Outback Wife and Mother. Barbara Hannay

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      CHAPTER ONE

      FLETCHER HARDY ran an irritated finger around the inside of his uncomfortably stiff collar and glared at the marbled floors and mirrored walls of the enormous ballroom. He had rushed straight to the hotel from a press conference about the drought in North Queensland and he had to postpone a dinner meeting with the Minister for Primary Industries—simply to watch half starved girls sashaying around in outrageous costumes!

      He prided himself on never doing anything against his will, but in a rare moment of weakness he had allowed his cousin, Lucette, to talk him into coming to a fashion show.

      Grimacing as his shoulders met the unfamiliar constraints of his tux, he strode impatiently towards the rows of seats arranged around the catwalk. He ignored the swing of expensively coiffed female heads trailing after him like sunflowers following the sun.

      And he scowled as he found his seat and lowered his long body into it.

      Fashion! Ridiculous female obsession, he’d always claimed, happily overlooking the minor detail that he had, on odd occasions in the past, been known to admire an elegantly designed garment gracing a beautiful woman.

      As soon as Lucette had heard Fletcher was travelling south to Melbourne, she’d begged him to come and watch the show so he could admire the set she designed especially for this exhibition. He’d found his kid cousin’s enormous pride in her first real assignment quite touching and so, to humour her, he had come. But where was she now? The live band was blasting out its opening number and the lights were going down and still no Lucette! She’d left him to brave this torment on his own!

      Typical. With any luck there would be an interval and he could leave.

      Wrapped in these angry thoughts, he refused to join in the applause as the grinning compere, dressed in a gold tuxedo, approached the microphone, welcomed the audience and delivered a totally incomprehensible joke about fashion. The audience roared. Fletcher growled.

      ‘This evening, the Quintessential Collection brings us a preview of the new season highlights from five of Australia’s top young designers. We begin with the delightful Alexandra Fraser. I’m sure most of the menfolk here would agree with me, that Ally is herself rather beautifully designed...’ Here the compere paused for a brief titter from the audience, while Fletcher almost groaned aloud. ‘Today we see fine examples of her ultraurban, minimalist designs in pale cashmeres and silks,’ the compere continued with a wide, plastic smile. ‘And you should note the clever addition of silk cummerbunds to her slinky pants and long evening skirts.’

      Fletcher raked a hand distractedly through his thick, dark hair as, for the sake of his sanity, he turned his attention to Lucette’s set. OK, it was good. Against an ethereal backdrop resembling the sky at dawn—all pinks and golds—there were delicate, gilded arches encrusted with winking bud lights and a runway edged with more tiny lights and misty clumps of tulle. It all seemed appropriate, he decided, suggesting a show, which would present the quintessence of earthly beauty. And as far as he could see the decor provided a suitable accompaniment for the palely elegant fashions, which soon emerged.

      But as for the deportment and grace of the models slinking and strutting along the runway—he barely noticed them. His eyes were squinted with his efforts to read his watch in the darkened room. But his attempts were futile so instead he began scanning the audience, searching for Lucette. After several fruitless minutes, he tried the watch again. No use. When could he safely slip away?

      Restlessly, he squirmed in his seat. His elbow bumped the thin woman sitting beside him and she glowered at him from beneath her wide-brimmed hat.

      About to scowl back at her, his attention was suddenly captured by a woman emerging down the runway. Dressed in the simplest of short gowns in deep purple, the colour of crushed violets, she stood out in stark contrast to the whites, creams and beiges worn by the models surrounding her.

      ‘Ladies and gentleman, our very own Alexandra Fraser.’

      So this was the designer of the first collection. She was bowing as the crowd applauded her. Cries of ‘Bravo’ could even be heard, so obviously she was being well received.

      She smiled out into the audience and at that precise moment, the simple, two syllable word woman took on an entirely new level of meaning for Fletcher Hardy.

      This woman was like no other he’d ever seen before. An unnerving tension seized his body. His hands gripped the upholstered arms of his seat and incredibly, this hardened man of the land’s throat tightened over a huge lump of unexpected emotion as his gaze remained transfixed by the figure on the catwalk.

      She was surrounded by tall, willowy models, but his eyes were drawn from their almost asexual leanness to ber startling femininity. Her gleaming dark hair and pale skin were a perfect foil for the rich colour of her oneshoulder dress and the delectable curves it barely concealed. Her slender legs and the graceful movement of her dainty hands as she acknowledged the models were utterly fascinating. Spellbound, he watched this dark-haired, enchanting designer.

      She was the most exquisite female he had ever seen.

      Her features were delicate yet determined and her thickly lashed grey eyes sparkled with intelligence and spunk. Surrounded as she was by models looking as vacant as dolls in a shop window, this woman looked vibrant, incredibly alive, undeniably sexy.

      And then she was gone, tossing a final smile over her one bared shoulder before disappearing with the models back through Lucette’s golden arches.

      Another group of models bounced onto the runway accompanied by wild heavy metal music. Fletcher had a vague impression of a kaleidoscopic mix of lace and satin teamed with psychedelic stockings and electric blue lips, but his mind was still totally absorbed by Alexandra Fraser. If only he had bothered to pick up a catalogue on his way in, he might have discovered more about her.

      Restlessly he sat through the gyrations and outlandish creations of the second collection but as soon as its designer, a young man whose bald head was wildly tattooed, appeared to receive his applause, Fletcher rose from his seat and made his way quickly to the back of the ballroom.

      He found a stack of catalogues on a small side table and hurriedly snatched one up, leafing through it impatiently. Reading by the light of a dimmed wall lamp, he found little to satisfy him. There was a brief description of Alexandra Fraser’s collection and a list of several awards she had won and then a quoted comment.

      ‘Alexandra says of fashion design, “I keep to simple tines, neat silhouettes, no frills or fluffiness, but this doesn’t mean my clothes cannot be soft or reveal the body. For me design is a passionate experience. It fu161s me totally—mind, body and soul.”’

      To his annoyance Fletcher Hardy did not find the scraps of information at all comforting and he skulked around the back of the ballroom as the show continued, feeling startled and miserable. How could fashion fulfil such a beautiful woman?

      And he knew then that, after the show, his next move would be to dismiss the waiting limousine, courtesy of the Cattlemen’s Union.

      And then he would be heading backstage.

      Ally Fraser made her excited way through the backstage confusion. Around her, models СКАЧАТЬ