Название: Harvest Moon: A Tangled Web / Cast in Moonlight / Retribution
Автор: Michelle Sagara
Издательство: HarperCollins
Жанр: Ужасы и Мистика
isbn: 9781408976296
isbn:
“If I have learned one thing in my short mortal life, King of the Olympians, it is that nothing lasts forever,” Leo retorted. “And if I have learned another—it is that those who rule a land are responsible for it. Especially when things go wrong.”
“You should be a philosopher,” Zeus said glumly, and motioned for him to follow.
Demeter had experienced many emotions in her long life, but grief was new to her, and so painful that it overwhelmed her in every possible way. And now she was so lost in her grief that she was not sure where she was going, only that she needed to leave Olympia, for it had become a terrible and alien place to her. The other gods, who should have been her allies, were clearly not going to help her get her Kore back. Zeus had probably been in favor of this from the beginning!
Her grief was deepened by that betrayal.
She could not believe that her golden girl had gone with grim Hades of her own free will. He must have bewitched her somehow, and they were unwilling to admit it. Perhaps some of them had even helped him—she wouldn’t have put it past Aphrodite to work her magic just for the sake of the mischief it would cause.
And as soon as Kore was carried beneath the earth, such enchantment would never last. How could Kore, who loved to laugh and frolic in the sun, ever find Hades and his sunless realm attractive, even under the most persuasive of Aphrodite’s magics? She had never seen Hades so much as crack a smile in all the years she had known him. Surely once the magic wore off or was broken, he would terrify her poor child. And as for his realm, his “third of the earth”—
She shuddered. Oh, the Fields of Elysium were all right, but he would never allow an attractive girl like Kore to go there, populated as they were with all manner of the shades of the so-called “Heroes.” Most of those “Heroes” were as lascivious as Zeus, and most of them regarded women as disposable playthings—no, Hades wouldn’t allow his stolen bride anywhere near them. So Kore would find herself mewed up in Hades’s gloomy palace in the Asphodel Fields, without sun, without music or laughter, where nothing grew except the lilies of the dead, and nothing moved but the shades in their dull, bleak, never-changing afterlife, condemned to be bored in the netherworld because they had been boring in their mortal lives. Not that Demeter had ever been there herself, since only Hecate, Hermes, and the gods of the Underworld could journey there, but Hades had complained about it often enough in her hearing.
By now, surely, she was learning the truth of this; by now she must be weeping with fear and loneliness, and longing desperately for her mother and home!
Demeter’s throat closed, and her tears fell faster at the thought. How did mortals bear this dreadful emptiness, this aching sorrow? She was consumed with it, swallowed up, until grief was all that there was. And it was all the worse for being sure that Kore was wrapped in the same agony.
The Tradition held that a goddess was not bound by the restrictions of mortals or even Godmothers; she did not need a spell or magic sandals to make the miles speed beneath her feet. As Hecate did with or without her torch, Demeter only needed to desire to be somewhere—or away from somewhere—and it was so. So her feet took her, as only the feet of a goddess could, across the breadth of the Kingdom in moments; she rejected the fields of Olympia, and the gods that had been her companions, and her feet bore her swiftly away from their knowledge. The gods had not helped her, would not help her, and the fields that no longer would be the playground of her daughter could wither for all she cared. She suffered—so let all of Olympia suffer with her! She mourned—well, all of Olympia, if it would not mourn for her, let it mourn with her.
She knew, though, the moment when her path crossed the border. Behind her, the land was already showing the signs of her sorrow and neglect, as flowers faded and died, fruit dropped unripened and ripe fruit withered. But here…
Here there was something Olympia never saw.
Spring.
Confronted with this living exemplar of the renewal of life, Demeter sank to the ground beside a pure spring that welled up out of the greening earth, sobbing, grieving. As she grieved, she deliberately threw off her beauty and ripeness, transforming herself into the likeness of a barren old woman, withered without, as her heart and soul were withered within.
She cried until her eyes were sore, wept until her voice was no more than a hoarse croak, and thought, Let it be so. When she heard footsteps approaching, and the soft laughter and chatter of young women, she did not even look up.
The chattering suddenly stilled, and silence took its place. Finally, Demeter did look up, to see four pretty young maidens with bronze pitchers in their hands, clustered together and looking at her with faces full of pity. Their clothing was not unlike that of the mortals of Olympia, but they wore wool rather than linen, and were wrapped in the rectangular cloak as well, to keep off the chill in the spring air. They reminded her, in their grace and charm, of Kore, and she was about to burst into tears again, when one of them stepped forward.
“Old mother, we see that there is great sorrow in your heart,” the pretty thing said as the others filled their pitchers. “Why do you lament beside the spring, alone with your grief, when there are many houses in our town that would welcome you, and many who would help you with your burden of tears?”
Demeter listened to the maiden’s words with a faint sense of astonishment. Was this how mortals coped with loss? By sharing it? Was that even possible?
But her heart warmed a very little, because they were so young and pretty and so like Kore, and spoke out of hearts that were clearly kind. “I should not be welcome in your town, dear children,” she replied. “My people are far away, and there are none who would care to be near me in my loss.”
The maiden shook her head. “You are gentle of speech, old mother, showing a noble heart and birth, and clearly rich in experience. If your own people would not welcome you in their houses because you mourn, then the more shame to them. We honor the wisdom that comes with age, and cherish those who achieve it. There are Princes in this land who would be glad of one such as you as nurse to their child, and help you to temper your grief with the joy of an infant’s smile.” The maiden offered a shy smile of her own. “Indeed, my own father, Celeus, would gladly give you hearth-room for such a cause. My mother, Meitaneira, has given us a new brother, and she would rejoice to find such wise help with Demophoon. I feel sure that your heart would grow lighter with him in your arms.”
It took Demeter a moment to realize that the girl was, essentially, offering her a job, that of nursemaid to a young Prince. And rather than feel offended, as Hera might have, she actually did feel a little of her grief pass from her. They meant it kindly; the girl who had spoken had understood, instinctively perhaps, that having an infant in her arms again might well be the balm that Demeter needed to keep from going utterly mad with grief.
So Demeter bowed her head a little. “I am called Doso, maidens.”
The four girls named themselves to her: Callidice and Cleisidice, Demo and Callithoe, who had spoken to her first.
“I thank you for your kindness,” Demeter said gravely. “And I shall follow along behind, for I would have you ask your mother if she would indeed find me suitable as a nurse. Not that I doubt your honesty, but perhaps your hearts are a little more open to a stranger than hers.” She choked back her grief. “Mothers are wise to protect their children, for the world is not all a kindly place, and disaster can fall upon the trusting and unwary.”
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