Название: Embarrassments
Автор: Генри Джеймс
Издательство: Public Domain
Жанр: Зарубежная классика
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“Only when we’re married—not before,” she explained. “It’s tantamount to saying—isn’t it?—that I must marry him straight off!” She smiled at me while I flushed with disappointment, a vision of fresh delay that made me at first unconscious of my surprise. It seemed more than a hint that on me as well he would impose some tiresome condition. Suddenly, while she reported several more things from his letter, I remembered what he had told me before going away. He found Mr. Vereker deliriously interesting and his own possession of the secret a kind of intoxication. The buried treasure was all gold and gems. Now that it was there it seemed to grow and grow before him; it was in all time, in all tongues, one of the most wonderful flowers of art. Nothing, above all, when once one was face to face with it, had been more consummately done. When once it came out it came out, was there with a splendour that made you ashamed; and there had not been, save in the bottomless vulgarity of the age, with every one tasteless and tainted, every sense stopped, the smallest reason why it should have been overlooked. It was immense, but it was simple—it was simple, but it was immense, and the final knowledge of it was an experience quite apart. He intimated that the charm of such an experience, the desire to drain it, in its freshness, to the last drop, was what kept him there close to the source. Gwendolen, frankly radiant as she tossed me these fragments, showed the elation of a prospect more assured than my own. That brought me back to the question of her marriage, prompted me to ask her if what she meant by what she had just surprised me with was that she was under an engagement.
“Of course I am!” she answered. “Didn’t you know it?” She appeared astonished; but I was still more so, for Corvick had told me the exact contrary. I didn’t mention this, however; I only reminded her that I had not been to that degree in her confidence, or even in Corvick’s, and that moreover I was not in ignorance of her mother’s interdict. At bottom I was troubled by the disparity of the two assertions; but after a moment I felt that Corvick’s was the one I least doubted. This simply reduced me to asking myself if the girl had on the spot improvised an engagement—vamped up an old one or dashed off a new—in order to arrive at the satisfaction she desired. I reflected that she had resources of which I was destitute; but she made her case slightly more intelligible by rejoining presently: “What the state of things has been is that we felt of course bound to do nothing in mamma’s lifetime.”
“But now you think you’ll just dispense with your mother’s consent?”
“Ah, it may not come to that!” I wondered what it might come to, and she went on: “Poor dear, she may swallow the dose. In fact, you know,” she added with a laugh, “she really must!”—a proposition of which, on behalf of every one concerned, I fully acknowledged the force.
VIII
Nothing more annoying had ever happened to me than to become aware before Corvick’s arrival in England that I should not be there to put him through. I found myself abruptly called to Germany by the alarming illness of my younger brother, who, against my advice, had gone to Munich to study, at the feet indeed of a great master, the art of portraiture in oils. The near relative who made him an allowance had threatened to withdraw it if he should, under specious pretexts, turn for superior truth to Paris—Paris being somehow, for a Cheltenham aunt, the school of evil, the abyss. I deplored this prejudice at the time, and the deep injury of it was now visible—first in the fact that it had not saved the poor boy, who was clever, frail and foolish, from congestion of the lungs, and second in the greater remoteness from London to which the event condemned me. I am afraid that what was uppermost in my mind during several anxious weeks was the sense that if we had only been in Paris I might have run over to see Corvick. This was actually out of the question from every point of view: my brother, whose recovery gave us both plenty to do, was ill for three months, during which I never left him and at the end of which we had to face the absolute prohibition of a return to England. The consideration of climate imposed itself, and he was in no state to meet it alone. I took him to Meran and there spent the summer with him, trying to show him by example how to get back to work and nursing a rage of another sort that I tried not to show him.
The whole business proved the first of a series of phenomena so strangely combined that, taken together (which was how I had to take them) they form as good an illustration as I can recall of the manner in which, for the good of his soul doubtless, fate sometimes deals with a man’s avidity. These incidents certainly had larger bearings than the comparatively meagre consequence we are here concerned with—though I feel that consequence also to be a thing to speak of with some respect. It’s mainly in such a light, I confess, at any rate, that at this hour the ugly fruit of my exile is present to me. Even at first indeed the spirit in which my avidity, as I have called it, made me regard this term owed no element of ease to the fact that before coming back from Rapallo George Corvick addressed me in a way I didn’t like. His letter had none of the sedative action that I must to-day profess myself sure he had wished to give it, and the march of occurrences was not so ordered as to make up for what it lacked. He had begun on the spot, for one of the quarterlies, a great last word on Vereker’s writings, and this exhaustive study, the only one that would have counted, have existed, was to turn on the new light, to utter—oh, so quietly!—the unimagined truth. It was in other words to trace the figure in the carpet through every convolution, to reproduce it in every tint. The result, said Corvick, was to be the greatest literary portrait ever painted, and what he asked of me was just to be so good as not to trouble him with questions till he should hang up his masterpiece before me. He did me the honour to declare that, putting aside the great sitter himself, all aloft in his indifference, I was individually the connoisseur he was most working for. I was therefore to be a good boy and not try to peep under the curtain before the show-was ready: I should enjoy it all the more if I sat very still.
I did my best to sit very still, but I couldn’t help giving a jump on seeing in The Times after I had been a week or two in Munich and before, as I knew, Corvick had reached London, the announcement of the sudden death of poor Mrs. Erme. I instantly wrote to Gwendolen for particulars, and she replied that her mother had succumbed to long-threatened failure of the heart. She didn’t say, but I took the liberty of reading into her words, that from the point of view of her marriage and also of her eagerness, which was quite a match for mine, this was a solution more prompt than could have been expected and more radical than waiting for the old lady to swallow the dose. I candidly admit indeed that at the time—for I heard from her repeatedly—I read some singular things into Gwendolen’s words and some still more extraordinary ones into her silences. Pen in hand, this way, I live the time over, and it brings back the oddest sense of my having been for months and in spite of myself a kind of coerced spectator. All my life had taken refuge in my eyes, which the procession of events appeared to have committed itself to keep astare. There were days when I thought of writing to Hugh Vereker and simply throwing myself on his charity. But I felt more deeply that I hadn’t fallen quite so low, besides which, quite properly, he would send me about my business. Mrs. Erme’s death brought Corvick straight home, and within the month he was united “very quietly”—as quietly I suppose as he meant in his article to bring out his trouvaille—to СКАЧАТЬ