Название: Kinder Than Solitude
Автор: Yiyun Li
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007357109
isbn:
Edwin seemed disappointed, and shrugged and said it mattered more to Celia than to the boys. “Mothers, you know?” he said. “By the way, did you grow up with a tiger mom?”
“No.”
“What do you think of this fuss, then?”
If only she could, as was called for by the situation, say something witty—but rolling one’s eyes and saying witty things were as foreign to her as eight-year-old Jake’s contempt for his friend’s family, who ate the wrong kind of salmon; or Celia’s fretting over their Christmas lights, lest they seem too flashy or too modest. The freedom to act and the freedom to judge, undermining each other, amount to little more than a well-stocked source of anxiety. Is that why, Ruyu wondered, Americans so willingly make themselves smaller—by laughing at others, or, more tactfully, at themselves—when there is no immediate danger to hide from? But danger in the form of poverty and flying bullets and lawless states and untrustworthy friends provides, if not a route to happiness, at least clarity to one’s suffering.
Ruyu looked harshly at Edwin. “I don’t think,” she said, “it is a worthwhile subject.”
Midsummer in Beijing, its extreme heat and humidity occasionally broken by a relieving thunderstorm, gave the impression that life today would be that of tomorrow, and the day after, until forever: the watermelon rinds accumulated at the roadside would go on rotting and attracting swarms of flies; murky puddles in the alleyways from overspilled sewers dwindled, but before they entirely disappeared another storm would replenish them; old men and women, sitting next to bamboo perambulators in the shadows of palace walls, cooled down their grandchildren with giant fans woven of sedge leaves, and if one closed one’s eyes and opened them again one could almost believe that the fans and the babies and the wrinkle-faced grandparents were the same ones from a hundred years ago, captured by a rare photograph in the traveling album of a foreign missionary, who would eventually be executed for spreading evil in a nearby province.
Life, already old, did not age. It was this Beijing, with its languid mood, that Moran loved the most, though she worried it meant little to Ruyu, who seemed to look at both the city and Moran’s enthusiasm askance. Moran tried to see Beijing for the first time with a newcomer’s eyes and felt a moment of panic: perhaps there was nothing poetic in the noises and smells, in the uncleanness and over-crowdedness of the city. When we place our beloved in front of the critical eyes of others, we feel diminished along with the subject being scrutinized. Had Moran been a more experienced person, had she mastered the skill of self-protection, she would have easily masked her love with a cynical or at least distant attitude. Tactless in her youth, she could only corner herself with hope that turned into despair.
“Of course none of them is really a sea,” Moran said apologetically as she leaned her bicycle on a willow tree and sat next to Ruyu on a bench. They were on the waterfront of the Western Sea, a manmade lake, and Moran had pointed out the direction of the other seas: the Back Sea, the Front Sea, and the Northern Sea, to which Boyang and Moran had taken Ruyu the day before, as it was one of the essential places for a tourist to visit. In the past week they had taken Ruyu to temples and palaces, as they would have shown the city to a cousin from out of town.
“Why are they called seas, then?” Ruyu asked. She was not interested in the answer, yet she knew that each question granted her some power over the people she questioned. She liked to watch others feeling obliged, and sometimes more foolishly, elated, to answer her: people do not know that the moment they respond they put themselves on a stand for their interrogators to judge.
“Maybe because Beijing is not next to the ocean?” Moran said, though without any certainty.
Ruyu nodded, feeling lenient enough not to point out that Moran’s words made little sense. Within days of her arrival, Ruyu knew that Moran had been placed in her new life because of the convenience such a person would provide, though that did not stop her from wishing that Moran could be kept at a distance, or did not exist at all.
“Have you ever been to the seaside?” Moran asked.
“No.”
“Neither have I,” Moran said. “I would like to see the ocean someday. Boyang and his family go every summer.”
This was so like Moran, Ruyu thought, offering information when no one asked her to. The flowers every family kept on windowsills, Moran had explained to Ruyu when she’d caught Ruyu looking at the blossoms the morning after her arrival, were geraniums, and they were known to expel bugs. The two magnolia trees at the center of the courtyard were at least fifty years old, planted as “husband and wife” trees for good fortune. In late summer everyone would watch out for wasps because the grapevines Teacher Pang cultivated at the end of the courtyard were known for their juicy grapes. The pomegranate tree by the fence, which was now dropping heavy-petaled, fire-colored blossoms, did not bear edible fruit, though a tree in the next quadrangle, which was not blooming quite as well, produced the sweetest pomegranates. She’d explained each family’s background: Teacher Pang and his wife, Teacher Li, were both elementary school teachers, and they had agreed not to work in the same school or district because it would have been boring to be around the same people all the time; only the youngest of their three children was still in school, the older two having jobs at factories, but all three lived at home. Old Shu, a widower whose children had all married, lived with his mother, who would turn a hundred next summer. Watermelon Wen, a loud and happy bus driver, had earned his nickname because he had a round belly; he and his wife, an equally loud and round trolley conductor, had a pair of twin boys not yet in school. Sometimes their mother would not differentiate them and called them both Little Watermelon. Moran’s own parents worked in the Ministry of Mines, her father a researcher and her mother a clerk.
Only stupid people, in the opinion of Ruyu’s grandaunts, would freely dispense what little knowledge they possessed; at times even teachers were not exempted from that category. Ruyu had always found the world a predictable place, as it was filled with people who would, with words and actions, confirm her grandaunts’ convictions of the smallness of any mortal mind.
Ruyu watched Moran weave a few willow leaves into a sailboat and release it into the water. Foolishly occupied, she could hear her grandaunts comment. “Why don’t you go with Boyang to the seaside?” she asked.
Moran laughed. “I’m not part of his family.”
Ruyu gazed at Moran, as though she was waiting for the latter to defend her shoddy logic with more sensible words, and Moran realized that perhaps family meant something different for Ruyu. Before her arrival, Moran and Boyang had talked between themselves, but neither knew what it was like to be an orphan. Years ago, when Teacher Pang and Teacher Li had purchased the first black-and-white television set of the quadrangle, the residents used to gather in their house for any kind of entertainment. Once there was a movie about the famine in Henan province, in which a girl, who had lost both parents, walked to the crossroads and stuck a long stem of grass in her hair, indicating to the passersby that she was for sale. Moran was six then, the same age as the girl in the movie, and she was so impressed by the lofty calmness of the orphan on screen that she started to cry. What a kindhearted girl, the elders in the quadrangle had commented, not knowing that Moran had cried out of the shame of being an inferior person: she would never be as beautiful and strong as that orphan.
Moran had thought often about the movie before Ruyu’s arrival. Did Ruyu know anything about her parents at all, Moran had wondered; was she the kind of girl who would sit at a crossroads, waiting to be purchased with a contemptuous smile against her orphan’s fate? What СКАЧАТЬ