Godolphin, Volume 4. Эдвард Бульвер-Литтон

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СКАЧАТЬ stupid people often become very musical: it is a sort of pretension to intellect that suits their capacities. Plutarch says somewhere that the best musical instruments are made from the jaw-bones of asses. Plutarch never made a more sensible observation. Lord Erpingham had of late taken greatly to operas: he talked of writing one himself; and not being a performer, he consoled himself by becoming a patron. Italy, therefore, presented to him manifold captivations—he thought of fiddling, but he talked only of his wife's health. Amidst the regrets of the London world, they made their arrangements, and prepared to set out at the end of the season for the land of Paganini and Julius Caesar.

      Two nights before their departure, Lady Erpingham gave a farewell party to her more intimate acquaintance. Saville, who always contrived to be well with every one who was worth the trouble it cost him, was of course among the guests. Years had somewhat scathed him since he last appeared on our stage. Women had ceased to possess much attraction for his jaded eyes: gaming and speculation had gradually spread over the tastes once directed to other pursuits. His vivacity had deserted him in great measure, as years and infirmity began to stagnate and knot up the current of his veins; but conversation still possessed for and derived from him its wonted attraction. The sparkling jeu d'esprit had only sobered down into the quiet sarcasm; and if his wit rippled less freshly to the breeze of the present moment, it was coloured more richly by the glittering sands which rolled down from the experience that over shadowed the current. For the wisdom of the worldly is like the mountains that, sterile without, conceal within them unprofitable ore: only the filings and particles escape to the daylight and sparkle in the wave; the rest wastes idly within. The Pactolus takes but the sand-drifts from the hoards lost to use in the Tmolus.

      "And how," said Saville, seating himself by Lady Erpingham, "how shall we bear London when you are gone? When society—the everlasting draught—had begun to pall upon us, you threw your pearl into the cup; and now we are grown so luxurious, that we shall never bear the wine without the pearl."

      "But the pearl gave no taste to the wine: it only dissolved itself—idly, and in vain."

      "Ah, my dear Lady Erpingham, the dullest of us, having once seen the pearl, could at least imagine that we were able to appreciate the subtleties of its influence. Where, in this little world of tedious realities, can we find anything even to imagine about, when you abandon us?"

      "Nay! do you conceive that I am so ignorant of the framework of society as to suppose that I shall not be easily replaced? King succeeds king, without reference to the merits of either: so, in London, idol follows idol, though one be of jewels and the other of brass. Perhaps, when I return, I shall find you kneeling to the dull Lady A–, or worshipping the hideous Lady Z–."

      "'Le temps assez souvent a rendu legitime

      Ce qui sembloit d'abord ne se pouvoir sans crime;"'

      answered Saville with a mock heroic air. "The fact is, that we are an indolent people; the person who succeeds the most with us has but to push the most. You know how Mrs. –, in spite of her red arms, her red gown, her city pronunciation, and her city connexions, managed—by dint of perseverance alone—to become a dispenser of consequence to the very countesses whom she at first could scarcely coax into a courtesy. The person who can stand ridicule and rudeness has only to desire to become the fashion—she or he must be so sooner or later."

      "Of the immutability of one thing among all the changes I may witness on my return, at least I am certain no one still will dare to think for himself. The great want of each individual is, the want of an opinion! For instance, who judges of a picture from his own knowledge of painting? Who does not wait to hear what Mr. –, or Lord – (one of the six or seven privileged connoisseurs), says of it? Nay, not only the fate of a single picture, but of a whole school of painting, depends upon the caprice of some one of the self-elected dictators. The King, or the Duke of –, has but to love the Dutch school and ridicule the Italian, and behold a Raphael will not sell, and a Teniers rises into infinite value! Dutch representations of candlesticks and boors are sought after with the most rapturous delight; the most disagreeable objects of nature become the most worshipped treasures of art; and we emulate each other in testifying our exaltation of taste by contending for the pictured vulgarities by which taste itself is the most essentially degraded. In fact, too, the meaner the object, the more certain it is with us of becoming the rage. In the theatre, we run after the farce; in painting, we worship the Dutch school; in–"

      "Literature?" said Saville.

      "No!—our literature still breathes of something noble; but why? Because books do not always depend upon a clique. A book, in order to succeed, does not require the opinion of Mr. Saville or Lady Erpingham so much as a picture or a ballet."

      "I am not sure of that," answered Saville, as he withdrew presently afterwards to a card-table, to share in the premeditated plunder of a young banker, who was proud of the honour of being ruined by persons of rank.

      In another part of the rooms Constance found a certain old philosopher, whom I will call David Mandeville. There was something about this man that always charmed those who had sense enough to be discontented with the ordinary inhabitants of the Microcosm,—Society. The expression of his countenance was different from that of others: there was a breathing goodness in his face—an expansion of mind on his forehead. You perceived at once that he did not live among triflers, nor agitate himself with trifles. Serenity beamed from his look—but it was the serenity of thought. Constance sat down by him.

      "Are you not sorry," said Mandeville, "to leave England? You, who have made yourself the centre of a circle which, for the varieties of its fascination, has never perhaps been equalled in this country? Wealth—rank—even wit—others might assemble round them: but none ever before convened into one splendid galaxy all who were eminent in art, famous in letters, wise in politics, and even (for who but you were ever above rivalship?) attractive in beauty. I should have thought it easier for us to fly from the Armida, than for the Armida to renounce the scene of her enchantment—the scene in which De Stael bowed to the charms of her conversation, and Byron celebrated those of her person."

      We may conceive the spell Constance had cast around her, when even philosophy (and Mandeville of all philosophers) had learned to flatter; but his flattery was sincerity.

      "Alas!" said Constance, sighing, "even if your compliment were altogether true, you have mentioned nothing that should cause me regret. Vanity is one source of happiness, but it does not suffice to recompense us for the absence of all others. In leaving England, I leave the scene of everlasting weariness. I am the victim of a feeling of sameness, and I look with hope to the prospect of change."

      "Poor thing!" said the old philosopher, gazing mournfully on a creature who, so resplendent with advantages, yet felt the crumpled rose-leaf more than the luxury of the couch. "Wherever you go the same polished society will present to you the same monotony. All courts are alike: men have change in action; but to women of your rank all scenes are alike. You must not look without for an object—you must create one within. To be happy we must render ourselves independent of others."

      "Like all philosophers, you advise the impossible," said Constance.

      "How so? Have not the generality of your sex their peculiar object? One has the welfare of her children; another the interest of her husband; a third makes a passion of economy; a fourth of extravagance; a fifth of fashion; a sixth of solitude. Your friend yonder is always employed in nursing her own health: hypochondria supplies her with an object; she is really happy because she fancies herself ill. Every one you name has an object in life that drives away ennui, save yourself."

      "I have one too," said Constance, smiling, "but it does not fill up all the spaces of time. The intervals between the acts are longer than the acts themselves."

      "Is your object religion?" asked Mandeville, simply. Constance was startled: the question was novel. "I fear not," СКАЧАТЬ