The Used World. Haven Kimmel
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Название: The Used World

Автор: Haven Kimmel

Издательство: HarperCollins

Жанр: Зарубежный юмор

Серия:

isbn: 9780007390311

isbn:

СКАЧАТЬ Claudia said, more urgently than she meant to. “I wake up every day and it’s the first thing I notice. I wake up in the middle of the night, actually. Sometimes the hole in the day is big, it seems to cover everything, and sometimes it’s like a series of pinpricks.”

      Amos leaned forward, listening.

      “I’m not depressed, though. I’m really quite well.”

      “Are you”—Amos hesitated—“are you lonely?”

      Claudia nearly laughed aloud. Loneliness, she suspected, was a category of experience that existed solely in relation to its opposite. Given that she never felt the latter, she could hardly be afflicted with the former.

      “Loneliness is fascinating,” Amos said. “I see people all the time who say they are lonely but it’s a code word for something else. They can’t recover from their childhood damage, or they’ve decided they hate their wives. I don’t know, I had lunch with a man once who kept complaining about his soup. It was too hot, it was too salty. I remember him putting his spoon down next to the bowl with a practiced…like a slow, theatrical gesture of disgust. The soup was a personal affront to him. I knew on another day it would be something else—he would have been slighted by a clerk somewhere, or the rain would fall just on him, at just the wrong time.”

      “Wait, go back—code for what?”

      “Excuse me?”

      “Loneliness is a code word for what?”

      Amos shrugged. “That’s for you to decide, I guess.”

      They sat in silence a few more minutes, Claudia now fully aware of all the reasons she had never sought counseling before. She glanced at the clock on the wall behind Amos’s desk and realized she needed to get to work. “I need to go,” she said, standing up. Amos stood, too, and for Claudia it was one of those rare occasions when she could look another person in the eye.

      They shook hands and Amos said, smiling as if they were old friends, “It was a pleasure. Come see me again anytime.”

      Salt of the earth. All through the day Claudia considered the phrase as it applied to Ludie, and to her father, Bertram. She didn’t know the provenance, but assumed the words had something to do with Lot’s wife, who could not help but turn and look back at the home she was losing, the friends, the family, the—who knew what all?—button collection, and so was struck down by the same avenging angels who had torched Sodom and Gomorrah. Ludie would not have looked back, of that Claudia was certain. They were plain country people, her parents, upheld all the conservative values that marked the Midwest like a scar. But they had been canny, too—they had played the game by the rules as they understood them. They were insured to the heavens, and when they died they left Claudia a mortgage-free house, and a payout on their individual policies that meant she would never want for anything. For her whole, long life, they seemed to be saying, Claudia would never have to leave the safety of the nest.

      Ten days before Christmas and the Used World Emporium was busy, as it had been the whole month of December. Claudia thought about her mother and Beulah Baker showing up on Amos Townsend’s doorstep and wished, as she wished every day, that she could witness, or better yet, inhabit, any given moment when Ludie was alive. Claudia didn’t need to speak to her, didn’t need to stand in her mother’s attention; she would take anything, any day or hour, just to see Ludie’s hands again, or to watch her tie behind her back (so quickly) the pale blue apron with the red pocket and crooked hem. She thought of these things as she moved a walnut breakfront from booth #37 into the waiting, borrowed truck of a professor and his much-too-young wife, probably a second or third spouse for the distinguished man, and not the last. She carried out boxes of Blue Willow dishes (it multiplied in a frightful way, Blue Willow; 90 percent of what they sold was counterfeit, but in the Used World the sacred rule was Buyer beware). Over the course of the day she wrapped and moved framed Maxfield Parrish advertisements; an oak pie safe with doors of tin pierced into patterns of snowflakes; a spinning wheel Hazel had thought would never sell. She watched the clientele come and go, and they were a specific lot: the faculty and staff from across the river filtered in all day, those who knew nothing about antiques except the surface and the cache. The gay couples who were gentrifying the historic district, well-groomed men who walked apart from each other, their gimlet eyes trained to see exactly the right shade of maroon on a velvet love seat, a pattern of lilies on a cup and saucer that matched their heirloom hand towels. And behind them the crusty, retired farm folk who knew the age and value of every butter churn and cast iron garden table, who silently perused the goods and would not pay the ticket price for anything. Claudia watched them all, this self-selected group of shoppers, aware that just half a mile down James Whitcomb Riley Avenue, the Kmart was doing a bustling business in every other sort of gift, to every other kind of person, and she was grateful to work where she worked, at least this Christmas season. She moved furniture, took off and put on her coat a dozen times, thought about Ludie and Beulah, and she thought about loneliness, a code for something. Everyone she encountered stared at her at least a beat too long, then talked about the weather to disguise it. She nodded in agreement, as the sky grew dense and pearl-gray.

      By three o’clock Rebekah Shook had said, “What a lovely piece—someone will be happy to get it,” approximately twenty-four times, and had meant it on each occasion. She was always the saddest to see anything go. She had wrapped dishes and vases and collectible beer bottles in newspaper until her hands were stained black and her fingerprints were visible on everything she touched. No matter what she was doing or whom she was talking to, she was also remembering the number 31 (or maybe it was 32 now), rising up before her like an animate thing as she was falling asleep, something with power. The 3 was muscular, with hands sharpened to points, and the 1 was a cold marble column. She sat up straighter on the stool behind the counter, closed her eyes. Her lower back ached; the night before, she’d sat down on the edge of the bed, intending to brush her hair, but before she could lift her arms the room had swayed like a hammock. She was on her back, counting the days since she’d last seen Peter, the hairbrush next to her pillow. She didn’t remember anything else until morning, when she woke to the sound of her father’s heavy gait in the hallway outside her room and realized she’d been reliving, in a dream, the last conversation she’d had with her mother.

      It isn’t life, Beckah.

      I don’t understand.

       Of course not, but your father does. I’m going to ride this horse home.

      Which horse, what horse?

       Can’t you see it? It has blue eyes. Turn that knob and see if it comes in any clearer.

      “It’s almost completely dark outside,” Hazel said, coming around behind the counter with a box of miscellaneous Christmas cards.“Sell these for a quarter apiece. Some don’t have envelopes, so if anyone complains tell them that the glue becomes toxic over time anyway.”

      “Does it?” Rebekah asked, flipping through the stack. There were plump little angel babies, snow-covered landscapes, faded Santas affecting listless twinkles.

      “Oh who knows. There are a few in there that date back to the thirties, I’m pretty sure. Who the hell would want to lick something that old?” Hazel jingled as she walked. Today she was wearing, Rebekah noticed, one of her favorite outfits, an orange and yellow batik vest with matching pants. The vest sported big metal buttons designed to look like distressed Mediterranean coins. Under the vest she wore a lime-green turtleneck, on her swollen feet a pair of stretched white leather Keds. Her dangly earrings were miniature Christmas trees with lights that blinked red and green. Hazel had less a sense of style than an affinity for catastrophe, which СКАЧАТЬ