Glover’s Mistake. Nick Laird

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СКАЧАТЬ her witness her son’s entombment?’

      ‘Hmmm,’ David encouraged.

      ‘Though apparently he was waiting for ultramarine to paint her blue cloak. The lapis lazuli he needed could only be gotten from Afghanistan.’ There was a pause and then she tried a little political satire: ‘Nowadays they’d just invade it.’

      

      As they headed past Leicester Square station and up Charing Cross Road towards the Bell and Crown, Ruth, like one of Prufrock’s females, was still talking of Michelangelo. She explained to David just why he was the supreme artist, how he represented the culmination of disegno. Just then a bicycle rickshaw went past, ferrying a bridal couple. The man, his hair slicked back as if he’d surfaced in a pool, grinned idiotically and waved. Poking from a millefeuille wedding dress, a wreath of white flowers in her hair, the bride was tossing confetti at passers-by. A trail of it stuck flatly to the wet road. Their cyclist was pumping his thigh muscles under a flapping, neon-blue rain poncho, and ringing his bell over and over. David couldn’t tell if they were genuine or some kind of publicity stunt, but was amazed when Ruth waved back, and even more amazed when he did too.

      Glover acknowledged them with a solemn wink, and they waited and watched him serving. He had an undeniable elegance behind the bar. For a big man he possessed grace. Simultaneously he poured two pints, listened to a customer’s order, laid a banknote in the bed of the till, plucked up change, laughed at something, cracked a comeback, and all the while nodded his head to the R’n’B that slinked from the speakers.

      He wouldn’t take money for the drinks, a first as far as David could remember. He just shook his head and mouthed no, though David noticed him glance to the side to check whether Eugene, his slight ginger colleague, was watching. After passing across two glasses of red, he propped himself on his elbows on the bar, flexing his tennis-ball biceps.

      ‘So how were the pictures? You get plenty to think about?’

      There was an edge of banter to everything. Glover and David became her wayward boys, cocky and mocking and sly. It seemed to fit their three personalities, the little hierarchy of ids and egos and superegos. It was flirtation, David supposed, and surprisingly he was good at it. The Bell’s manager, Tom, came up from the cellar wearing a tight silver shirt—David whispered to Ruth that he should be put in an oven and basted regularly—and then Glover finished his shift and joined them on the other side of the bar.

      They moved to a table, and when David produced his gift shop postcards Glover stared at each in turn and said, without a hint of humour now, how beautiful they were. Ruth began to repeat some of the things she’d said in the gallery, and her lack of irony drew something similar from him. She talked about painting the way Glover talked about cars, with a personal, urgent pride in what others had made. David told them his own theory of art—which was that the finest pictures by the old masters featured either a monkey or a midget, or even, as in the Veronese they’d seen that afternoon, both. The classic double, he called it.

      

      ‘She comes in every day at noon and orders a half of cider. Sits just over there.’

      ‘With the Mirror.’

      ‘Right, and her Dunhill Lights.’

      ‘With a mirror? Why does she bring a mirror?’

      ‘The Daily Mirror newspaper. And it used to be her husband, Ray, who’d come in for a Guinness every afternoon, but Ray’s dead of a heart attack. I’d never even seen her, Irene, before. Then on the first day she came in she sat and cried.’

      ‘She’s on pilgrimage really, honouring his memory. Didn’t Raleigh’s wife carry his head around with her for years?’

      ‘In a velvet bag,’ added David.

      ‘She likes to do the crossword. And she told me once the flat was just too empty without him.’

      David, who had heard the story before, had seen Irene for himself. She’d had her pack of Dunhills propped open beside her and was filling in a puzzle book, pencil poised, one eye screwed shut against the thread of smoke unspooling from the fag clamped between her lips. The mouth itself was caved in and gummy like a tortoise’s. The smoke, and her thinness, had left the impression she might actually be evaporating. Helmeted with a lavender-grey perm, draped in a shapeless maroon cardigan, she had an untied lace on one of her child-sized Adidas trainers, and the loose, lank, trailing thing struck David as desperately sad. The thin gold wedding ring on her finger was not a symbol of devotion but a statement of loss: it said what you love you will lose, and for ever. When she’d shambled to the bar and bought some cheese and onion crisps, the whole effect was somewhat spoiled. According to Glover, Ray had been an absolute bastard: he said Tom had always called him Wifebeater No 1, which led David to presume there were others.

      Ruth was meeting Larry at eight, so David walked her down to the cab office on Greek Street. As he kissed her goodbye he pressed his fingertips, ever so gently, against the small of her back. When he got home he googled disegno and wrote an entry about it on The Damp Review. It was the Italian word for drawing but meant, apparently, much more than that. As Michelangelo had perfected it, disegno was a sublime kind of problem-solving, and the work of art an ideal solution, reconciling the often conflicting demands of function, material, subject, verisimilitude, expressivity…David got bored with typing the list out, and cut and pasted the rest of it…formal beauty, unity and variety, freedom and restraint, invention and respect for tradition. He also posted a second entry prescribing a trip to the National Gallery for anyone bored with shopping, or Hollywood, or crappy weekend newspaper supplements.

       Collective nouns

      On The Damp Review David posted critiques of films mostly but also his thoughts about books, TV shows, plays, restaurants, takeaways, whatever took his fancy. Or didn’t. He found it easier to write on disappointments. Hatreds, easier still. And it was his: they might have the television, the newspapers, the books, but the internet was his. Democratic, public, anonymous—it was his country and he felt grateful to be born in the generation that inherited it. He didn’t tell his family or friends about his site. Not even Glover knew what he got up to in his bedroom.

      He’d begun another little project recently, gathering information on all the people he’d lost touch with over the years. He didn’t contact anyone directly but followed the footprints they left on their strolls through the virtual world. His nemesis from primary school had become a scuba instructor in the Virgin Islands. He found some photos on Rory’s brother’s Flickr account that showed a burnished and shaggy dropout hoisting a tank of air, thick-skinned as a seal in his wetsuit. David and he had been love rivals for Elizabeth S——, who he also found, eventually, on Facebook. She had retained her tragic, android beauty, though she was now holding a kid of her own.

      He’d joined Friends Reunited under the pretence of being another boy from his class, the only person he’d ever hit, now a leading banking litigator. David took his bio from the law firm’s website, where a photo showed him still to be the vulnerable and round-eyed, slope-shouldered boy he’d known. Then he searched MySpace for students at PMP, the private college where he taught, at the same time as checking Arts & Letters Daily, where he found an interesting article on the life of Chaucer. He printed out eight copies for his A-level group and was trying to staple the sheets together when he heard Glover come in from church.

      An old western was on the television in the living room. СКАЧАТЬ