The Man from Saigon. Marti Leimbach
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Название: The Man from Saigon

Автор: Marti Leimbach

Издательство: HarperCollins

Жанр: Книги о войне

Серия:

isbn: 9780007330690

isbn:

СКАЧАТЬ on her back, his rifle close enough so that she could reach back and touch it. She listens to the sounds of the jungle, the whistles and rustles, the birds through the trees, their own footfalls on the jungle’s floor. Everything spooks her. If she thinks too much about the soldier behind her she will scream.

      These first hours are like no others she has experienced, not even when she pressed herself into the earth under fire. They are almost unbearable. She knows she is lucky to be alive. During the ambush, when she reeled back from the first explosion and saw the truck in front buck and collapse on its side, then heard the small-arms fire open up, she squeezed her eyes shut and listened, had no choice but to hear the cries of the wounded around her. That, too, was terrible. The battle had lasted only a short while. A matter of minutes, not even a quarter of an hour. They had run so that they would not be hit in the crossfire, and because they feared the vehicle might explode. They’d run because running was instinctive. Now, of course, she wishes they had not. She always knew it was possible to be wounded, to be shot, but it never occurred to her that she’d stumble upon the Vietcong in the same sudden, slightly incredible way that you might come across moose in a forest, and end up captured.

      The plain, dark uniforms, the bushy, unkempt hair, the faces which appear younger than they are make the Vietcong seem more like a small band of lost boy scouts than enemy soldiers. They were separated from their unit when it scattered during the firefight. They had been as lost as Susan and Son were at the moment of their meeting. It was all a dreadful coincidence. Two have AK-47s. One has what looks like a Soviet semi-automatic. They have grenades and Chicoms, the appalling sword. The sword is what disturbs her most. The soldier who has it seems to enjoy swiping the air with the blade as he walks. It bothers her more than the guns and grenades, more than their acetate map that they carry, discussing where to go. The map is blackened with mildew, with little pockmarks like the actual craters that gouge the land. And it belongs, she realizes with a start, to the US Army.

      “What are they going to do with us, Son? Please talk to me—tell me what they are saying—”

      He won’t reply. For some reason, whatever she asks Son, he will not answer. He scowls and moves one leg in front of the other, sometimes rubbing his palms along the sides of his shirt. The sweat trickles from his forehead, his sideburns, making a damp patch beneath each arm and across his chest. She wants to know if he has any idea where they are being taken, what his guess would be, whether he is injured from where the gun struck him—anything. But he will not reply or turn her way. Perhaps this is what happens to people in such extreme circumstances. They go inward, forgetting the allegiances they once had, thinking only of survival. The minutes, then hours, pass in a dull, tense silence.

      By noon, the jungle is a dark oven through which they travel. In only a few hours she has endured capture, marching, abandonment, with no prelude to these lessons. They walk, all of them tense. The Vietcong have the guns, which is why they are in charge, but there is a feeling they are as miserable as their captives, obliged to fasten themselves to these stray, anonymous people, to take charge, to point the weapons at them. Though they began the march with purposeful, angry strides, now in the early part of the afternoon they have sunk into a steady, weary step. They chat infrequently. There is a concentration of movement, on placing one foot in front of the other, every action slowed by the heat. This is no different with them than all the times she has been with the Americans, though now she is expected to move more quickly. Even so, the rhythm of their steps, the steady, almost mechanical pace is the same.

      The only animation the Vietcong have shown came shortly after they set out, once the air strike had come and gone and they could hear it in the distance. The trees hid the billows of black on the horizon, but she could imagine the spiraling smoke, the planes disappearing one by one. Susan had a bag of watermelon seeds in the pocket of her fatigues, the sort of thing you buy before the Tet holiday and eat with friends. The Vietnamese soldiers took it, along with everything else she owned: her papers; a “women’s interest” story—about a triple amputee, six years old, who with remarkable prosthetics was now able to walk and use a spoon; extra socks; money; MPC notes; a signaling mirror; T-shirt; compass. They sat with their canteens and passed her comb from man to man, giggling. They tested her pens for ink. It was as though these unremarkable personal things were valuable bounty; they examined each item carefully Then they took her boots—a means of controlling her movements, kinder than tying—her gold cross, hairbands, a letter from Marc.

      “Anything more you need?” she said as they tried to figure out what the Kotex was, holding it against make-believe wounds as though it were a dressing.

      They have taken Son’s map, binoculars, matches, insect repellent, gum, and his cameras, which he handed over only reluctantly. They have taken everything she owns except the clothes she wears and her hammock. Without the weight of her possessions she is looser, lighter, able to move more freely, and yet Susan feels more exposed. If she could cloak herself in the things that are hers, she might stave off the disorientation which is arriving, she knows, not because she feels it yet but because it has been described to her by others, by women she once interviewed in an Illinois State Prison, for example, who were locked up for such crimes as “lascivious carriage,” which meant they had lived with a man out of wedlock. Once the women’s clothes and possessions were confiscated, once they had been dressed identically and doused with lice powder, their personalities themselves began a process of unraveling. The draftees she had interviewed some months previously reported the same feeling after their civilian clothes were discarded, their heads shaved so that they could not recognize themselves in a mirror, and every ounce of privacy annihilated to the extent that even the toilets were set out starkly in rows on a long wall with not so much as a screen between them. It did something to you, set in motion a kind of uncertainty that was easily manipulated by whoever was in charge.

      She reminds herself that the men in control now are only three youths who somehow became separated from the rest of their unit during the ambush. It was almost by obligation that they took her and Son prisoner. And though their rifles are menacing enough, they have immature, bland faces. They only want her things for the novelty value. When she reminds herself of all this she feels more herself, and she can believe, however fleetingly, that the whole thing is a game. As if any moment they will release her and Son, and then all scatter behind trees, count to twenty and start again.

      That is how she will tell it, she decides, if she gets the opportunity.

      Hours later she is not sure she will get the chance; the mood of the soldiers has changed. They’d been excited at first by what their prisoners had in their pockets, but now they appear bored with the whole thing. Miles into the march she is surprised they don’t just shoot her and Son and have done with it. They are weary. When they pass under low branches they are attacked by red ants which seem to wait for their prey, dropping down on them as they pass and biting at their collars. Like Susan, the Vietcong have to dig the ants out or squash them beneath their clothes. They swear in Vietnamese just as she would swear in English, if she dared to speak at all. The soldiers look at Son and Susan as if the ants are their fault. At rest stops they glare at them with hatred, Susan thinks, as though it is they, the VC, who have been taken prisoner by these inconvenient others.

      She supposes it is the responsibility of guarding that weighs on them, especially in the heat of the day. For her part, she is too frightened to hate them. There are times she is so certain they will kill her that she almost wishes it would be said aloud. She thinks the admission might help prepare her for the act, like anesthesia. By mid-afternoon her head is swimming. There is a pain in her left temple that tracks her pulse. All at once, almost without meaning to, she says, “They will take us someplace and shoot us. Near a swamp or a rice paddy. In a field.” After many hours of saying nothing she is suddenly talking to herself, talking to Son. He doesn’t answer, but he is giving her a curious look as though she’s inexplicably sprouted a tail. She’s feeling giddy; perhaps that is why he is staring at her. They sit beneath a cluster of trees. Her feet are numb all the way up to her knees. She is being allowed some water and she wishes there were enough so that she could СКАЧАТЬ