Chronicles of the Canongate, 1st Series. Вальтер Скотт

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СКАЧАТЬ for those feelings which rendered such allusions ungrateful to himself, however sparingly introduced, he would, on that account, still refrain from doing that which would otherwise be no less pleasing to him than to his audience. But this his Lordship, hoped he would be allowed to say (his auditors would not pardon him were he to say less), we owe to him, as a people, a large and heavy debt of gratitude. He it is who has opened to foreigners the grand and characteristic beauties of our country. It is to him that we owe that our gallant ancestors and the struggles of our illustrious patriots – who fought and bled in order to obtain and secure that independence and that liberty we now enjoy – have obtained a fame no longer confined to the boundaries of a remote and comparatively obscure nation, and who has called down upon their struggles for glory and freedom the admiration of foreign countries. He it is who has conferred a new reputation on our national character, and bestowed on Scotland an imperishable name, were it only by her having given birth to himself. (Loud and rapturous applause.)

      Sir WALTER SCOTT certainly did not think that, in coming here to-day, he would have the task of acknowledging, before three hundred gentlemen, a secret which, considering that it was communicated to more than twenty people, had been remarkably well kept. He was now before the bar of his country, and might be understood to be on trial before Lord Meadowbank as an offender; yet he was sure that every impartial jury would bring in a verdict of Not Proven. He did not now think it necessary to enter into the reasons of his long silence. Perhaps caprice might have a consider able share in it. He had now to say, however, that the merits of these works, if they had any, and their faults, were entirely imputable to himself. (Long and loud cheering.) He was afraid to think on what he had done. “Look on’t again I dare not.” He had thus far unbosomed himself and he knew that it would be reported to the public. He meant, then, seriously to state, that when he said he was the author, he was the total and undivided author. With the exception of quotations, there was not a single word that was not derived from himself, or suggested in the course of his reading. The wand was now broken, and the book buried. You will allow me further to say, with Prospero, it is your breath that has filled my sails, and to crave one single toast in the capacity of the author of these novels; and he would dedicate a bumper to the health of one who has represented some of those characters, of which he had endeavoured to give the skeleton, with a degree of liveliness which rendered him grateful. He would propose “The Health of his friend Bailie Nicol Jarvie” – (loud applause) – and he was sure that when the author of Waverley and Rob Roy drinks to Nicol Jarvie, it would be received with that degree of applause to which that gentleman has always been accustomed, and that they would take care that on the present occasion it should be PRODIGIOUS! (Long and vehement applause.)

      Mr. MACKAY, who here spoke with great humour in the character of Bailie Jarvie. – My conscience! My worthy father the deacon could not have believed that his son could hae had sic a compliment paid to him by the Great Unknown!

      Sir WALTER SCOTT. – The Small Known now, Mr. Bailie.

      Mr. MACKAY. – He had been long identified with the Bailie, and he was vain of the cognomen which he had now worn for eight years; and he questioned if any of his brethren in the Council had given such universal satisfaction. (Loud laughter and applause.) Before he sat down, he begged to propose “The Lord Provost and the City of Edinburgh.”

      Sir WALTER SCOTT apologized for the absence of the Lord Provost, who had gone to London on public business.

      Tune – “Within a mile of Edinburgh town.”

      Sir WALTER SCOTT gave “The Duke of Wellington and the army.”

      Glee – “How merrily we live.”

      “Lord Melville and the Navy, that fought till they left nobody to fight with, like an arch sportsman who clears all and goes after the game.”

      Mr. PAT. ROBERTSON. – They had heard this evening a toast, which had been received with intense delight, which will be published in every newspaper, and will be hailed with joy by all Europe. He had one toast assigned him which he had great pleasure in giving. He was sure that the stage had in all ages a great effect on the morals and manners of the people. It was very desirable that the stage should be well regulated; and there was no criterion by which its regulation could be better determined than by the moral character and personal respectability of the performers. He was not one of those stern moralists who objected to the theatre. The most fastidious moralist could not possibly apprehend any injury from the stage of Edinburgh, as it was presently managed, and so long as it was adorned by that illustrious individual, Mrs. Henry Siddons, whose public exhibitions were not more remarkable for feminine grace and delicacy than was her private character for every virtue which could be admired in domestic life. He would conclude with reciting a few words from Shakespeare, in a spirit not of contradiction to those stern moralists who disliked the theatre, but of meekness: “Good, my lord, will you see the players well bestowed? Do you hear, let them be well used, for they are the abstract and brief chronicles of the time.” He then gave “Mrs. Henry Siddons, and success to the Theatre Royal of Edinburgh.”

      Mr. MURRAY. – Gentlemen, I rise to return thanks for the honour you have done Mrs. Siddons, in doing which I am somewhat difficulted, from the extreme delicacy which attends a brother’s expatiating upon a sister’s claims to honours publicly paid – (hear, hear) – yet, gentlemen, your kindness emboldens me to say that, were I to give utterance to all a brother’s feelings, I should not exaggerate those claims. (Loud applause.) I therefore, gentlemen, thank you most cordially for the honour you have done her, and shall now request permission to make an observation on the establishment of the Edinburgh Theatrical Fund. Mr. Mackay has done Mrs. Henry Siddons and myself the honour to ascribe the establishment to us. But no, gentlemen, it owes its origin to a higher source – the publication of the novel of Rob Roy – the unprecedented success of the opera adapted from that popular production. (Hear, hear.) It was that success which relieved the Edinburgh Theatre from its difficulties, and enabled Mrs. Siddons to carry into effect the establishment of a fund she had long desired, but was prevented from effecting from the unsettled state of her theatrical concerns. I therefore hope that in future years, when the aged and infirm actor derives relief from this fund, he will, in the language of the gallant Highlander, “Cast his eye to good old Scotland, and not forget Rob Roy.” (Loud applause.)

      Sir WALTER SCOTT here stated that Mrs. Siddons wanted the means but not the will of beginning the Theatrical Fund. He here alluded to the great merits of Mr. Murray’s management, and to his merits as an actor, which were of the first order, and of which every person who attends the Theatre must be sensible; and after alluding to the embarrassments with which the Theatre had been at one period threatened, he concluded by giving “The Health of Mr. Murray,” which was drunk with three times three.

      Mr. MURRAY. – Gentlemen, I wish I could believe that in any degree I merited the compliments with which it has pleased Sir Walter Scott to preface the proposal of my health, or the very flattering manner in which you have done me the honour to receive it. The approbation of such an assembly is most gratifying to me, and might encourage feelings of vanity, were not such feelings crushed by my conviction that no man holding the situation I have so long held in Edinburgh could have failed, placed in the peculiar circumstances in which I have been placed. Gentlemen, I shall not insult your good taste by eulogiums upon your judgment or kindly feeling, though to the first I owe any improvement I may have made as an actor, and certainly my success as a manager to the second. (Applause.) When, upon the death of my dear brother, the late Mr. Siddons, it was proposed that I should undertake the management of the Edinburgh Theatre, I confess I drew back, doubting my capability to free it from the load of debt and difficulty with which it was surrounded. In this state of anxiety, I solicited the advice of one who had ever honoured me with his kindest regard, and whose name no member of my profession can pronounce without feelings of the deepest respect and gratitude. I allude to the late Mr. John Kemble. (Great applause.) To him I applied, and with the repetition of his advice I shall cease to trespass upon your time – (hear, hear) – “My dear William, fear not. Integrity and assiduity must prove an overmatch for all СКАЧАТЬ