Dancing in Limbo. Edward Toman

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      A thin trickle of blood dripped from Frank’s temple on to the crumpled grass. He was only half aware of the crowd milling around him, only dimly aware of Noreen bending over him. A hundred vignettes of his past flashed before him. He thought he was in service again, forced to skivvy in Schnozzle’s kitchen for the scraps from the Archbishop’s table. Then he was suddenly a schoolboy again, wincing from the blow to the head that Brother Murphy had dealt him and that had left him speechless for a decade. Another memory flickered into his mind’s eye. He saw himself and Noreen kneeling in supplication at the feet of the Dancing Madonna. In his delirium he tried to reach out to her. She had cured him once, made him whole again, back in the days before she had disappeared. But as her features grew more distinct he began to tremble. He saw in her eyes, not pity, not compassion, but cold, remorseless anger.

      As he groped into semi-consciousness, Frank became aware of the throbbing in his head, and with it he had new terrors to confront. Memories of the past which he had hoped were suppressed for ever began to crowd inexorably into his jangled brain, each more awful than the last. A catalogue of atrocities and betrayals rose before his eyes. Men and women slaughtered as casually as beasts in a shambles. Hypocrisy dressed up as piety, and brutality masquerading as love. Echoing and re-echoing through the recesses of his mind were the words of the poem his father was for ever quoting, shouting it to the empty hedgerows above the noise of the tractor. Some rough beast, its hour come at last, was slouching towards Bethlehem to be born.

      His head began to clear. He stumbled to his knees and vomited, spewing out on the grass the gorge rising from deep within him. Noreen cradled his head between her breasts, staunching with her mantilla the flow of blood from his wound. But his mind was clearer now. He staggered to his feet and seized her by the hand. He had detected a new restlessness sweeping through the crowd. Something unexpected, unplanned was happening. The massed choirs on the Tannoy faltered in their rendition of ‘Deep in the Panting Heart of Rome’. The multitude was beginning to move with a new urgency, pushing towards the gates of the park where the top of the papal transporter was still visible, moving hesitantly in the direction of the exit. Frank heard the crack of wood splintering as the crush barriers that corralled them began to collapse. There were wild men with fanatical eyes running through the throng now, urging them onward with garbled snatches of news, screaming the name McCoy. The helicopter was low overhead, and above the clatter of the rotors he could hear O’Malley on the megaphone frantically ordering the Guards to shoot.

      And then he heard again that most chilling of sounds from his childhood in the North. The discordant jangle of McCoy’s bells. And he knew that what he had seen approaching over the Black Pig’s Dyke had not been a mirage.

      He and Noreen were clutching each other tightly now, struggling against the tide of the crowd, hunched against their thrust, trying desperately to stay upright against the stampede. He opened his mouth to shout to them, to warn them. Something malevolent had come among them, something more powerful and more ancient than their petty sectarianism or their puny religiosity. There had been a time when they might have listened. But Frank Feely had wasted those years, years when he had them in the palm of his hand, wasted his opportunity with jazz bands and futile chatter. Now he wanted to shout a warning to the great mass of humanity rolling past him. But no words would come to him. Again and again he tried to warn them. But his voice had deserted him as surely as it had in his youth, condemning him for ever to a silent scream of rage and impotence and despair.

One

      Sammy Magee’s sausages were never going to win any prizes from the true epicurean, but though fatty and flaccid they had one remarkable feature that brought him customers from as far away as Tandragee. They were faintly marbled throughout their full length — red, white and blue — the colours running through them like a stick of Portrush rock. ‘I’ll take a pound of thon Protestant sauce-dogs!’ the farmers would demand in their mountain accents, sidling into the butcher’s after conducting their bits of business in the town of a Saturday. And though the gristle content was enough to make even the farmyard dogs think twice before tackling them, Magee’s sausages sold like hot cakes, especially coming up to the Twelfth of July.

      The farmers sidling into the shop had another motive too, one they didn’t dare remark on to the butcher’s face. They wanted to get an eyeful of Lily. For it was a curious fact that, like the chameleon, Lily Magee never seemed to be the same colour two weeks running.

      It was with the arrival of the Marching Season proper, when for a brief few weeks Portadown bedecked itself in patriotic livery, that the mystery was solved. Magee was spotted at midnight, trundling a handcart of bunting into the back of the Orange Hall and the cat was out of the bag. By morning the whole town knew that the butcher had a secret sideline supplying loyalist flags and favours, and the coloured sausages and the coloured wife were revealed as the side-effects of this cottage industry. Week in and week out, early on the Sabbath morning, he and Lily had been scouring the dustbins at the back of the linen mill for discarded remnants. They dragged these home through the silent streets and stored them in the shed behind the house.

      During the weeks ahead Lily cut and snipped while Magee himself trundled away on the old Singer, seaming each triangle at the base to accommodate the twine on which he would СКАЧАТЬ