A man, of course, mon petit; a man, and the shame of knowing herself discarded.’
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