The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime. Judith Flanders
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      JUDITH FLANDERS

       The Invention of Murder

      How the Victorians Revelled in Death and

      Detection and Invented Modern Crime

       For Susan and Ellen without whom …

      CONTENTS

       Cover

       Title Page

       FIVE Panic

       SIX Middle-Class Poisoners

       SEVEN Science, Technology and the Law

       EIGHT Violence

       NINE Modernity

       NOTES

       SOURCES

       SELECT BIBLIOGRAPHY

       INDEX

       ACKNOWLEDGEMENTS

       By the same author

       Copyright

       About the Publisher

       TEXT ILLUSTRATIONS

      ‘The funeral of the murdered Mr. and Mrs. Marr and infant son’, broadside of c.1811. (Bodleian Library, University of Oxford: John Johnson Collection/JJ Crime 10[13])

      ‘The public Exhibition of the Body of Williams’, from The New Newgate Calendar, Vol. V by Andrew Knapp and William Baldwin, c.1826.

      ‘The pond in the garden, into which Mr. Weare was first thrown’, from Pierce Egan’s Account of the Trial of John Thurtell and Joseph Hunt, 1824.

      ‘Execution of William Corder at Bury, August 11 1828’, from An Authentic and Faithful History of the Mysterious Murder of Maria Marten by J. Curtis, 1828.

      ‘Elegiac Lines on the Tragical Murder of Poor Daft Jamie’, broadside of 1829. (National Library of Scotland, Ry.III.a.6[017])

      ‘New’ policeman, from a song-sheet c.1830. (Mary Evans Picture Library)

      ‘Apprehension of the Murderer of the Female whose Body was found in the Edgware Road in December last’, broadside of 1837. (Bodleian Library, University of Oxford: John Johnson Collection/JJ Broadsides: Murder & Executions Folder 6[5])

      ‘Two sudden blows with a ragged stick and one with a heavy one’, illustration by William Harvey for ‘The Dream of Eugene Aram, The Murderer’ by Thomas Hood, 1831.

      Playbill for Jim Myers’ Great American Circus at the Pavilion Theatre, June 1859, including Turpin’s Ride to York, or, The Death of Bonny Black Bess. (Theatre & Performance Collection, Victoria and Albert Museum, London/© V&A Images)

      ‘“Parties” for the gallows’, Punch cartoon, 1845.

      ‘Interior of the court-house, during the trial of Rush – examination of Eliza Chestney’, from the Illustrated London News, 7 April 1849. (Mary Evans Picture Library)

      ‘See, dear, what a sweet doll Ma-a has made for me’, Punch cartoon, 1850.

      ‘Madame Tussaud her wax werkes: ye Chamber of Horrors!!’, Punch cartoon, 1849.

      ‘Execution of the Mannings’, broadside of 1849. (Bodleian Library, University of Oxford: John Johnson Collection/JJ Crime 2[5])

      ‘The Telegraph Office’, from The Progress of Crime: or, Authentic Memoirs of Marie Manning by Robert Huish, 1849. (© The British Library Board. All rights reserved 2011)

      ‘Awful Murder of Lord William Russell, MP’, broadside of 1840. (Bodleian Library, University of Oxford: John Johnson Collection/JJ Broadsides: Murder & Executions Folder 10[29])

      Advertisement for Dr. Mackenzie’s Arsenical Toilet Soap, 1898.

      ‘Sarah Chesham’s Lamentation’, broadside of c.1851. (Bodleian Library, University of Oxford: Firth c.17[261]) ‘Fatal facility; or, Poisons for the asking’, Punch cartoon, 1849. Thomas Griffiths Wainewright, self-portrait, from Janus Weathercock by Jonathan Curling, 1938.

       ‘Drs. Taylor and Rees performing their analysis’, from Illustrated and unabridged edition of the Times report of the trial of W. Palmer for poisoning J.P. Cook, 1856. (© The British Library Board. All rights reserved 2011)

      ‘The Life, Confession and Execution of Mrs. Burdock’, broadside of 1835. (© The British Library Board. All rights reserved 2011)

      ‘Copy of Verses on the Awful Murder of Sara Hart’, broadside of 1845. (© The British Library Board. All rights reserved 2011) Execution of Henry Wainwright, from Supplement to the Illustrated Police News, 21 December 1875. (Guildhall Library, City of London/The Bridgeman Art Library)

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