Athens: Its Rise and Fall, Complete. Эдвард Бульвер-Литтон

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СКАЧАТЬ of which was intended to impose a check upon the wars and disorders of the Peloponnesus. Thus authorized, the festival was solemnized at the temple of Jupiter, at Olympia, near Pisa, a town in Elis. It was held every fifth year; it lasted four days. It consisted in the celebration of games in honour of Jupiter and Hercules. The interval between each festival was called, an Olympiad. After the fiftieth Olympiad (B. C. 580), the whole management of the games, and the choice of the judges, were monopolized by the Eleans. Previous to each festival, officers, deputed by the Eleans, proclaimed a sacred truce. Whatever hostilities were existent in Greece, terminated for the time; sufficient interval was allowed to attend and to return from the games. 109

      During this period the sacred territory of Elis was regarded as under the protection of the gods—none might traverse it armed. The Eleans arrogated indeed the right of a constant sanctity to perpetual peace; and the right, though sometimes invaded, seems generally to have been conceded. The people of this territory became, as it were, the guardians of a sanctuary; they interfered little in the turbulent commotions of the rest of Greece; they did not fortify their capital; and, the wealthiest people of the Peloponnesus, they enjoyed their opulence in tranquillity;—their holy character contenting their ambition. And a wonderful thing it was in the midst of those warlike, stirring, restless tribes—that solitary land, with its plane grove bordering the Alpheus, adorned with innumerable and hallowed monuments and statues—unvisited by foreign wars and civil commotion—a whole state one temple!

      At first only the foot-race was exhibited; afterward were added wrestling, leaping, quoiting, darting, boxing, a more complicated species of foot-race (the Diaulus and Dolichus), and the chariot and horse-races. The Pentathlon was a contest of five gymnastic exercises combined. The chariot-races 110 preceded those of the riding horses, as in Grecian war the use of chariots preceded the more scientific employment of cavalry, and were the most attractive and splendid part of the exhibition. Sometimes there were no less than forty chariots on the ground. The rarity of horses, and the expense of their training, confined, without any law to that effect, the chariot-race to the highborn and the wealthy. It was consistent with the vain Alcibiades to decline the gymnastic contests in which his physical endowments might have ensured him success, because his competitors were not the equals to the long-descended heir of the Alcmaeonidae. In the equestrian contests his success was unprecedented. He brought seven chariots into the field, and bore off at the same time the first, second, and fourth prize 111. Although women 112, with the exception of the priestesses of the neighbouring fane of Ceres, were not permitted to witness the engagements, they were yet allowed to contend by proxy in the chariot-races; and the ladies of Macedon especially availed themselves of the privilege. No sanguinary contest with weapons, no gratuitous ferocities, no struggle between man and beast (the graceless butcheries of Rome), polluted the festival dedicated to the Olympian god. Even boxing with the cestus was less esteemed than the other athletic exercises, and was excluded from the games exhibited by Alexander in his Asiatic invasions 113. Neither did any of those haughty assumptions of lineage or knightly blood, which characterize the feudal tournament, distinguish between Greek and Greek. The equestrian contests were indeed, from their expense, limited to the opulent, but the others were impartially free to the poor as to the rich, the peasant as the noble,—the Greeks forbade monopoly in glory. But although thus open to all Greeks, the stadium was impenetrably closed to barbarians. Taken from his plough, the boor obtained the garland for which the monarchs of the East were held unworthy to contend, and to which the kings of the neighbouring Macedon were forbidden to aspire till their Hellenic descent had been clearly proved 114. Thus periodically were the several states reminded of their common race, and thus the national name and character were solemnly preserved: yet, like the Amphictyonic league, while the Olympic festival served to maintain the great distinction between foreigners and Greeks, it had but little influence in preventing the hostile contests of Greeks themselves. The very emulation between the several states stimulated their jealousy of each other: and still, if the Greeks found their countrymen in Greeks they found also in Greeks their rivals.

      We can scarcely conceive the vast importance attached to victory in these games 115; it not only immortalized the winner, it shed glory upon his tribe. It is curious to see the different honours characteristically assigned to the conqueror in different states. If Athenian, he was entitled to a place by the magistrates in the Prytaneum; if a Spartan, to a prominent station in the field. To conquer at Elis was renown for life, “no less illustrious to a Greek than consulship to a Roman!” 116 The haughtiest nobles, the wealthiest princes, the most successful generals, contended for the prize 117. And the prize (after the seventh Olympiad) was a wreath of the wild olive!

      Numerous other and similar games were established throughout Greece. Of these, next to the Olympic, the most celebrated, and the only national ones, were the Pythian at Delphi, the Nemean in Argolis, the Isthmian in Corinth; yet elsewhere the prize was of value; at all the national ones it was but a garland—a type of the eternal truth, that praise is the only guerdon of renown. The olive-crown was nothing!– the shouts of assembled Greece—the showers of herbs and flowers—the banquet set apart for the victor—the odes of imperishable poets—the public register which transmitted to posterity his name—the privilege of a statue in the Altis—the return home through a breach in the walls (denoting by a noble metaphor, “that a city which boasts such men has slight need of walls” 118), the first seat in all public spectacles; the fame, in short, extended to his native city— bequeathed to his children—confirmed by the universal voice wherever the Greek civilization spread; this was the true olive-crown to the Olympic conqueror!

      No other clime can furnish a likeness to these festivals: born of a savage time, they retained the vigorous character of an age of heroes, but they took every adjunct from the arts and the graces of civilization. To the sacred ground flocked all the power, and the rank, and the wealth, and the intellect, of Greece. To that gorgeous spectacle came men inspired by a nobler ambition than that of the arena. Here the poet and the musician could summon an audience to their art. If to them it was not a field for emulation 119, it was at least a theatre of display.

      XIX. The uses of these games were threefold;—1st, The uniting all Greeks by one sentiment of national pride, and the memory of a common race; 2dly, The inculcation of hardy discipline—of physical education throughout every state, by teaching that the body had its honours as well as the intellect—a theory conducive to health in peace—and in those ages when men fought hand to hand, and individual strength and skill were the nerves of the army, to success in war; but, 3dly, and principally, its uses were in sustaining and feeding as a passion, as a motive, as an irresistible incentive—the desire of glory! That desire spread through all classes—it animated all tribes—it taught that true rewards are not in gold and gems, but in men’s opinions. The ambition of the Altis established fame as a common principle of action. What chivalry did for the few, the Olympic contests effected for the many—they made a knighthood of a people.

      If, warmed for a moment from the gravity of the historic muse, we might conjure up the picture of this festival, we would invoke the imagination of the reader to that sacred ground decorated with the profusest triumphs of Grecian art—all Greece assembled from her continent, her colonies, her isles—war suspended—a Sabbath of solemnity and rejoicing—the Spartan no longer grave, the Athenian forgetful of the forum—the highborn Thessalian, the gay Corinthian— the lively gestures of the Asiatic Ionian;—suffering the various events of various times to confound themselves in one recollection of the past, he may see every eye turned from the combatants to one majestic figure—hear every lip murmuring a single name 120– glorious in greater СКАЧАТЬ