Название: The Spoils of War
Автор: Gordon Kent
Издательство: HarperCollins
Жанр: Приключения: прочее
isbn: 9780007237289
isbn:
The elevator departed behind him with a loud hum and whir of hydraulics and pulleys. He listened to it as it ran all the way down to the lobby without stopping.
He knocked again.
She wasn’t home.
The stairwell was locked on the ground floor, he knew. He didn’t want to face the security in the lobby by going down the stairs.
The elevator was coming back up.
He tried to turn the handle of her door. Locked, of course.
He tried again, as if strength could break a lock. Suddenly, his apprehension turned to panic at the approach of the elevator and he put both hands on the knob and wrenched at it, throwing his weight against the door.
The knob suddenly turned freely, and he stumbled through and the door slammed shut behind him. He tripped and fell sprawling with a crash as loud as the slam of the door. His flailing hands found paper, clothes, pans—
The balcony light shone through the sliding doors at the end of a short hall. The floor of the entire apartment, bigger than the place he shared with his mother, was covered in papers and trash. Every item in every drawer, every sheet of paper, had been rifled and tossed on the linoleum.
The lock had been forced. That’s why he had got in so easily.
Two thoughts seemed to occur to him simultaneously: that whoever had done this might still be there, and that the lobby security might be coming up in the elevator, might enter and assume he had robbed her. The association of the two thoughts froze him on the floor.
The elevator ran and ran, a pulse-like vibration allowing him to count the floors.
It stopped. The doors opened. It was this floor; someone got out and walked swiftly up the hall, and then back down it. Rashid held his breath, sure, sure that it was the guard. Unable to move. With nothing between him and arrest but an unlocked door. The man moved and stopped.
And moved.
And stopped.
Rashid saw the guard’s feet under the door against the light of the outside hall. In his mind, he prayed. Inshallah, Inshallah, Inshallah.
Allah’s will was that the guard should walk on. He moved down the corridor a few more doors, stopped, and came back.
The elevator doors opened and closed again and the car began to move.
Rashid breathed.
What if she was here, dead? That was a foolish thought, born of fatigue and the alien landscape in which he suddenly found himself. It was like finding himself on the set of an American horror movie.
He couldn’t push it out of his mind. In movies, the dead person was always in the bathroom. The bathroom was the next room on the hall.
He wished he had a weapon. He forced himself to crawl to the light-switch and threw it. All the lights came on, revealing the destruction of Saida’s effects more cruelly than the hallway lighting had done. He peered into the bathroom and saw no body. Emboldened, he moved into the kitchen, found a clean glass on a paper on the floor, and drank her expensive bottled water from the refrigerator. He drank three bottles before he was done; then he ate a sandwich that was days old but tasted wonderful.
Saida’s absence left him with no options. No money, no place to go, no one to beg for help. But his brain began to run again, and the panic drew back to the edge of his consciousness.
He had to get out of this building.
He had to get money.
He had to find Salem, although it was increasingly clear to him that Salem was in deep trouble. Rashid knew he had found something—something wonderful. Salem could not hide his feelings from Rashid. And he had taken things from the dig—Rashid had seen them in a gym bag in Salem’s car.
The men beating Salem at the dig, pounding him with their fists and the flat of a shovel. Yelling abuse. Telling Salem he was a thief. And Rashid, Salem’s loyal friend, had run away and hidden in the old tunnels under the city.
He went into the bedroom. The epicenter of the apartment’s wreckage. He started to go through the piles of clothing the searchers had thrown on the floor.
Salem’s clothes were in a separate pile. Rashid dug into it for Salem’s Navy coat; he didn’t wear it in Gaza, where American sailors would hardly be popular, but he often wore it in Israel where the opposite was true. Up in the padding of the shoulders was Salem’s emergency stash. Salem had shown it to him, once, with a joke.
“It’s my fly-away money,” he had said.
A thousand dollars in American bills, crisp and neat. And a tiny hard rectangle that felt unfamiliar. Rashid pulled it out and tried to remember what it did. He took another swig of water and remembered. He was holding a flash card, the memory of a digital camera. And Salem had hidden it.
He pocketed it with the money. He took the peacoat, because it was warm and dry and it was Salem’s. It made him feel taller.
He still had to leave the building. He poked through the rubble of Salem’s life with Saida and found a pair of his boots, rubberized duck shoes that Salem had seldom worn because, he said, they hurt his feet and were too hot. They fit poorly, but with the peacoat they made him look like a young man of means. They gave him the confidence to take the elevator and face the man at the desk.
As the elevator descended, he found he was calm. Perhaps too tired to feel more fear.
“She’s not home,” the guard said when Rashid emerged. The tone was on the edge of accusation.
“I know,” Rashid replied, walking steadily to the doors. Whatever the guard might have wanted to ask, Rashid kept going, volunteering nothing, a tactic that seldom failed him, until he was out on the street in the cold winter rain. When the guard finally opened her apartment, he, Rashid, would be the obvious suspect. Then the police would join Hamas in searching for him.
His life here was done. He was going to find Salem, and the place to look was back in the occupied territory. So be it. Rashid felt the crisp bills in his pocket and headed for a bus stop.
Naval Criminal Investigative Service HQ, Naples, Italy
“Aw, shit!”
Mike Dukas was looking at a message directing him to do something—urgently—and his people were already stretched thin and he didn’t have time for Mickey Mouse. His hand hit the phone.
“Dick,” he growled, “get in here.”
“Your wish is my, mm, suggestion.”
Dick Triffler was the ASAC—the Assistant Special Agent in Charge, NCIS Naples. He was a tall, slender African American with an oddly high voice and a manner so precise that he seemed to be doing an imitation of somebody—Clifton Webb, maybe, or William F. Buckley. He had worked with and СКАЧАТЬ