The Great and Secret Show. Clive Barker

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СКАЧАТЬ between them was perfectly understood. He read the revulsion in the flame that flared behind his enemy’s eye. The genius sauvage, the dope-fiend and Pollyanna Fletcher had been dissolved and reconstructed: joyless, dreamy and bright. Minutes ago he’d been ready to sit by the window, longing to be sky, until longing or death did its work. But not now.

      ‘I see the whole thing,’ he announced, choosing to use his voice-box now that they were equal and opposite. ‘You tempted me to raise you up, so you could steal your way to revelation.’

      ‘And I will,’ the Jaff replied. ‘I’m half way there already.’

      ‘Quiddity won’t open to the likes of you.’

      ‘It’ll have no choice,’ the Jaff replied, ‘I’m inevitable now.’ He raised his hand. Beads of power, like tiny ball-bearings, came sweating from it. ‘You see?’ he said, ‘I’m an Artist.’

      ‘Not ’til you use the Art you’re not.’

      ‘And who’s going to stop me? You?’

      ‘I’ve got no choice. I’m responsible.’

      ‘How? I beat you to a pulp once. I’ll do it again.’

      ‘I’ll raise visions to oppose you.’

      ‘You can try.’ A question came into the Jaff mind as he spoke, which Fletcher had begun to answer before the other had even voiced it.

      ‘Why did I touch your body? I don’t know. It demanded I did. I kept trying to shout it down, but it called.’

      He paused, then said:

      ‘Maybe opposites attract, even in our condition.’

      ‘Then the sooner you’re dead, the better,’ the Jaff said, and reached to tear out his enemy’s throat.

      In the darkness that was creeping over the Mission from the Pacific, Raul heard the first din of battle begin. He knew from echoes in his own Nunciate system that the distillation had been at work behind the walls. His father, Fletcher, had gone out of his own life and into something new. So had the other man, the one he’d always distrusted, even when words like evil were just sounds from a human palate. He understood them now; or at least put them together with his animal response to Jaffe: revulsion. The man was sick to his core, like fruit full of rot. To judge by the sound of violence from inside, Fletcher had decided to fight that corruption. The brief, sweet time he’d had with his father was over. There’d be no more lessons in civility; no more sitting together by the window, listening to ‘the sublime Mozart’ and watching the clouds change shape.

      As the first stars appeared, the sounds from the Mission ceased. Raul waited, hoping that Jaffe had been destroyed, but fearing his father had gone too. After an hour in the cold he decided to venture inside. Wherever they’d gone – Heaven or Hell – he couldn’t follow. The best he could do was put on his clothes, which he’d always despised wearing (they chafed and caged) but which were now a reminder of his master’s tuition. He’d wear them always, so as not to forget the Good Man Fletcher.

      Reaching the door, he realized that the Mission had not been vacated. Fletcher was still there. So was his enemy. Both men still possessed bodies that resembled their former selves, but there was a change in them. Shapes hovered over each: a huge-headed infant, the colour of smoke, over Jaffe; a cloud, with the sun somewhere in its cushion, over Fletcher. The men had their hands at each other’s throats and eyes. Their subtle bodies were similarly intertwined. Perfectly matched, neither could gain victory.

      Raul’s entrance broke the impasse. Fletcher turned, his one good eye focusing on the boy, and in that instant the Jaff took his advantage, flinging his enemy back across the room.

      ‘Out!’ Fletcher yelled to Raul. ‘Get out!’

      Raul did as he was ordered, darting between the dying fires as he raced from the Mission, the ground trembling beneath his bare soles as new furies were unleashed behind him. He had three seconds’ grace to fling himself a little way down the slope before the leeway side of the Mission – walls which had been built to survive until the end of faith – shattered before an eruption of energy. He didn’t cover his eyes against it. Instead he watched, glimpsing the forms of Jaffe and the Good Man Fletcher, twin powers locked together in the same wind, fly out from the centre of the blast over his head, and away into the night.

      The force of the explosion had scattered the bonfires. Hundreds of smaller fires now burned around the Mission. The roof had been almost entirely blown off. The walls bore gaping wounds.

      Lonely already, Raul limped back towards his only refuge.

       VI

      There was a war waged in America that year, perhaps the bitterest and certainly the strangest ever fought on, in or above its soil. For the most part it went unreported, because it went unnoticed. Or rather its consequences (which were many, and often traumatic) seemed so unlike the effects of battle they were consistently misinterpreted. But then this was a war without precedent. Even the most crackpot prophets, the kind who annually predicted Armageddon, didn’t know how to interpret the shaking of America’s entrails. They knew something of consequence was afoot, and had Jaffe still been in the Dead Letter Room in Omaha Post Office he would have discovered countless letters flying back and forth, filled with theories and suppositions. None, however – even from correspondents who’d known in some oblique fashion about the Shoal and the Art – came close to the truth.

      Not only was the combat without precedent, but its nature developed as the weeks went by. The combatants had left the Misión de Santa Catrina with only a rudimentary understanding of their new condition and the powers that went with it. They soon explored and learned to exploit those powers, however, as the necessity of conflict threw their invention into overdrive. As he’d sworn, Fletcher willed an army from the fantasy lives of the ordinary men and women he met as he pursued Jaffe across the country, never giving him time to concentrate his will and use the Art he had access to. He dubbed these visionary soldiers hallucigenia, after an enigmatic species whose fossil remains recorded their existence five hundred and thirty million years previously. A family which, like the fantasies now named for them, bore no antecedents. These soldiers had lives barely longer than that of butterflies. They soon lost their particularity, becoming smoky and vague. But gossamer as they were, they several times carried the day against the Jaff and his legions, the terata, primal fears which Randolph now had the power to call forth from his victims, and make solid for a time. The terata were no less fleeting than the battalions shaped against them. In that, as in everything else, the Jaff and Good Man Fletcher were equally matched.

      So it proceeded, in feints and counterfeits, pincer movements and sweeps, the intention of each army to slaughter the leader of the other. It was not a war the natural world took kindly to. Fears and fantasies were not supposed to take physical form. Their arena was the mind. Now they were solid, their combat raging across Arizona and Colorado, and into Kansas and Illinois, the order of things undone in countless ways by its passage. Crops were slow to show their shoots, preferring to stay in the earth rather than risk their tender heads when creatures in defiance of all natural law were abroad. Flocks of migrating birds, avoiding the paths of haunted thunderheads, came late to their resting grounds, or lost their way entirely and perished. There was in every state a trail of stampedes and gorings, the panicked response of animals who sensed the scale of the conflict being waged to extinction around them. Stallions set their sights on СКАЧАТЬ