Название: What Will He Do with It? — Complete
Автор: Эдвард Бульвер-Литтон
Издательство: Public Domain
Жанр: Европейская старинная литература
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“No, but let me not offend you if I take advantage of my years and our relationship to remark that a young man should be careful not to let himself down below the standard of his own rank. If a king could bear to hear that he was only a ceremonial, a private gentleman may remember that there is but a ceremonial between himself and—his hatter!”
Lionel felt the colour mount his brow; but Darrell pressing the distasteful theme no further, and seemingly forgetting its purport, turned his remarks carelessly towards the weather. “It will be fair to-morrow: there is no mist on the hill yonder. Since you have a painter for a friend, perhaps you yourself are a draughtsman. There are some landscape effects here which Fairthorn shall point out to you.”
“I fear, Mr. Darrell,” said Lionel, looking down, “that to-morrow I must leave you.”
“So soon? Well, I suppose the place must be very dull.”
“Not that—not that; but I have offended you, and I would not repeat the offence. I have not the ‘ceremonial’ necessary to mark me as a gentleman,—either here or at home.”
“So! Bold frankness and ready wit command ceremonials,” returned Darrell, and for the first time his lip wore a smile. “Let me present to you Mr. Fairthorn,” as the door, opening, showed a shambling awkward figure, with loose black knee-breeches and buckled shoes. The figure made a strange sidelong bow; and hurrying in a lateral course, like a crab suddenly alarmed, towards a dim recess protected by a long table, sank behind a curtain fold, and seemed to vanish as a crab does amidst the shingles.
“Three minutes yet to dinner, and two before the lettercarrier goes,” said the host, glancing at his watch. “Mr. Fairthorn, will you write a note for me?” There was a mutter from behind the curtain. Darrell walked to the place, and whispered a few words, returned to the hearth, rang the bell. “Another letter for the post, Mills: Mr. Fairthorn is sealing it. You are looking at my book-shelves, Lionel. As I understand that your master spoke highly of you, I presume that you are fond of reading.”
“I think so, but I am not sure,” answered Lionel, whom his cousin’s conciliatory words had restored to ease and good-humour.
“You mean, perhaps, that you like reading, if you may choose your own books.”
“Or rather, if I may choose my own time to read them, and that would not be on bright summer days.”
“Without sacrificing bright summer days, one finds one has made little progress when the long winter nights come.”
“Yes, sir. But must the sacrifice be paid in books? I fancy I learned as much in the play-ground as I did n the schoolroom, and for the last few months, in much my own master, reading hard in the forenoon, it is true, for many hours at a stretch, and yet again for a few hours at evening, but rambling also through the streets, or listening to a few friends whom I have contrived to make,—I think, if I can boast of any progress at all, the books have the smaller share in it.”
“You would, then, prefer an active life to a studious one?”
“Oh, yes—yes.”
“Dinner is served,” said the decorous Mr. Mills, throwing open the door.
CHAPTER III
In our happy country every man’s house is his castle. But however stoutly he fortify it, Care enters, as surely as she did in Horace’s time, through the porticos of a Roman’s villa. Nor, whether ceilings be fretted with gold and ivory, or whether only coloured with whitewash, does it matter to Care any more than it does to a house-fly. But every tree, be it cedar or blackthorn, can harbour its singing-bird; and few are the homes in which, from nooks least suspected, there starts not a music. Is it quite true that, “non avium citharaeque cantus somnum reducent”? Would not even Damocles himself have forgotten the sword, if the lute-player had chanced on the notes that lull?
The dinner was simple enough, but well dressed and well served. One footman, in plain livery, assisted Mr. Mills. Darrell ate sparingly, and drank only water, which was placed by his side iced, with a single glass of wine at the close of the repast, which he drank on bending his head to Lionel, with a certain knightly grace, and the prefatory words of “Welcome here to a Haughton.” Mr. Fairthorn was less abstemious; tasted of every dish, after examining it long through a pair of tortoise-shell spectacles, and drank leisurely through a bottle of port, holding up every glass to the light. Darrell talked with his usual cold but not uncourteous indifference. A remark of Lionel on the portraits in the room turned the conversation chiefly upon pictures, and the host showed himself thoroughly accomplished in the attributes of the various schools and masters. Lionel, who was very fond of the art, and indeed painted well for a youthful amateur, listened with great delight.
“Surely, sir,” said he, struck much with a very subtile observation upon the causes why the Italian masters admit of copyists with greater facility than the Flemish,—“surely, sir, you yourself must have practised the art of painting?”
“Not I; but I instructed myself as a judge of pictures, because at one time I was a collector.”
Fairthorn, speaking for the first time: “The rarest collection,—such Albert Durers! such Holbeins! and that head by Leonardo da Vinci!” He stopped; looked extremely frightened; helped himself to the port, turning his back upon his host, to hold, as usual, the glass to the light.
“Are they here, sir?” asked Lionel.
Darrell’s face darkened, and he made no answer; but his head sank on his breast, and he seemed suddenly absorbed in gloomy thought. Lionel felt that he had touched a wrong chord, and glanced timidly towards Fairthorn; but that gentleman cautiously held up his finger, and then rapidly put it to his lip, and as rapidly drew it away. After that signal the boy did not dare to break the silence, which now lasted uninterruptedly till Darrell rose, and with the formal and superfluous question, “Any more wine?” led the way back to the library. There he ensconced himself in an easy-chair, and saying, “Will you find a book for yourself, Lionel?” took a volume at random from the nearest shelf, and soon seemed absorbed in its contents. The room, made irregular by baywindows, and shelves that projected as in public libraries, abounded with nook and recess. To one of these Fairthorn sidled himself, and became invisible. Lionel looked round the shelves. No belles lettres of our immediate generation were found there; none of those authors most in request in circulating libraries and literary institutes. The shelves disclosed no poets, no essayists, no novelists, more recent than the Johnsonian age. Neither in the lawyer’s library were to be found any law books; no, nor the pamphlets and parliamentary volumes that should have spoken of the once eager politician. But there were superb copies of the ancient classics. French and Italian authors were not wanting, nor such of the English as have withstood the test of time. The larger portions of the shelves seemed, however, devoted to philosophical works. Here alone was novelty admitted, the newest essays on science, or the best editions of old works thereon. Lionel at length made his choice,—a volume of the “Faerie Queene.” Coffee was served; at a later hour tea. The clock struck ten. Darrell laid down his book.
“Mr. Fairthorn, the flute!”
From the recess a mutter; and presently—the musician remaining still hidden—there came forth the sweetest note,—so dulcet, so plaintive! Lionel’s ear was ravished. The music suited well with the enchanted page through which his fancy had been wandering dreamlike,—the flute СКАЧАТЬ