Impressions of America. Wilde Oscar

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      Impressions of America

      IMPRESSIONS

      PREFACE

      Oscar Wilde visited America in the year 1882. Interest in the Æsthetic School, of which he was already the acknowledged master, had sometime previously spread to the United States, and it is said that the production of the Gilbert and Sullivan opera, “Patience,”1 in which he and his disciples were held up to ridicule, determined him to pay a visit to the States to give some lectures explaining what he meant by Æstheticism, hoping thereby to interest, and possibly to instruct and elevate our transatlantic cousins.

      He set sail on board the “Arizona” on Saturday, December 24th, 1881, arriving in New York early in the following year. On landing he was bombarded by journalists eager to interview the distinguished stranger. “Punch,” in its issue of January 14th, in a happy vein, parodied these interviewers, the most amusing passage in which referred to “His Glorious Past,” wherein Wilde was made to say, “Precisely – I took the Newdigate. Oh! no doubt, every year some man gets the Newdigate; but not every year does Newdigate get an Oscar.”

      At Omaha, where, under the auspices of the Social Art Club, Wilde delivered a lecture on “Decorative Art,” he described his impressions of many American houses as being “illy designed, decorated shabbily, and in bad taste, filled with furniture that was not honestly made, and was out of character.” This statement gave rise to the following verses: —

      His lectures dealt almost exclusively with the subjects of Art and Dress Reform. In the course of one lecture he remarked that the most impressive room he had yet entered in America was the one in Camden Town where he met Walt Whitman. It contained plenty of fresh air and sunlight. On the table was a simple cruse of water. This led to a parody, in the style of Whitman, describing an imaginary interview between the two poets, which appeared in “The Century” a few months later. Wilde is called Narcissus and Whitman Paumanokides.

      and so on, to which Narcissus replies,

      Of the lectures which he delivered in America only one has been preserved, namely that on the English Renaissance. This was his first lecture, and it was delivered in New York on January 9th, 1882. According to a contemporary account in the “New York Herald” a distinguished and crowded audience assembled in Chickering Hall that evening to listen to one who “was well worth seeing, his short breeches and silk stockings showing to even better advantage upon the stage than in the gilded drawing-rooms, where the young Apostle has heretofore been seen in New York.”2

      On leaving the States in the “fall” of the year Wilde proceeded to Canada and thence to Nova Scotia, arriving in Halifax in the second week of October. Of his visit there we have no record except an amusing interview described in a local paper a few days later. He was dressed in a velvet jacket with an ordinary linen collar and neck tie and he wore trousers. “Mr. Wilde,” the interviewer states, “was communicative and genial; he said he found Canada pleasant, but in answer to a question as to whether European or American women were the more beautiful, he dexterously evaded his querist.”

      As regards poetry he expressed his opinion that Poe was the greatest American poet, and that Walt Whitman, if not a poet, was a man who sounded a strong note, perhaps neither prose nor poetry, but something of his own that was “grand, original and unique.”

      During his tour in America Wilde “happened to find” himself (as he has himself described it), in Louisville, Kentucky. The subject he had selected to speak on was the Mission of Art in the Nineteenth Century. In the course of his lecture he had occasion to quote Keats’ Sonnet on Blue “as an example of the poet’s delicate sense of colour-harmonies.” After the lecture there came round to see him “a lady of middle age, with a sweet gentle manner and most musical voice,” who introduced herself as Mrs. Speed, the daughter of George Keats, and she invited the lecturer to come and examine the Keats manuscripts in her possession.

      Some months afterwards when lecturing in California he received a letter from this lady asking him to accept the original manuscript of the sonnet which he had quoted.

      Mention must be made of Wilde’s first play, a drama in blank verse entitled “Vera, or the Nihilists.” It had been arranged that, СКАЧАТЬ