Valley Of The Moon. Jack London

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СКАЧАТЬ she was all right… and I've heard so since. But she was good to me. I don't care what they say about her, or what she was. She was awful good to me. After he died, she went altogether bad, and so I went into the orphan asylum. It wasn't any too good there, and I had three years of it. And then Tom had married and settled down to steady work, and he took me out to live with him. And-well, I've been working pretty steady ever since."

      She gazed sadly away across the fields until her eyes came to rest on a fence bright-splashed with poppies at its base. Billy, who from his supine position had been looking up at her, studying and pleasuring in the pointed oval of her woman's face, reached his hand out slowly as he murmured:

      "You poor little kid."

      His hand closed sympathetically on her bare forearm, and as she looked down to greet his eyes she saw in them surprise and delight.

      "Say, ain't your skin cool though," he said. "Now me, I'm always warm. Feel my hand."

      It was warmly moist, and she noted microscopic beads of sweat on his forehead and clean-shaven upper lip.

      "My, but you are sweaty."

      She bent to him and with her handkerchief dabbed his lip and forehead dry, then dried his palms.

      "I breathe through my skin, I guess," he explained. "The wise guys in the trainin' camps and gyms say it's a good sign for health. But somehow I'm sweatin' more than usual now. Funny, ain't it?"

      She had been forced to unclasp his hand from her arm in order to dry it, and when she finished, it returned to its old position.

      "But, say, ain't your skin cool," he repeated with renewed wonder. "Soft as velvet, too, an' smooth as silk. It feels great."

      Gently explorative, he slid his hand from wrist to elbow and came to rest half way back. Tired and languid from the morning in the sun, she found herself thrilling to his touch and half-dreamily deciding that here was a man she could love, hands and all.

      "Now I've taken the cool all out of that spot." He did not look up to her, and she could see the roguish smile that curled on his lips. "So I guess I'll try another."

      He shifted his hand along her arm with soft sensuousness, and she, looking down at his lips, remembered the long tingling they had given hers the first time they had met.

      "Go on and talk," he urged, after a delicious five minutes of silence. "I like to watch your lips talking. It's funny, but every move they make looks like a tickly kiss."

      Greatly she wanted to stay where she was. Instead, she said:

      "If I talk, you won't like what I say."

      "Go on," he insisted. "You can't say anything I won't like."

      "Well, there's some poppies over there by the fence I want to pick. And then it's time for us to be going."

      "I lose," he laughed. "But you made twenty-five tickle kisses just the same. I counted 'em. I'll tell you what: you sing 'When the Harvest Days Are Over,' and let me have your other cool arm while you're doin' it, and then we'll go."

      She sang looking down into his eyes, which ware centered, not on hers, but on her lips. When she finished, she slipped his hands from her arms and got up. He was about to start for the horses, when she held her jacket out to him. Despite the independence natural to a girl who earned her own living, she had an innate love of the little services and finenesses; and, also, she remembered from her childhood the talk by the pioneer women of the courtesy and attendance of the caballeros of the Spanish-California days.

      Sunset greeted them when, after a wide circle to the east and south, they cleared the divide of the Contra Costa hills and began dropping down the long grade that led past Redwood Peak to Fruitvale. Beneath them stretched the flatlands to the bay, checkerboarded into fields and broken by the towns of Elmhurst, San Leandro, and Haywards. The smoke of Oakland filled the western sky with haze and murk, while beyond, across the bay, they could see the first winking lights of San Francisco.

      Darkness was on them, and Billy had become curiously silent. For half an hour he had given no recognition of her existence save once, when the chill evening wind caused him to tuck the robe tightly about her and himself. Half a dozen times Saxon found herself on the verge of the remark, "What's on your mind?" but each time let it remain unuttered. She sat very close to him. The warmth of their bodies intermingled, and she was aware of a great restfulness and content.

      "Say, Saxon," he began abruptly. "It's no use my holdin' it in any longer. It's ben in my mouth all day, ever since lunch. What's the matter with you an' me gettin' married?"

      She knew, very quietly and very gladly, that he meant it. Instinctively she was impelled to hold off, to make him woo her, to make herself more desirably valuable ere she yielded. Further, her woman's sensitiveness and pride were offended. She had never dreamed of so forthright and bald a proposal from the man to whom she would give herself. The simplicity and directness of Billy's proposal constituted almost a hurt. On the other hand she wanted him so much-how much she had not realized until now, when he had so unexpectedly made himself accessible.

      "Well you gotta say something, Saxon. Hand it to me, good or bad; but anyway hand it to me. An' just take into consideration that I love you. Why, I love you like the very devil, Saxon. I must, because I'm askin' you to marry me, an' I never asked any girl that before."

      Another silence fell, and Saxon found herself dwelling on the warmth, tingling now, under the lap-robe. When she realized whither her thoughts led, she blushed guiltily in the darkness.

      "How old are you, Billy?" she questioned, with a suddenness and irrelevance as disconcerting as his first words had been.

      "Twenty-two," he answered.

      "I am twenty-four."

      "As if I didn't know. When you left the orphan asylum and how old you were, how long you worked in the jute mills, the cannery, the paper-box factory, the laundry-maybe you think I can't do addition. I knew how old you was, even to your birthday."

      "That doesn't change the fact that I'm two years older."

      "What of it? If it counted for anything, I wouldn't be lovin' you, would I? Your mother was dead right. Love's the big stuff. It's what counts. Don't you see? I just love you, an' I gotta have you. It's natural, I guess; and I've always found with horses, dogs, and other folks, that what's natural is right. There's no gettin' away from it, Saxon; I gotta have you, an' I'm just hopin' hard you gotta have me. Maybe my hands ain't soft like bookkeepers' an' clerks, but they can work for you, an' fight like Sam Hill for you, and, Saxon, they can love you."

      The old sex antagonism which she had always experienced with men seemed to have vanished. She had no sense of being on the defensive. This was no game. It was what she had been looking for and dreaming about. Before Billy she was defenseless, and there was an all-satisfaction in the knowledge. She could deny him nothing. Not even if he proved to be like the others. And out of the greatness of the thought rose a greater thought-he would not so prove himself.

      She did not speak. Instead, in a glow of spirit and flesh, she reached out to his left hand and gently tried to remove it from the rein. He did not understand; but when she persisted he shifted the rein to his right and let her have her will with the other hand. Her head bent over it, and she kissed the teamster callouses.

      For the moment he was stunned.

      "You СКАЧАТЬ