Aspects and Impressions. Gosse Edmund

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СКАЧАТЬ in 1860, a doubtful period of three years being leaped over lightly, and closes – as I guess from an allusion to George Eliot's Spanish Gypsy– in 1868. The third instalment, dictated in the autumn of 1914 and laid aside unfinished, is the posthumous The Middle Years, faultlessly edited by the piety of Mr. Percy Lubbock in 1917. Here the tale is taken up in 1869, and is occupied, without much attempt at chronological order, with memories of two years in London. As Henry James did not revise, or perhaps even re-read, these pages, we are free to form our conclusion as to whether he would or would not have vouchsafed to put their disjected parts into some more anatomical order.

      Probably he would not have done so. The tendency of his genius had never been, and at the end was less than ever, in the direction of concinnity. He repudiated arrangement, he wilfully neglected the precise adjustment of parts. The three autobiographical volumes will always be documents precious in the eyes of his admirers. They are full of beauty and nobility, they exhibit with delicacy, and sometimes even with splendour, the qualities of his character. But it would be absurd to speak of them as easy to read, or as fulfilling what is demanded from an ordinary biographer. They have the tone of Veronese, but nothing of his definition. A broad canvas is spread before us, containing many figures in social conjuncture. But the plot, the single "story" which is being told, is drowned in misty radiance. Out of this chiaroscuro there leap suddenly to our vision a sumptuous head and throat, a handful of roses, the glitter of a satin sleeve, but it is only when we shut our eyes and think over what we have looked at that any coherent plan is revealed to us, or that we detect any species of composition. It is a case which calls for editorial help, and I hope that when the three fragments of autobiography are reprinted as a single composition, no prudery of hesitation to touch the sacred ark will prevent the editor from prefixing a skeleton chronicle of actual dates and facts. It will take nothing from the dignity of the luminous reveries in their original shape.

      Such a skeleton will tell us that Henry James was born at 2 Washington Place, New York, on April 15th, 1843, and that he was the second child of his parents, the elder by one year being William, who grew up to be the most eminent philosopher whom America has produced. Their father, Henry James the elder, was himself a philosopher, whose ideas, which the younger Henry frankly admitted to be beyond his grasp, were expounded by William James in 1884, in a preface to their father's posthumous papers. Henry was only one year old when the family paid a long visit to Paris, but his earliest recollections were of Albany, whence the Jameses migrated to New York until 1855. They then transferred their home to Europe for three years, during which time the child Henry imbibed what he afterwards called "the European virus." In 1855 he was sent to Geneva for purposes of education, which were soon abandoned, and the whole family began an aimless wandering through London, Paris, Boulogne-sur-Mer, Newport, Geneva, and America again, nothing but the Civil War sufficing to root this fugitive household in one abiding home.

      Henry James's health forced him to be a spectator of the war, in which his younger brothers fought. He went to Harvard in 1862 to study law, but was now beginning to feel a more and more irresistible call to take up letters as a profession, and the Harvard Law School left little or no direct impression upon him. He formed a close and valuable friendship with William Dean Howells, seven years his senior, and the pages of the Atlantic Monthly, of which Howells was then assistant editor, were open to him from 1865. He lived for the next four years in very poor health, and with no great encouragement from himself or others, always excepting Howells, at Cambridge, Massachusetts. Early in 1869 he ventured to return to Europe, where he spent fifteen months in elegant but fruitful vagabondage. There was much literary work done, most of which he carefully suppressed in later life. The reader will, however, discover, tucked away in the thirteenth volume of the Collected Edition, a single waif from this rejected epoch, the tale called A Passionate Pilgrim, written on his return to America in 1870. This visit to Europe absolutely determined his situation; his arrival in New York stimulated and tortured his nostalgia for the old world, and in May, 1872, he flew back here once more to the European enchantment.

      Here, practically, the biographical information respecting Henry James which has hitherto been given to the world ceases, for the fragment of The Middle Years, so far as can be gathered, contains few recollections which can be dated later than his thirtieth year. It was said of Marivaux that he cultivated no faculty but that de ne vivre que pour voir et pour entendre. In a similar spirit Henry James took up his dwelling in fashionable London lodgings in March, 1869. He had come from America with the settled design of making a profound study of English manners, and there were two aspects of the subject which stood out for him above all others. One of these was the rural beauty of ancient country places, the other was the magnitude – "the inconceivable immensity," as he put it – of London. He told his sister, "The place sits on you, broods on you, stamps on you with the feet of its myriad bipeds and quadrupeds." From his lodgings in Half Moon Street, quiet enough in themselves, he had the turmoil of the West End at his elbow, Piccadilly, Park Lane, St. James's Street, all within the range of a five minutes' stroll. He plunged into the vortex with incredible gusto, "knocking about in a quiet way and deeply enjoying my little adventures." This was his first mature experience of London, of which he remained until the end of his life perhaps the most infatuated student, the most "passionate pilgrim," that America has ever sent us.

      But his health was still poor, and for his constitution's sake he went in the summer of 1869 to Great Malvern. He went alone, and it is to be remarked of him that, social as he was, and inclined to a deep indulgence in the company of his friends, his habit of life was always in the main a solitary one. He had no constant associates, and he did not shrink from long periods of isolation, which he spent in reading and writing, but also in a concentrated contemplation of the passing scene, whatever it might be. It was alone that he now made a tour of the principal English cathedral and university towns, expatiating to himself on the perfection of the weather – "the dozen exquisite days of the English year, days stamped with a purity unknown in climates where fine weather is cheap." It was alone that he made acquaintance with Oxford, of which city he became at once the impassioned lover which he continued to be to the end, raving from Boston in 1870 of the supreme gratifications of Oxford as "the most dignified and most educated" of the cradles of our race. It was alone that during these enchanting weeks he made himself acquainted with the unimagined loveliness of English hamlets buried in immemorial leafage and whispered to by meandering rivulets in the warm recesses of antiquity. These, too, found in Henry James a worshipper more ardent, it may almost be averred, than any other who had crossed the Atlantic to their shrine.

      Having formed his basis for the main construction of his English studies, Henry James passed over to the Continent, and conducted a similar pilgrimage of entranced obsession through Switzerland and Italy. His wanderings, "rapturous and solitary," were, as in England, hampered by no social engagement; "I see no people to speak of," he wrote, "or for that matter to speak to." He returned to America in April, 1870, at the close of a year which proved critical in his career, and which laid its stamp on the whole of his future work. He had been kindly received in artistic and literary circles in London; he had conversed with Ruskin, with William Morris, with Aubrey de Vere, but it is plain that while he observed the peculiarities of these eminent men with the closest avidity, he made no impression whatever upon them. The time for Henry James to "make an impression" on others was not come yet; he was simply the well-bred, rather shy, young American invalid, with excellent introductions, who crossed the path of English activities, almost without casting a shadow. He had published no book; he had no distinct calling; he was a deprecating and punctilious young stranger from somewhere in Massachusetts, immature-looking for all his seven-and-twenty years.

      Some further uneventful seasons, mainly spent in America but diversified by tours in Germany and Italy, bring us to 1875, when Henry James came over from Cambridge with the definite project, at last, of staying in Europe "for good." He took rooms in Paris, at 29 Rue de Luxembourg, and he penetrated easily into the very exclusive literary society which at that time revolved around Flaubert and Edmond de Goncourt. This year in Paris was another highly critical period in Henry James's intellectual history. He was still, at the mature age of thirty-two, almost an amateur in literature, having been content, up to that time, to produce scarcely anything which his mature taste did not afterwards repudiate. СКАЧАТЬ