The Queen of the Air: Being a Study of the Greek Myths of Cloud and Storm. Ruskin John

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СКАЧАТЬ invest them with fair forms and inflame them with mighty passions,—we can only understand the story of the human-hearted things, in so far as we ourselves take pleasure in the perfectness of visible form, or can sympathize, by an effort of imagination, with the strange people who had other loves than those of wealth, and other interests than those of commerce. And, lastly, if the myth complete itself to the fulfilled thoughts of the nation, by attributing to the gods, whom they have carved out of their fantasy, continual presence with their own souls; and their every effort for good is finally guided by the sense of the companionship, the praise, and the pure will of immortals, we shall be able to follow them into this last circle of their faith only in the degree in which the better parts of our own beings have been also stirred by the aspects of nature, or strengthened by her laws. It may be easy to prove that the ascent of Apollo in his chariot signifies nothing but the rising of the sun. But what does the sunrise itself signify to us? If only languid return to frivolous amusement, or fruitless labor, it will, indeed, not be easy for us to conceive the power, over a Greek, of the name of Apollo. But if, fir us also, as for the Greek, the sunrise means daily restoration to the sense of passionate gladness and of perfect life—if it means the thrilling of new strength through every nerve,—the shedding over us of a better peace than the peace of night, in the power of the dawn,—and the purging of evil vision and fear by the baptism of its dew;—if the sun itself is an influence, to us also, of spiritual good—and becomes thus in reality, not in imagination, to us also, a spiritual power,—we may then soon over-pass the narrow limit of conception which kept that power impersonal, and rise with the Greek to the thought of an angel who rejoiced as a strong man to run his course, whose voice calling to life and to labor rang round the earth, and whose going forth was to the ends of heaven.

      9. The time, then, at which I shall take up for you, as well as I can decipher it, the traditions of the gods of Greece, shall be near the beginning of its central and formed faith,—about 500 B.C.,—a faith of which the character is perfectly represented by Pindar and Æschylus, who are both of them outspokenly religious, and entirely sincere men; while we may always look back to find the less developed thought of the preceding epoch given by Homer, in a more occult, subtle, half-instinctive, and involuntary way.

      10. Now, at that culminating period of the Greek religion, we find, under one governing Lord of all things, four subordinate elemental forces, and four spiritual powers living in them and commanding them. The elements are of course the well-known four of the ancient world,– the earth, the waters, the fire, and the air; and the living powers of them are Demeter, the Latin Ceres; Poseidon, the Latin Neptune; Apollo, who has retained always his Greek name; and Athena, the Latin Minerva. Each of these are descended from, or changed from, more ancient, and therefore more mystic, deities of the earth and heaven, and of a finer element of æther supposed to be beyond the heavens;2 but at this time we find the four quite definite, both in their kingdoms and in their personalities. They are the rulers of the earth that we tread upon, and the air that we breathe; and are with us closely, in their vivid humanity, as the dust that they animate, and the winds that they bridle. I shall briefly define for you the range of their separate dominions, and then follow, as far as we have time, the most interesting of the legends which relate to the queen of the air.

      11. The rule of the first spirit, Demeter, the earth mother, is over the earth, first, as the origin of all life,—the dust from whence we were taken; secondly, as the receiver of all things back at last into silence —"Dust thou art, and unto dust shalt thou return." And, therefore, as the most tender image of this appearing and fading life, in the birth and fall of flowers, her daughter Proserpine plays in the fields of Sicily, and thence is torn away into darkness, and becomes the Queen of Fate—not merely of death, but of the gloom which closes over and ends, not beauty only, but sin, and chiefly of sins the sin against the life she gave; so that she is, in her highest power, Persephone, the avenger and purifier of blood—"The voice of thy brother's blood cries to me out of the ground." Then, side by side with this queen of the earth, we find a demigod of agriculture by the plough—the lord of grain, or of the thing ground by the mill. And it is a singular proof of the simplicity of Greek character at this noble time, that of all representations left to us of their deities by their art, few are so frequent, and none perhaps so beautiful, as the symbol of this spirit of agriculture.

      12. Then the dominant spirit of the element water is Neptune, but subordinate to him are myriads of other water spirits, of whom Nereus is the chief, with Palæmon, and Leucothea, the "white lady" of the sea; and Thetis, and nymphs innumerable who, like her, could "suffer a sea change," while the river deities had each independent power, according to the preciousness of their streams to the cities fed by them,—the "fountain Arethuse, and thou, honoured flood, smooth sliding Mincius, crowned with vocal reeds." And, spiritually, this king of the waters is lord of the strength and daily flow of human life—he gives it material force and victory; which as the meaning of the dedication of the hair, as the sign of the strength of life, to the river or the native land.

      13. Demeter, then, over the earth, and its giving and receiving of life. Neptune over the waters, and the flow and force of life,—always among the Greeks typified by the horse, which was to them as a crested sea-wave, animated and bridled. Then the third element, fire, has set over it two powers: over earthly fire, the assistant of human labor, is set Hephæstus, lord of all labor in which is the flush and the sweat of the brow; and over heavenly fire, the source of day, is set Apollo, the spirit of all kindling, purifying, and illuminating intellectual wisdom, each of these gods having also their subordinate or associated powers,– servant, or sister, or companion muse.

      14. Then, lastly, we come to the myth which is to be our subject of closer inquiry,—the story of Athena and of the deities subordinate to her. This great goddess, the Neith of the Egyptians, the Athena or Athenaia of the Greeks, and, with broken power, half usurped by Mars, the Minerva of the Latins, is, physically, the queen of the air; having supreme power both over its blessing of calm, and wrath of storm; and, spiritually, she is the queen of the breath of man, first of the bodily breathing which is life to his blood, and strength to his arm in battle; and then of the mental breathing, or inspiration, which is his moral health and habitual wisdom; wisdom of conduct and of the heart, as opposed to the wisdom of imagination and the brain; moral, as distinct from intellectual; inspired, as distinct from illuminated.

      15. By a singular and fortunate, though I believe wholly accidental, coincidence, the heart-virtue, of which she is the spirit, was separated by the ancients into four divisions, which have since obtained acceptance from all men as rightly discerned, and have received, as if from the quarters of the four winds of which Athena is the natural queen, the name of "Cardinal" virtues: namely, Prudence (the right seeing, and foreseeing, of events through darkness); Justice (the righteous bestowal of favor and of indignation); Fortitude (patience under trial by pain); and Temperance (patience under trial by pleasure). With respect to these four virtues, the attributes of Athena are all distinct. In her prudence, or sight in darkness, she is "Glaukopis," "owl-eyed."3 In her justice, which is the dominant virtue, she wears two robes, one of light, and one of darkness; the robe of light, saffron color, or the color of the daybreak, falls to her feet, covering her wholly with favor and love,—the calm of the sky in blessing; it is embroidered along its edge with her victory over the giants (the troublous powers of the earth), and the likeness of it was woven yearly by the Athenian maidens and carried to the temple of their own Athena, not to the Parthenon, that was the temple of all the world's Athena,—but this they carried to the temple of their own only one who loved them, and stayed with them always. Then her robe of indignation is worn on her breast and left arm only, fringed with fatal serpents, and fastened with Gorgonian cold, turning men to stone; physically, the lightning and hail of chastisement by storm. Then in her fortitude she wears the crested and unstooping hemlet;4 and lastly, in her temperance, she is the queen of maidenhood—stainless as the air of heaven.

      16. But all these virtues mass themselves in the Greek mind into the two main ones,—of Justice, or noble passion, and Fortitude, or noble patience; and of these, the chief powers of Athena, the Greeks have СКАЧАТЬ