The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 474, Supplementary Number. Various

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      The solitude which I have vaunted so

      Has lost its praise in this but one regret;

      There may be others which I less may show;—

      I am not of the plaintive mood, and yet

      I feel an ebb in my philosophy

      And the tide rising in my alter'd eye.

      AMOUR AT VENICE

      "I wrote to you from Verona the other day in my progress hither, which letter I hope you will receive. Some three years ago, or it may be more, I recollect you telling me that you had received a letter from our friend, Sam, dated "On board his gondola." My gondola is, at this present, waiting for me on the canal; but I prefer writing to you in the house, it being autumn—and rather an English autumn than otherwise. It is my intention to remain at Venice during the winter, probably, as it has always been (next to the east) the greenest island of my imagination. It has not disappointed me; though its evident decay would, perhaps, have that effect upon others. But I have been familiar with ruins too long to dislike desolation. Besides, I have fallen in love, which, next to falling into the canal (which would be of no use, as I can swim,) is the best or the worst thing I could do. I have got some extremely good apartments in the house of a "Merchant of Venice," who is a good deal occupied with business, and has a wife in her twenty-second year. Marianna (that is her name) is in her, appearance altogether like an antelope. She has the large, black, oriental eyes, with that peculiar expression in them, which is seen rarely among Europeans—even the Italians—and which many of the Turkish women give themselves by tinging the eyelid—an art not known out of that country, I believe. This expression she has naturally—and something more than this. In short, I cannot describe the effect of this kind of eye—at least upon me. Her features are regular, and rather aquiline—mouth small—skin clear and soft, with a kind of hectic colour—forehead remarkably good; her hair is of the dark gloss, curl, and colour of Lady J–'s; her figure is light and pretty, and she is a famous songstress—scientifically so; her natural voice (in conversation, I mean,) is very sweet; and the naiveté of the Venetian dialect is always pleasing in the mouth of a woman.

      You will perceive that my description, which was proceeding with the minuteness of a passport, has been interrupted for several days. In the meantime.

      Since my former dates, I do not know that I have much to add on the subject, and, luckily, nothing to take away; for I am more pleased than ever with my Venetian, and begin to feel very serious on that point—so much so, that I shall be silent.

      By way of divertisement, I am studying daily, at an Armenian monastery, the Armenian language. I found that my mind wanted something craggy to break upon; and this—as the most difficult thing I could discover here for an amusement—I have chosen, to torture me into attention. It is a rich language, however, and would amply repay any one the trouble of learning it. I try, and shall go on;—but I answer for nothing, least of all for my intentions or my success. There are some very curious MSS. in the monastery, as well as books; translations also from Greek originals, now lost, and from Persian and Syriac, &c.; besides works of their own people. Four years ago the French instituted an Armenian professorship. Twenty pupils presented themselves on Monday morning, full of noble ardour, ingenuous youth, and impregnable industry. They persevered with a courage worthy of the nation and of universal conquest, till Thursday; when fifteen of the twenty succumbed to the six and twentieth letter of the alphabet. It is, to be sure, a Waterloo of an Alphabet—that must be said for them. But it is so like these fellows, to do by it as they did by their sovereigns—abandon both; to parody the old СКАЧАТЬ