The headline next day said, DEATH BY DEFENESTRATION. It was written by a veteran sub-editor who had cut his teeth on alliteration, an old tabloid habit. Strictly speaking, however, Robert Sweden did not die by defenestration, a custom made popular by Italians in the early 17th century: though there was an open window nearby, he was tossed off a balcony. Whatever the exit, the effect would have been the same. A fall from twenty storeys up, though the quickest, is not the best way of reaching the ground.

Rob Sweden was charming, seemingly generous and gregarious; on the surface he had everything that was needed to hide the fact that, underneath, he was an unmitigated jerk, a sonofabitch and a scoundrel. Only a few people, however, knew this about him: including, presumably, the person who killed him.

His watch, an expensive item that gave the date as well as the hour and was guaranteed to function at forty fathoms, a comfort to drowning swimmers still concerned about punctuality, was smashed to smithereens when he landed. His time of arrival, 9.27 p.m., was given to the police by a passing taxi driver cruising for a fare, though not from above.

At 1.05 a.m. that same night the duty mortuary assistant at the City Morgue was in the body storage room, checking the Completed Bodies list for the past twenty-four hours. Normally he did the check around 11 p.m., but with the arrival of Robert Sweden’s body and another two bodies, he had been busy and two hours had passed before the police had done their paperwork and departed.

Frank Minto was a cheerful man in his late twenties, a half-blood Maori who spent his Saturday afternoons on the rugby field trying to add to the week’s roster of corpses. He had arrived in Sydney two years before and soon found work at the morgue; as he said, it was just like Sunday in Christchurch. Working alone at night he joked with his silent audience and would have been insulted if anyone had suggested his humour was macabre. He would have explained that the dead, rather than being offended by his jokes, laughed silently, knowing that their worries, unlike those of the rest of us, were over and done with. He was a fatalist, though he would be surprised when death came to him.

He was joking with a middle-aged corpse, asking if it was comfortable, as he examined it. The corpse had been brought in just after Sweden’s body had arrived and he had made only a perfunctory examination of it. It was not his job to do a detailed report, but since he had started work at the morgue he had begun to dream of becoming a pathologist, of getting some professional standing. He was scribbling a note on the tiny wound he had found at the base of the dead man’s skull, when he heard the buzzer that told him there was someone at the big door to the morgue’s garage and loading dock.

‘I’ll be back, Jack. Don’t go away.’

Whistling a Billy Ray Cyrus tune, he left the body storage room, closing the heavy door to keep in the chilled air, and went out to the big loading dock. It was empty except for his own battered Toyota. Through the grille of the wide, shuttered door he could see the dark panel van outside. He could also see the dim shape of a man standing by the recently installed intercom.

‘We have a body. A woman from a car accident.’ The man had an accent, but that was not unusual these days. Aussies told him even New Zealanders had an accent, an insult if ever there was one.

‘Nobody told me to expect it.’

‘The police were supposed to tell you we were coming. Anyhow, here she is. Let us in, please.’

Strapped for money by a succession of State governments that, unlike certain СКАЧАТЬ

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Autumn Maze

Dedication

Contents

Chapter One

Autumn Maze. Jon Cleary
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