Lingerie. Klaus H. Carl

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      Associated with stockings, high heels have a power, an obvious fetishist virtue, for both men and women. The perception and judgement of the female body has gone through changes over the years, if one compares for example, our time, the beginning of the 21st century, to the years between 1960 and 1970.

      In the 1960s, when a woman married, and moreover when she became a mother, her body could no longer be considered seductive. Today, this outlook is completely old-fashioned and obsolete. Women feel the need to be attractive, whatever their age, whether it be prior to marriage or after, and even years later.

      As proof, a grandmother today can still be a beautiful woman and feel it by dressing herself in some appealing underwear, which enables her to make her body more beautiful. This evolution (or revolution?) of morals concerning lingerie is directly related to the innovations and technical contingencies in the creation of underwear, and the subjection to historical events. The history of lingerie deserves to be put in the spotlight. Lingerie, in contrast with the world of fashion, is a state of mind. One can love lingerie and envy looking after one’s body whether one is 15 or 75! The world of prêt-à-porter is a completely different universe from that of the world of underwear.

      Clothes always target a particular age group: the fashion of a teenage 15 year-old is different from that of a 30 year-old woman.

      This is why lingerie is more a question of mentality and of human nature. A plump woman can feel good in her body, accept who she is and have a desire to emphasize that beauty by wearing gorgeous underwear. Lingerie should respond to all these aspirations and suit every kind of woman. A designer’s work should be orientated towards this fulfilment.

      Pair of stays

      First half of the 17th century

      Iron, Inv. 2002.2.X

      Leloir Fund, Musée Galliera, Paris

      To create lingerie that satisfies different women's styles, one should observe those women who surround you: daughters, assistants, even women in the street! Poses, which one notices in films, can also help to inspire. Besides those who surround, who play an important role in suggesting new designs, the material is also a source of inspiration.

      Pair of stays

      English, c. 1660–70

      Pink watered silk backed with linen stiffened with whalebone and trimmed with pink silk ribbons

      Victoria and Albert Museum, London

      The fabrics are essential. Lingerie is the type of clothing worn closest to the female body and is in contact with its intimacy, the fabrics and lace have to be agreeable, but not exclusively. Today, lingerie has to be comfortable and practical. If it was 30 years ago, French women (in contrast with American women, for example) accepted and did not balk at wearing and hand-washing a piece of delicate lingerie, with lace, which even needed ironing at times. Today, that is no longer acceptable.

      The Morning Toilet

      Jan Steen, c. 1663

      Oil on wood, 64.7 × 53 cm

      Royal collection, London

      Lingerie should be machine-washable, with no need for ironing, and should incorporate all the essential elements of comfort, with the beauty of the creations. The evolution of different textiles used in the creation and the making of underwear remains an unforgettable aspect. Besides the materials, the colour of lingerie plays an important role too.

      The Toilet

      François Boucher, 1742

      Oil on canvas, 52.5 × 65.5 cm

      Thyssen-Bornemisza collection, Madrid

      Black and white are always extremely flattering colours for the skin. Black, (more particularly) allows the softening of bodily flaws that we all have. Hot colours (pink, red, raspberry) are also enhancing colours. On the other hand, cold colours used for lingerie are always more difficult to work with. Greens and blues are magnificent, but all too often evoke swimming costumes.

      Body СКАЧАТЬ