Feather Boy. Nicky Singer

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СКАЧАТЬ says Niker.

      “Of Aragon,” says Derek.

      “Parr,” says Weasel.

      You can see we’ve been learning about Henry VIII. Well, everyone but Niker has.

      “Class,” says Miss Raynham and she shifts downwind – fast. She’s big, Miss Raynham, corpulent, a blob on legs. But she moves like a spider. One minute she’s standing at the front of the class with a smile and a piece of chalk and the next thing you know is she’s zigzagged to your desk and the chalk is in your neck. Or Niker’s neck in this case.

      “Catherine Fenn,” continues Miss Raynham without a pause, “has come to speak to us about the Elders’ Project. Catherine?”

      Attention transfers at once to the front of the class. Catherine is youngish, in her twenties probably, little, dark, and she seems at rather a loss. Her long hair is piled up on her head and held in place with a moon and stars clip. Only the clip isn’t doing a very good job and most of the hair is making a bid for freedom down Catherine’s back. She’s wearing those brightly coloured clothes that look like you’ve dipped them at random in three different vats of dye and – as yet – she hasn’t said anything.

      “Catherine,” repeats Miss Raynham with that scratch and that edgy irritation we all know so well.

      “Hello,” says Catherine at last.

      “Hello, Catherine,” says the class.

      She shifts position, as though she’s Goldilocks and she can’t get comfortable in Mummy Bear’s chair. “Thank you for letting me be here.”

      “Oh boy,” says Niker, and then seems to choke. Could be the chalk at his throat.

      “I…” begins Catherine, but Miss Raynham’s patience is at an end. She strides to the front of the class.

      “We’re very fortunate to have the services of Catherine, who is going to lead a project between children from this class and the residents of the Mayfield Rest Home.”

      “Is that the barmy bin?” asks Weasel.

      “No, Wesley, it is not the barmy bin. And it is partly to counter such ignorant attitudes about the senior members of our society that this project is being undertaken. Now, since we apparently need to return to basics, can anyone tell me what a Rest Home is?”

      Niker’s hand goes up. “It’s a vegetable shop,” he says.

      “Jonathan Niker. Explain yourself.”

      “Well, my Aunt Maisie was there and she was a vegetable.”

      “In a time that was yesterday and tomorrow and eternally present,” says Catherine suddenly, “there lived a prince who had been silent for as long as anyone could remember.” Her voice is so low and urgent that even Niker doesn’t say “Fat Chance”. “And,” Catherine continues, “his mother the Queen was heartbroken at her son’s muteness and the King heartbroken at his wife’s grief. So it was, that on the Prince’s eighteenth birthday, the King issued a proclamation saying that any man or woman who could make the Prince speak would receive the richest reward in the kingdom. However, the penalty for those who tried and failed would be instant death.”

      “Cool,” says Weasel.

      “They tell nursery stories in the nursery,” says Niker, twirling the sharp point of a pencil in the palm of his hand.

      “Does that mean,” Catherine asks, faster than Miss Raynham, “you think this class is too grown up for such tales?”

      “Yes,” says Niker. “Except,” he scans his fellow pupils, “maybe Norbert there.”

      Norbert is the class squit. He’s thin and gangly, his arms and legs like white string loosely knotted at the elbows and knees. His head is too big for his body and, where other people have hair, he has this yellow, fluffy ducks’ down. His eyes are blue, though it’s difficult to see that through the thick glass of his spectacles. If you take his specs off him, and people do, he looks startled. Naked. His real name isn’t Norbert, it’s Robert. Robert Nobel. But I don’t think anyone’s ever called him that. In Kindergarten, when his hair was even more yellow than it is now, they called him “Chick” or “Chickie”. Even Mrs Morgan. But, since Niker arrived in school, it’s been Norbert. Norbert No-Bel. Norbert No-Bells-at-All. Norbert No-Brain. Norbert No-Bottle. I don’t suppose Johnny Niker, who has curly dark hair, green eyes and a fluid, athletic body, has ever imagined what it would be like to look out at the world through Norbert No-Bottle’s spectacles. But I have. Because I am Norbert No-Bottle.

      “Personally,” says Catherine, “I think one never grows out of fairy tales. I think fairy tales contain all of the ways we sort experience, good and bad. In fact, I think stories are the most important form of communication we as human beings have.”

      “Ahem,” says Miss Raynham.

      “What do you think, Jonathan?”

      “Johnny,” says Niker.

      “I don’t think Johnny is a human being,” says Weasel.

      “Right,” says Miss Raynham. “That is quite sufficient, thank you. The purpose of the Elders’ Project is, as Catherine will explain at greater length, to share experiences between young and old. And to learn something. Manners perhaps.”

      It’s Norbert No-Bottle that hurts the most. Niker started calling me that after the Grape Incident. Maybe I’ll tell that story later. Right now I can’t even say the word “grape” without feeling sick. And I still get queasy going down the aisles at Sainsbury’s, just in case I encounter any big, fat, green grapes.

      “We’re going to be telling stories,” says Catherine. “About our lives and those of the Elders. We might look at their childhood experiences compared with yours. Or their wisdoms and yours. And then we’re going to try to make a piece of work that records the things we find out.”

      “What sort of work?” asks Kate.

      “I’m not entirely sure yet. Probably some sort of large picture, or pictures, a collage perhaps of writings, paintings, photos, mementoes. I think we should be looking at two pieces of work. One which might eventually hang in the school and one in the Home.”

      “Groovy,” says Weasel.

      “Naturally,” says Miss Raynham, “not everyone will be able to take part in the project. Working space at Mayfield limits the numbers we can reasonably send.”

      “So we’ll be going to the Home?” asks Derek.

      “Yes. On Wednesday afternoons. For the next four or five weeks. So,” Miss Raynham chin juts challengingly forward, “I’m looking for about ten volunteers.”

      That’s when people look at Niker. Nothing obvious, just a quick glance, a sidelong peek. Is this project going to be for the Cool Gang or the Class Duffers? Is it a good thing or a bad? Will Niker give it his seal of approval? He sits there (I’m looking too, of course) like some Roman Emperor, imperious, disdainful, savouring the lengthening moments during which the rest of us wait to know whether the project lives or dies.

      My СКАЧАТЬ