"My Novel" — Volume 02. Эдвард Бульвер-Литтон

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СКАЧАТЬ ingenuity of Nature, partly inherited from some ancestral spinster, partly amassed by Mr. Leslie himself in a youthful excursion to the seaside. There were the farm-bailiff's accounts, several files of bills, an old stirrup, three sets of knee and shoe buckles which had belonged to Mr. Leslie's father, a few seals tied together by a shoe-string, a shagreen toothpick case, a tortoise shell magnifying-glass to read with, his eldest son's first copybooks, his second son's ditto, his daughter's ditto, and a lock of his wife's hair arranged in a true lover's knot, framed and glazed. There were also a small mousetrap; a, patent corkscrew too good to be used in common; fragments of a silver teaspoon, that had, by natural decay, arrived at a dissolution of its parts; a small brown holland bag, containing halfpence of various dates, as far back as Queen Anne, accompanied by two French /sous/ and a German /silber gros/,—the which miscellany Mr. Leslie magniloquently called "his coins," and had left in his will as a family heirloom. There were many other curiosities of congenial nature and equal value—/quae nunc describere longum est/. Mr. Leslie was engaged at this time in what is termed "putting things to rights,"—an occupation he performed with exemplary care once a week. This was his day; and he had just counted his coins, and was slowly tying them up again in the brown holland bag, when Frank's knock reached his ears.

      Mr. Maunder Slugge Leslie paused, shook his head as if incredulously, and was about to resume his occupation, when he was seized with a fit of yawning which prevented the bag being tied for full two minutes.

      While such the employment of the study, let us turn to the recreations in the drawing-room, or rather parlour. A drawing-room there was on the first floor, with a charming look-out, not on the dreary fir-trees, but on the romantic undulating forest-land; but the drawing-room had not been used since the death of the last Mrs. Leslie. It was deemed too good to sit in, except when there was company: there never being company, it was never sat in. Indeed, now the paper was falling off the walls with the damp, and the rats, mice, and moths—those /"edaces rerum"/—had eaten, between them, most of the chair-bottoms and a considerable part of the floor. Therefore, the parlour was the sole general sitting-room; and being breakfasted in, dined, and supped in, and, after supper, smoked in by Mr. Leslie to the accompaniment of rum-and-water, it is impossible to deny that it had what is called "a smell,"—a comfortable, wholesome family smell, speaking of numbers, meals, and miscellaneous social habitation. There were two windows: one looked full on the fir-trees; the other on the farmyard, with the pigsty closing the view. Near the fir-tree window sat Mrs. Leslie; before her, on a high stool, was a basket of the children's clothes that wanted mending. A work-table of rosewood inlaid with brass, which had been a wedding-present, and was a costly thing originally, but in that peculiar taste which is vulgarly called "Brummagem," stood at hand: the brass had started in several places, and occasionally made great havoc in the children's fingers and in Mrs. Leslie's gown; in fact it was the liveliest piece of furniture in the house, thanks to the petulant brasswork, and could not have been more mischievous if it had been a monkey. Upon the work-table lay a housewife and thimble, and scissors, and skeins of worsted and thread, and little scraps of linen and cloth for patches. But Mrs. Leslie was not actually working,—she was preparing to work; she had been preparing to work for the last hour and a half. Upon her lap she supported a novel, by a lady who wrote much for a former generation, under the name of "Mrs. Bridget Blue Mantle." She had a small needle in her left hand, and a very thick piece of thread in her right; occasionally she applied the end of the said thread to her lips, and then—her eyes fixed on the novel—made a blind, vacillating attack at the eye of the needle. But a camel would have gone through it with quite as much ease. Nor did the novel alone engage Mrs. Leslie's attention, for ever and anon she interrupted herself to scold the children, to inquire "what o'clock it was;" to observe that "Sarah would never suit;" and to wonder "why Mr. Leslie would not see that the work-table was mended." Mrs. Leslie has been rather a pretty woman. In spite of a dress at once slatternly and economical, she has still the air of a lady,—rather too much so, the hard duties of her situation considered. She is proud of the antiquity of her family on both sides; her mother was of the venerable stock of the Daudlers of Daudle Place, a race that existed before the Conquest. Indeed, one has only to read our earliest chronicles, and to glance over some of those long-winded moralizing poems which delighted the thanes and ealdermen of old, in order to see that the Daudles must have been a very influential family before William the First turned the country topsy-turvy. While the mother's race was thus indubitably Saxon, the father's had not only the name but the peculiar idiosyncrasy of the Normans, and went far to establish that crotchet of the brilliant author of "Sybil; or, The Two Nations," as to the continued distinction between the conquering and conquered populations. Mrs. Leslie's father boasted the name of Montfichet,—doubtless of the same kith and kin as those great barons of Alontfichet, who once owned such broad lands and such turbulent castles. A high-nosed, thin, nervous, excitable progeny, those same Montfydgets, as the most troublesome Norman could pretend to be. This fusion of race was notable to the most ordinary physiognomist in the physique and in the morale of Mrs. Leslie. She had the speculative blue eye of the Saxon, and the passionate high nose of the Norman; she had the musing do- nothingness of the Daudlers, and the reckless have-at-every-thingness of the Montfydgets. At Mrs. Leslie's feet, a little girl with her hair about her ears (and beautiful hair it was too) was amusing herself with a broken-nosed doll. At the far end of the room, before a high desk, sat Frank's Eton schoolfellow, the eldest son. A minute or two before Frank's alarum had disturbed the tranquillity of the household, he had raised his eyes from the books on the desk to glance at a very tattered copy of the Greek Testament, in which his brother Oliver had found a difficulty that he came to Randal to solve. As the young Etonian's face was turned to the light, your first impression on seeing it would have been melancholy, but respectful, interest,—for the face had already lost the joyous character of youth; there was a wrinkle between the brows; and the lines that speak of fatigue were already visible under the eyes and about the mouth; the complexion was sallow, the lips were pale. Years of study had already sown in the delicate organization the seeds of many an infirmity and many a pain; but if your look had rested longer on that countenance, gradually your compassion might have given place to some feeling uneasy and sinister,—a feeling akin to fear. There was in the whole expression so much of cold calm force, that it belied the debility of the frame. You saw there the evidence of a mind that was cultivated, and you felt that in that cultivation there was something formidable. A notable contrast to this countenance, prematurely worn and eminently intelligent, was the round healthy face of Oliver, with slow blue eyes fixed hard on the penetrating orbs of his brother, as if trying with might and main to catch from them a gleam of that knowledge with which they shone clear and frigid as a star.

      At Frank's knock, Oliver's slow blue eyes sparkled into animation, and he sprang from his brother's side. The little girl flung back the hair from her face, and stared at her mother with a look which spoke wonder and fright.

      The young student knit his brows, and then turned wearily back to the books on his desk.

      "Dear me," cried Mrs. Leslie, "who can that possibly be? Oliver, come from the window, sir, this instant: you will be seen! Juliet, run, ring the bell; no, go to the head of the kitchen stairs, and call out to Jenny 'Not at home.' Not at home, on any account," repeated Mrs. Leslie, nervously, for the Montfydget blood was now in full flow.

      In another minute or so, Frank's loud boyish voice was distinctly heard at the outer door.

      Randal slightly started.

      "Frank Hazeldean's voice," said he; "I should like to see him, Mother."

      "See him," repeated Mrs. Leslie, in amaze; "see him! and the room in this state!"

      Randal might have replied that the room was in no worse state than usual; but he said nothing. A slight flush came and went over his pale face; and then he leaned his check on his hand, and compressed his lips firmly.

      The outer door closed with a sullen, inhospitable jar, and a slip-shod female servant entered with a card between her finger and thumb.

      "Who is that for?—give it to me. Jenny," cried СКАЧАТЬ