By Grand Central Station I Sat Down and Wept. Yann Martel
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Название: By Grand Central Station I Sat Down and Wept

Автор: Yann Martel

Издательство: HarperCollins

Жанр: Классическая проза

Серия:

isbn: 9780007375882

isbn:

СКАЧАТЬ over in the pool and her damp dark hair falls like sorrow, like mercy, like the mourning-weeds of pity. Sitting nymphlike in the pool in the late afternoon her pathetic slenderness is covered over with a love as gentle as trusting as tenacious as the birds who rebuild their continually violated nests. When she clasps her hands happily at a tune she likes, it is more moving than I can bear. She is the innocent who is always the offering. She is the goddess of all things which the vigour of living destroys. Why are her arms so empty?

      In the night she moans with the voice of the stream below my window, searching for the child whose touch she once felt and can never forget: the child who obeyed the laws of life better than she. But by day she obeys the voice of love as the stricken obey their god, and she walks with the light step of hope which only the naïve and the saints know. Her shoulders have always the attitude of grieving, and her thin breasts are pitiful like Virgin Shrines that have been robbed.

      How can I speak to her? How can I comfort her? How can I explain to her any more than I can to the flowers that I crush with my foot when I walk in the field? He also is bent towards her in an attitude of solicitude. Can he hear his own heart while he listens for the tenderness of her sensibilities? Is there a way at all to avoid offending the lamb of god?

      Under the waterfall he surprised me bathing and gave me what I could no more refuse than the earth can refuse the rain. Then he kissed me and went down to his cottage.

      Absolve me, I prayed, up through the cathedral redwoods, and forgive me if this is sin. But the new moss caressed me and the water over my feet and the ferns approved me with endearments: My darling, my darling, lie down with us now for you also are earth whom nothing but love can sow.

      And I lay down on the redwood needles and seemed to flow down the canyon with the thunder and confusion of the stream, in a happiness which, like birth, can afford to ignore the blood and the tearing. For nature has no time for mourning, absorbed by the turning world, and will, no matter what devastation attacks her, fulfil in underground ritual, all her proper prophecy.

      Gently the woodsorrel and the dove explained the confirmation and guided my return. When I came out of the woods onto the hill, I had pine needles in my hair for a bridalwreath, and the sea and the sky and the gold hills smiled benignly. Jupiter has been with Leda, I thought, and now nothing can avert the Trojan Wars. All legend will be born, but who will escape alive?

      But what can the woodsorrel and the mourning-dove, who deal only with eternals, know of the thorny sociabilities of human living? Of how the pressure of the hours of waiting, silent and inactive, weigh upon the head with a physical force that suffocates? The simplest daily pleasantries are torture, and a samson effect is needed to avoid his glance that draws me like gravity.

      For excuse, for our being together, we sit at the typewriter, pretending a necessary collaboration. He has a book to be typed, but the words I try to force out die on the air and dissolve into kisses whose chemicals are even more deadly if undelivered. My fingers cannot be martial at the touch of an instrument so much connected with him. The machine sits like a temple of love among the papers we never finish, and if I awake at night and see it outlined in the dark, I am electrified with memories of dangerous propinquity.

      The frustrations of past postponement can no longer be restrained. They hang ripe to burst with the birth of any moment. The typewriter is guilty with love and flowery with shame, and to me it speaks so loudly I fear it will communicate its indecency to casual visitors.

      How stationary life has become, and the hours impossibly elongated. When we sit on the gold grass of the cliff, the sun between us insists on a solution for which we search in vain, but whose urgency we feel unbearably. I never was in love with death before, nor felt grateful because the rocks below could promise certain death. But now the idea of dying violently becomes an act wrapped in attractive melancholy, and displayed with every blandishment. For there is no beauty in denying love, except perhaps by death, and towards love what way is there?

      To deny love, and deceive it meanly by pretending that what is unconsummated remains eternal, or that love sublimated reaches highest to heavenly love, is repulsive, as the hypocrite’s face is repulsive when placed too near the truth. Farther off from the centre of the world, of all worlds, I might be better fooled, but can I see the light of a match while burning in the arms of the sun?

      No, my advocates, my angels with sadist eyes, this is the beginning of my life, or the end. So I lean affirmation across the café table, and surrender my fifty years away with an easy smile. But the surety of my love is not dismayed by any eventuality which prudence or pity can conjure up, and in the end all that we can do is to sit at the table over which our hands cross, listening to tunes from the wurlitzer, with love huge and simple between us, and nothing more to be said.

      * * *

      So hourly, at the slightest noise, I start, I stand ready to feel the roof cave in on my head, the thunder of God’s punishment announcing the limit of his endurance.

      She walks lightly, like the child whose dancing feet will touch off gigantic explosives. She knows nothing, but like autumn birds feels foreboding in the air. Her movements are nervous, there are draughts in every room, but less wise than the birds whom small signs send on three-thousand-mile flights, she only looks vaguely out to the Pacific, finding it strange that heaven has, after all, no Californian shore.

      I have learned to smoke because I need something to hold on to. I dare not be without a cigarette in my hand. If I should be looking the other way when the hour of doom is struck, how shall I avoid being turned into stone unless I can remember something to do which will lead me back to the simplicity and safety of daily living?

      IT is coming. The magnet of its imminent finger draws each hair of my body, the shudder of its approach disintegrates kisses, loses wishes on the disjointed air. The wet hands of the castor-tree at night brush me and I shriek, thinking that at last I am caught up with. The clouds move across the sky heavy and tubular. They gather and I am terror-struck to see them form a long black rainbow out of the mountain and disappear across the sea. The Thing is at hand. There is nothing to do but crouch and receive God’s wrath.

       PART TWO

      God, come down out of the eucalyptus tree outside my window, and tell me who will drown in so much blood.

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