Christine. Elizabeth von Arnim

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СКАЧАТЬ trying to get poor Dad well in all those Kurorten, you'll understand how queer my bedroom looks, like a very solemn and gloomy drawingroom into which it has suddenly occurred to somebody to put a bed. It is a tall room: tall of ceiling, which is painted at the corners with blue clouds and pink cherubim—unmistakable Germans—and tall of door, of which there are three, and tall of window, of which there are two. The windows have long dark curtains of rep or something woolly, and long coffee-coloured lace curtains as well; and there's a big green majolica stove in one corner; and there's a dark brown wall-paper with gilt flowers on it; and an elaborate chandelier hanging from a coloured plaster rosette in the middle of the ceiling, all twisty and gilt, but it doesn't light,—Wanda, the maid of all work, brings me a petroleum lamp with a green glass shade to it when it gets dusk. I've got a very short bed with a dark red sateen quilt on to which my sheet is buttoned a11 round, a pillow propped up so high on a wedge stuck under the mattress that I shall sleep sitting up almost straight, and then as a crowning glory the sack of feathers, which will do beautifully for holding me down when I'm having a nightmare. In a corner, with an even greater air of being an afterthought than the bed, there's a very tiny washstand, and pinned on the wall behind it over the part of the wallpaper I might splash on Sunday mornings when I'm supposed really to wash, is a strip of grey linen with a motto worked on it in blue wool:

      Eigener Heerd

      Ist Goldes Werth

      which is a rhyme if you take it in the proper spirit, and isn't if you don't. But I love the sentiment, don't you? It seems peculiarly sound when one is in a room like this in a strange country. And what I'm here for and am going to work for is an eigener Heerd, with you and me one each side of it warming our happy toes on our very own fender. Oh, won't it be too lovely, mother darling, to be together again in our very own home! Able to shut ourselves in, shut our front door in the face of the world, and just say to the world, "There now."

      There's a little looking-glass on a nail up above the eigener Heerd motto, so high that if it hadn't found its match in me I'd only be able to see my eyebrows in it. As it is, I do see as far as my chin. What goes on below that I shall never know while I continue to dwell in the Lutzowstrasse. Outside, a very long way down, for the house has high rooms right through and I'm at the top, trams pass almost constantly along the street, clanging their bells. They sound much more aggressive than other trams I have heard, or else it is because my ears are tired tonight. There are double windows, though, which will shut out the noise while I'm practising—and also shut it in. I mean to practise eight hours every day if Kloster will let me,—twelve if needs be, so I've made up my mind only to write to you on Sundays; for if I don't make a stern rule like that I shall be writing to you every day, and then what would happen to the eight hours? I'm going to start them tomorrow, and try and get as ready as I can for the great man on Saturday. I'm fearfully nervous and afraid, for so much depends on it, and in spite of knowing that somehow from somewhere I've got a kind of gift for fiddling. Heaven knows where that little bit of luck came from, seeing that up to now, though you're such a perfect listener, you haven't developed any particular talent for playing anything, have you mother darling; and poor Dad positively preferred to be in a room where music wasn't. Do you remember how he used to say he couldn't think which end of a violin the noises came out of, and whichever it was he wished they wouldn't? But what a mercy, what a real mercy and solution of our difficulties, that I've got this one thing that perhaps I shall be able to do really well, I do thank God on my knees for this.

      There are four other boarders here,—three Germans and one Swede, and the Swede and two of the Germans are women; and five outside people come in for the midday dinner every day, all Germans, and four of them are men. They have what they call Abonnementskarten for their dinners, so much a month. Frau Berg keeps an Open Midday Table—it is written up on a board on the street railing—and charges 1 mark 25 pfennigs a dinner if a month's worth of them is taken, and 1 mark 50 pfennigs if they're taken singly. So everybody takes the month's worth, and it is going to be rather fun, I think. Today I was solemnly presented to the diners, first collectively by Frau Berg as Unser junge englische Gast, Mees—no, I can't write what she made of Cholmondeley, but some day I'll pronounce it for you; and really it is hard on her that her one English guest, who might so easily have been Evans, or Dobbs, or something easy, should have a name that looks a yard long and sounds an inch short—and then each of them to me singly by name. They all made the most beautiful stiff bows. Some of them are students, I gathered; some, I imagine, are staying here because they have no homes,—wash-ups on the shores of life; some are clerks who come in for dinner from their offices near by; and one, the oldest of the men and the most deferred to, is a lawyer called Doctor something. I suppose my being a stranger made them silent, for they were all very silent and stiff, but they'll get used to me quite soon I expect, for didn't you once rebuke me because everybody gets used to me much too soon? Being the newest arrival I sat right at the end of the table in the darkness near the door, and looking along it towards the light it was really impressive, the concentration, the earnestness, the thoroughness, the skill, with which the two rows of guests dealt with things like gravy on their plates,—elusive, mobile things that are not caught without a struggle. Why, if I can manage to apply myself to fiddling with half that skill and patience I shall be back home again in six months!

      I'm so sleepy, I must leave off and go to bed. I did sleep this morning, but only for an hour or two; I was too much excited, I think, at having really got here to be able to sleep. Now my eyes are shutting, but I do hate leaving off, for I'm not going to write again till Sunday, and that is two whole days further ahead, and you know my precious mother it's the only time I shall feel near you, when I'm talking to you in letters. But I simply can't keep my eyes open any longer, so goodnight and good-bye my own blessed one, till Sunday. All my heart's love to you.

      Your Chris.

      We have supper at eight, and tonight it was cold herrings and fried potatoes and tea. Do you think after a supper like that I shall be able to dream of anybody like you?

      Sunday, May 31st, 1914

      Precious mother,

      I've been dying to write you at least six times a day since I posted my letter to you the day before yesterday, but rules are rules, aren't they, especially if one makes them oneself, because then the poor little things are so very helpless, and have to be protected. I couldn't have looked myself in the face if I'd started off by breaking my own rule, but I've been thinking of you and loving you all the time—oh, so much!

      Well, I'm very happy. I'll say that first, so as to relieve your darling mind. I've seen Kloster, and played to him, and he was fearfully kind and encouraging. He said very much what Ysaye said in London, and Joachim when I was little and played my first piece to him standing on the dining-room table in Eccleston Square and staring fascinated, while I played, at the hairs of his beard, because I'd never been as close as that to a beard before. So I've been walking on clouds with my chin well in the air, as who wouldn't? Kloster is a little round, red, bald man, the baldest man I've ever seen; quite bald, with hardly any eyebrows, and clean-shaven as well. He's the funniest little thing till you join him to a violin, and then—! A year with him ought to do wonders for me. He says so too; and when I had finished playing—it was the G minor Bach—you know,—the one with the fugue beginning:

      [Transcriber's note: A Lilypond rendition of the music fragment can be found at the end of this e-text.]

      he solemnly shook hands with me and said—what do you think he said?—"My Fraulein, when you came in I thought, 'Behold yet one more well-washed, nice-looking, foolish, rich, nothing-at-all English Mees, who is going to waste my time and her money with lessons.' I now perceive that I have to do with an artist. My Fraulein ich gratuliere." And he made me the funniest little solemn bow. I thought I'd die of pride.

      I don't know why he thought me rich, seeing how ancient all my clothes are, and especially my blue jersey, which is what I put on because I can play so comfortably in it; except that, as I've already noticed, people here seem persuaded that everybody СКАЧАТЬ