Название: Confessions
Автор: JoAnn Ross
Издательство: HarperCollins
Жанр: Приключения: прочее
isbn: 9781472009418
isbn:
“Yes. It does.” He stopped being a concerned listener and went back to being a cop. “Look, I don’t know when we’re going to be able to track down your father and with the senator in surgery—”
“You need someone to identify my sister’s body,” Mariah guessed flatly.
“The sooner we get an ID, the sooner we can compile more evidence to help us apprehend her killer.”
Mariah realized that he was talking about an autopsy. Her lips pulled into a tight line. Her gaze drifted, once again, to the bedroom window.
He stood up and put the Stetson back on, adjusting the black felt brim so that a shadow fell over his face. “I’ll drive you into town.”
Mariah was not fond of men who issued orders. But at the moment, she didn’t feel up to driving back down that steep winding road, either.
“Let’s go.” She stood up and although he wouldn’t have thought it possible, given how tight those jeans were, managed to jam her hands into her back pockets. The gesture pulled the crimson shirt tight against her high, firm breasts.
They walked side by side to the Suburban. He opened the door and with a palm to her elbow, helped her up into the passenger seat.
“I’ll be right back. I want to tell J.D. where he can reach me and arrange to have your Jeep driven into town.”
“The keys are in the ignition.”
Mariah watched him enter the house that had smelled like gingerbread cookies, lemon oil and Pine Sol back in the days when it had belonged to her grandmother.
Experience had taught Mariah to trust her intuition about people, and that sixth sense was telling her that Trace Callahan was both intelligent and competent. Her sister was in good hands.
Laura.
Mariah felt the tears stinging at the back of her lids and resolutely blinked them away. There would be time for tears later. Right now she had work to do.
She lit another cigarette and began to compile a mental list.
First she had to identify Laura’s body. Then she had to call her mother and inform the woman she’d always known as Maggie—never Mama, or heaven forbid, Mom—that her firstborn daughter was dead.
She’d have to face her father’s unrelenting disapproval for the first time in more than a decade. She had to try to offer condolences to her wounded son-of-a-bitch brother-in-law without gagging.
And then, somehow, she was going to have to dig down deep enough to find the inner strength to get through the funeral.
In addition to all that, although he didn’t know it yet, Mariah had every intention of helping Whiskey River’s new sheriff apprehend her sister’s murderer.
Then, and only then, when the heartless monsters who’d shot Laura dead, cruelly cutting short a very special life, were behind bars, would she allow herself to cry.
Chapter Four
The medical examiner’s office was in the basement of the town’s eighty-year-old redbrick courthouse. Since the ancient elevator tended to be iffy, Trace decided to skip it.
As Mariah accompanied him down first the narrow flight of stairs and then the long, poorly lit hallway, she couldn’t quite shake the feeling that none of it was real, that she was plotting out a script.
Beautiful wife of charismatic senator is killed in an isolated ranch house during a thunderstorm, she set up the scenario. With the help of the murdered woman’s sister, an award-winning television writer, the crime is solved, the politician husband is arrested and justice wins in the end.
No, Mariah considered. That plot left the wife still dead. She erased the mental slate in her mind and began again.
Beautiful wife of charismatic senator is shot and wounded during a thunderstorm. While she lies in a coma, dogged small-town sheriff and glamorous television writer, estranged from her family for years, set out to prove the husband guilty.
The smoking gun is found. The senator gets a pair of silver bracelets and a ride in the back of a patrol car to jail, where he breaks down and confesses.
His wife wakes up in the hospital, seemingly no worse for her harrowing experience and requests a cup of herbal tea and a divorce. The sisters embrace. The music swells.
“Whatever would I have done without you?” the older sister asks tearfully.
The younger one shrugs. She is not only glamorous and famous, but modest as well. “Hey,” she says, “that’s what sisters are for.”
So, in sixty minutes, minus commercials and a network newsbreak, justice is served, a family is reunited, and the story ends on a happy, upbeat note.
It was a nice scenario, Mariah considered with an inward sigh. Too bad things didn’t work that way in real life.
Unfortunately, there was one thing that was exactly like it appeared on television. And that was the morgue.
Trace flipped the switch beside the door. The rows of fluorescent tubes flickered to life, casting a bright, but complexion-draining light over the scene. Cool air was blowing from the vent above the loading dock door of the windowless room. “The doc’s probably out getting breakfast.”
“I’m amazed he could eat.”
Trace’s only response was a shrug. Taking a new cop out for a Denny’s Grand Slam after he’d watched his first autopsy had long been viewed as a rite of passage.
A metal table stood in the center of the linoleum floor. Beside the table was a scale, like that used in supermarkets to weigh apples and oranges. Although a camera was fixed to the ceiling overhead, allowing photographs of record to be taken, the room lacked the overhead microphone that would allow the forensic pathologist to record his findings for later transcription. Instead, metal clipboards hung from hooks on the bilious green wall.
Between the clipboards and the old-fashioned black wall phone was a cork bulletin board covered with official memoranda, some of which, Mariah noted absently, were years old. Against the opposite wall, rather than the tidy steel compartments she routinely wrote into her scripts, was a walk-in freezer.
Trace gave her a judicious look. “Are you sure you’re up to this?”
“I’m sure.”
Watching her wrap her arms around herself, Trace suspected that it was not the cold she’d find inside the freezer Mariah Swann was trying to ward off, but the iciness that had taken hold of her heart.
She took a deep breath. “Let’s get it over with.”
Mariah had witnessed death before. She had even, on one memorable occasion, in the name of research, sat in on an autopsy. She had to leave the room to throw up when the pathologist popped the top of the skull with a tool that resembled a crowbar, but so had the detective assigned to the case.
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