The Map of Time. Felix J. Palma

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СКАЧАТЬ razors became superfluous, and nothing appeared to mark the passage of time. Consequently he concluded that, incredible though it might seem, the moments he spent there were a hiatus in his life, a temporary suspension of his inexorable journey towards death. He realised his imagination had not been playing tricks on him when he returned to the village and the puppy he had taken with him ran to join its siblings: they had all come from the same litter but now the others were grown dogs. Gilliam had not needed to take a single shave during his exploration of the plain, but Eternal, the puppy, was a far more spectacular manifestation of the absence of time in the other world.

      He also deduced that the holes did not lead to other universes, as he had first believed, but to different times in a world that was none other than his own. The pink plain was outside the time continuum, outside time, the arena in which man’s life took place alongside that of plants and other animals. And the beings inhabiting that world, Tremanquai’s Reed People, knew how to break out of the time continuum by creating holes in it that enabled man to travel in time, to cross from one era to another.

      This realisation filled Murray with excitement and dread. He had made the greatest discovery in the history of mankind: he had discovered what lay underneath the world, what lay behind reality. He had discovered the fourth dimension.

      How strange life was, he thought. He had started out trying to find the source of the Nile, and ended up discovering a secret passage that led to the year 2000. But that was how all the greatest discoveries were made. Had not the voyage of the Beagle been prompted by spurious financial and strategic interests? The discoveries resulting from it would have been far less interesting had a young naturalist perceptive enough to notice the variations between finches’ beaks not been on board. And yet the story of natural selection would revolutionise the world. His discovery of the fourth dimension had happened in a similarly random way.

      But what use was there in discovering something if you could not share it with the rest of the world? Gilliam wanted to take Londoners to the year 2000 so that they could see with their own eyes what the future held for them. The question was: how? He could not possibly take boatloads of city-dwellers to a native village in the heart of Africa, where the Reed People were living. The only answer was to move the hole to London. Was that possible? He did not know, but he would lose nothing by trying.

      Leaving Kaufmann and Austin to guard the Reed People, Murray returned to London, where he built a cast-iron box the size of a room. He took it, with a thousand bottles of whisky, to the village, where he planned to strike a bargain that would change people’s perception of the known world. Drunk as lords, the Reed People consented to his whim of singing their magic chants inside the sinister box. Once the hole had materialised, he herded them out and closed the heavy doors behind them. The three men waited until the last of the Reed People had succumbed to the effects of the whisky before setting off for home.

      It was an arduous journey, and only when the enormous box was on the ship at Zanzibar did Murray begin to breathe more easily. Even so, he barely slept a wink during the passage. He spent almost the entire time on deck, gazing lovingly at the fateful box and wondering whether it was not in fact empty. Could one really steal a hole? His eagerness to know the answer to that question gnawed at him, making the return journey seem interminable. He could hardly believe it when at last they docked at Liverpool.

      As soon as he reached his offices, he opened the box in complete secret. The hole was still there! They had successfully stolen it! The next step was to show it to his father.

      ‘What the devil is this?’ exclaimed Sebastian Murray, when he saw the hole shimmering inside the box.

      ‘This is what drove Oliver Tremanquai mad, Father,’ Gilliam replied, pronouncing the explorer’s name with affection. ‘So, take care.’

      His father turned pale. Nevertheless, he accompanied his son through the hole and travelled into the future, to a demolished London where humans hid in the ruins like rats. Once he had got over the shock, father and son agreed they must make this discovery known to the world. And what better way to do this than to turn the hole into a business? Taking people to see the year 2000 would bring in enough money to cover the cost of the journeys and to fund further exploration of the fourth dimension.

      They proceeded to map out a secure route to the hole into the future, eliminating any dangers, setting up lookout posts and smoothing the road so that a tramcar with thirty seats could cross it easily. Sadly, his father did not live long enough to see Murray’s Time Travel open its doors to the public, but Murray consoled himself with the thought that at least he had seen the future beyond his own death.

      Chapter IX

      Once he had finished telling his story, Murray fell silent and looked expectantly at his two visitors. Andrew assumed he was hoping for some kind of response, but had no idea what to say. He felt embarrassed. Everything his host had told them was no more believable than an adventure story. That pink plain seemed about as real to him as Lilliput, the South Sea Island inhabited by little people where Lemuel Gulliver had been shipwrecked. From the stupefied smile on Charles’s face, however, he assumed his cousin did believe it. After all, he had travelled to the year 2000: what did it matter whether he had got there by crossing a pink plain where time had stopped?

      ‘And now, gentlemen, if you would kindly follow me, I’ll show you something only a few trusted people are allowed to see,’ Murray declared, resuming the guided tour of his commodious office.

      With Eternal continually running round his master, the three men walked across to another wall, where a small collection of photographs awaited them with what was probably another map, although this was concealed behind a red silk curtain. Andrew was surprised to discover that the photographs had been taken in the fourth dimension, although they might easily have depicted any desert, since cameras were unable to record the colour of this or any other world. He had to use his imagination, then, to see the white smear of sand as pink. The majority documented routine moments during the expedition: Murray and two other men, presumably Kaufmann and Austin, putting up tents; drinking coffee during a pause; lighting a fire; posing in front of the phantom mountains, almost entirely obscured by thick fog. It all looked too normal.

      Only one of the images made Andrew feel he was contemplating an alien world. In it Kaufmann (who was short and fat) and Austin (who was tall and thin) stood smiling exaggeratedly, hats tilted to the side of their heads, rifles hanging from their shoulders, and one boot resting on the massive head of a fairy-tale dragon, which lay dead on the sand like a hunting trophy. Andrew was about to lean towards it and take a closer look at the amorphous lump, when an awful screeching noise made him start. Beside him, Murray was pulling a gold cord, which drew back the silk curtain, revealing what was behind it.

      ‘Rest assured, gentlemen, you will find no other map like it anywhere in England,’ he declared, swelling with pride. ‘It is an exact replica of the drawing in the Reed People’s cave, expanded, naturally, after our subsequent explorations.’

      What the puppet-theatre curtain had uncovered looked more like a drawing by a child with an active imagination than a map. The colour pink predominated, of course, representing the plain, with the mountains in the middle. But the shadowy peaks were not the only geological feature on the map: in the right-hand corner, for example, there was a squiggly line, presumably a river, and close by it a light-green patch, possibly a forest or meadow. Andrew could not help feeling that these everyday symbols, used in maps that charted the world he lived in, were incongruous in what was supposed to be a map of the fourth dimension. But the most striking thing about the drawing was the gold dots peppering the plain, evidently meant to symbolise the holes. Two – the entrance to the year 2000, and the one now in Murray’s possession – were linked by a thin red line, which must represent the route taken by the time-travelling tramcar.

      ‘As you can see, there are many holes, СКАЧАТЬ