The Critic in the Orient. Fitch George Hamlin

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СКАЧАТЬ down into Yoken street, one of the great avenues of traffic, you soon reach Uyeno Park – the most popular pleasure ground of the capital, and famous in the spring for its long lines of cherry trees in full blossom. In the autumn it impressed me, as did all the other Japanese parks, as rather damp and unwholesome. The ground was saturated from recent rain; all the stonework was covered with moss and lichen; the trees dripped moisture, and the little lakes scattered here and there were like those gloomy tarns that Poe loved to paint in his poems. Near the entrance to this park is a shallow lake covered with lotus plants, and a short distance beyond from a little hill one may get a good view of the buildings of the imperial university. Here is a good foreign restaurant where one may enjoy a palatable lunch. Near by on a slight eminence stands a huge bronze image of Buddha, twenty-one and one-half feet high, called the Daibutsu. It is one of several such figures scattered over the empire. Passing through a massive granite torii, or gate, one reaches an avenue of stately cryptomeria, or cedar trees that leads to a row of stone lanterns presented in 1651 by daimyos as a memorial to the first shogun. The temple beyond is famous for its beautiful lacquer.

      Near at hand are the temples and tombs of the six shoguns of the Tokugawa family, buried in Uyeno Park. These temples are regarded as among the finest remains of old Japanese art. The mortuary temples bear a close resemblance to those in Shiba Park. The second temple is the finer and is celebrated for the gilding of the interior walls, the gorgeous decoration of the shrines and the memorial tablets in gold lacquer. Here, also, are eight tablets erected to the memory of eight mothers of shoguns, all of whom were concubines.

      A short distance from Uyeno Park is the great Buddhist temple known as Asakusa Kwannon, dedicated to Kwannon, the goddess of mercy. The approaches to this temple on any pleasant day look like a country fair. The crowd is so dense that jinrikishas can not approach within one hundred yards. The shrine dates back to the sixth century and the temple is the most popular resort of its kind in Tokio. On each side of the entrance lane are shops, where all kinds of curios, toys, cakes, et cetera, are sold. The temple itself is crowded with votaries who offer coins to the various idols, while below (near the stairs that give entrance to the temple) are various side booths that are patronized by worshipers. Some of these gods promise long life; others give happiness, and several insure big families to women who offer money and say prayers.

      One of the remarkable jinrikisha rides in Japan is that from Uyeno to Shimbashi station through the heart of Tokio by night. This takes about a half hour and it gives a series of pictures of the great Japanese city that can be gained in no other way. Here may be seen miles of little shops lining alleys not over ten or twelve feet wide, in most of which work is going on busily as late as eleven o'clock. In places the sleepy proprietors are putting up their shutters, preparatory to going to bed, but in others the work of artisan or baker or weaver goes on as though the day had only fairly begun. Most of these shops are lighted by electricity, but this light is the only modern thing about them. The weaver sits at the loom precisely as he sat two thousand years ago, and the baker kneads his dough and bakes his cakes precisely as he did before the days of the first shogun. This ride gives a panorama of oriental life which can be equaled in few cities in the world. Occasionally the jinrikisha dashes up a little bank and across a bridge that spans a canal and one catches a glimpse of long lines of house boats, with dim lights, nestling under overhanging balconies. Overall is that penetrating odor of the Far East, mingled with the smell of bilge water and the reek of thousands of sweating human beings. These smells are of the earth earthy and they led one to dream that night of weird and terrible creatures such as De Quincey paints in his Confessions of an English Opium Eater.

      The Most Famous City of Temples in All Japan

      The most magnificent temples in Japan are at Nikko, in the mountains, five hours' ride by train from Tokio. What makes this trip the more enjoyable to the American tourist is that the country reminds him of the Catskills, and that he gets some glimpses of primitive Japanese life. The Japanese have a proverb: "Do not use the word 'magnificent' until you have seen Nikko." And anyone who goes through the three splendid temples that serve as memorials of the early shoguns will agree that the proverb is true.

      The railroad ride to Nikko is tedious, although it furnishes greater variety than most of the other trips by rail through the Mikado's empire. But as soon as one is landed at the little station he recognizes that here is a place unlike any that he has seen. The road runs up a steep hill to the Kanaya Hotel, which is perched on a high bank overlooking the Daiyagawa river. Tall cedar trees clothe the banks, and across the river rise mountains, with the roofs of temples showing through the foliage at their base. This hotel is gratefully remembered by all tourists because of the artistic decoration of the rooms in Japanese style and the beneficent care of the proprietor, which includes a pretty kimono to wear to the morning bath, with straw sandals for the feet, and charming waitresses in picturesque costumes.

      The first Buddhist temple at Nikko dates back to the eighth century, but it was not until the seventeenth century that the place was made a national shrine by building here the mausoleum of the first shogun, Ieyasu, and of his grandson, Iemitsu. Hardly less noteworthy than these shrines and temples is the great avenue of giant cryptomeria trees, which stretches across the country for twenty miles, from Nikko to Utsunomiya.

      One of the chief objects of interest in Nikko is the Sacred Red Bridge which spans a swift stream about forty feet wide. This is a new bridge, as the old one was carried away by a great flood nine years ago. Originally built in 1638, it served to commemorate the legendary and miraculous bridging of the stream by Shodo Shonin, a saint. He arrived at the river one day while on a pilgrimage and called aloud for aid to cross. On the opposite bank appeared a being of gigantic size, who promised to help him, and at once flung across the stream two green and blue dragons which formed a bridge. When the saint was safely over the bridge, it vanished with the mysterious being. Shodo at once built a hut on the banks of the stream. For fourteen years he dwelt there and gathered many disciples. Then he established a monastery and a shrine at Lake Chuzinji, about nine miles from Nikko. Nine hundred years later the second shogun of the Tokugawa dynasty sent two officials to Nikko to select a site for the mausoleum of his father. They chose a site near Nikko, on a hill called Hotoke-iwa, and in the spring of 1617 the tomb was completed and the coffin was deposited under it with appropriate Buddhist ceremonies.

      The road to the mausoleum winds around the river. The first object on the way is a pillar erected in 1643 to ward off evil influences. It is a cylindrical copper column forty-two feet high, supported by short horizontal bars of the same material, resting on four short columns. Small bells hung from lotus-shaped cups crown the summit of the column. Just beyond this column is a massive granite torii, twenty-seven and one-half feet high, the gift of the Daimiyo of Chikuzen. To the left is a five-story pagoda, one hundred and four feet in height, which is especially graceful. Inside a red wooden wall are arranged a series of lacquered storehouses, a holy water cistern cut out of a solid block of granite, a finely decorated building in which rest a collection of Buddhist writings. A second court is reached by a flight of stairs. Here are gifts presented by the kings of Luchu, Holland and Korea, these three countries being regarded as vassal states of Japan. On the left is the Temple of Yahushi, beautifully decorated in red and gold lacquer, and just beyond is a fine gate, called Yomei-mon, decorated with medallions of birds. Passing through this gate, one reaches a court bordered by several small buildings, one of which contains the palanquins that are carried in the annual procession on June 1st, when the deified spirits of the first shogun, Hideyoshi (the great conqueror), and Yoritomo occupy them. Seventy-five men carry each of these palanquins.

      The main shrines are reached through the Chinese gate. The three chambers are magnificent specimens of the finest work in lacquer, gold and metal. The tomb of Ieyasu, the first shogun, is reached by ascending two hundred stone steps. The tomb is in the form of a small pagoda of bronze of an unusually light color caused by the mixture of gold. The body of the shogun is buried twenty feet deep in a bed of charcoal. Beyond is the mausoleum of Iemitsu, the third shogun. The oratory and chapel are richly decorated, but they do not compare with those of the first shogun's tomb. Back of these tombs, among the huge cedar trees that clothe СКАЧАТЬ