The Shining Girls. Lauren Beukes

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СКАЧАТЬ sniffed Miss Klara, tapping her pearly whites with one red nail. ‘Do my teeth look like zey are falling out to you? I am not dyeeing. I am not even seeck.’

      She did cop to getting ‘leetle bleesters’ that would come up on her arms and legs, and told her maid to hurry with her bath after every show, because of the sensation that her skin was ‘on fire’.

      But she did not want to talk about ‘such theengs’ when I visited her in her private ward filled with bouquets of winter blooms, apparently from admirers. She’d paid for the best medical care (and, rumors in the ward persisted, some of the bouquets too) with her earnings from shimmying on stage.

      Instead she showed me a pair of gossamer butterfly wings she had sewn with sequins and painted with radium as part of a new costume and a new routine she was working on.

      To understand her, you must know her species. The ambition of every performer is to originate a specialty, something that is impregnable against the legions of imitators, or at least, that will be deferred to you as being the first of its kind. For Miss Klara, becoming the Glow Girl was a way of rising above the competitive mediocrity that confounds even the most lithe and harmonized of dancers. ‘And now I will be zee Glow Butterfly,’ she said.

      She bemoaned the lack of a boyfriend. ‘Zey hear zees stories about ze paint and they theenk I will poison them. You tell zem, please, in your newspaper zat I am only intox-zicating, not poisonous.’

      Despite being warned by doctors that the radiation had penetrated her blood and her bones and that she might even lose a leg, the petite provocateur who once performed at Folies Bergère in Paris and (somewhat more clothed) at the Windmill in London before coming to take America by storm, said she would ‘keep danceeng until the day I die’.

      Her words proved miserably prophetic. The Glow Girl capered her last on Saturday night at Kansas Joe’s, returning for one encore. The last anyone saw of the unfortunate girl was when she blew her traditional farewell kiss to Ben Staples, the club’s bouncer, who guarded the back door against overly enthusiastic fans.

      Her body was found in the early hours of Sunday morning by a machinist, Tammy Hirst, on her way home after the night shift, who said she was attracted by a strange glow in the alleyway. On seeing the mutilated corpse of the little dancer, still wearing her paint under her coat, Miss Hirst fled to the nearest police precinct, where she tearfully reported the body’s location.

      There were plenty of witnesses who saw him at the bar that night. But Harper is not surprised at the fickleness of people. They were largely high society folk slumming it for the night. They had a bored off-duty cop with them, earning a little on the side to play minder, show them the sights, give them a taste of sin and debauchery in the Black and Tan belt. Funny how that didn’t make the papers.

      It was easy for him to be unobtrusive in that crowd, but he left the crutch outside. He’d found it was a good prop. People’s eyes slid away from it. They underestimated him. But inside the bar, it would have been a detail to hang your memory on.

      He stood at the back, nursing what passed for gin under the Volstead Act, served in a porcelain teacup so the bar could claim innocence in a raid.

      The rich folk clustered around the stage, thrilled to be rubbing shoulders with the hoi polloi, as long as they didn’t rub too close, or not without express permission. That’s what the cop was for. They were whooping and hollering for the show to start already and only got more aggressive when, instead of Miss Jeanette Klara – Radiant Wonder Of The Night, Brightest Star In The Firmament, Luminous Mistress Of Delight, This Week Only, a small Chinese girl in modest embroidered silk pajamas stepped out from the wings and sat down, cross-legged on the edge of the stage, behind a wood and wire instrument. But when the lights dimmed, even the most drunk and boisterous of the fancy folk hushed up in anticipation.

      The girl started plucking the strings of the instrument, creating a twanging oriental melody, sinister in its strangeness. A shadow slipped out among the coils of white fabric artfully arranged on the stage, dressed top-to-toe in black like an Arab. Her eyes glinted once briefly, catching the light from outside as a late arrival was grudgingly allowed entry by the thickset doorman. Cool and feral as an animal’s eyes caught in the headlights, Harper thought, like when he and Everett used to drive to Yankton before dawn to pick up farm supplies in the Red Baby.

      Half the audience didn’t even realize anyone was there, until, cued by some undetectable shift in the music, the Glow Girl slid off one long glove, revealing an incandescent disembodied arm. The onlookers gasped and one woman near the front screamed in shrill delight, startling the cop, who craned his neck to see if there had been any impropriety.

      The arm unfurled, the hand at the end twisting and turning in a sensual dance all its own. It teased its way around the black sack, exposing, briefly, a girlish shoulder, a curve of belly, a flash of painted lips, firefly bright. Then it moved to tug off the other glove and throw it into the crowd. Now there were two glowing arms, exposed from the elbow down, sensually contorting, beckoning the audience: Come closer. They obeyed, like children, clustering around the stage, jostling for the best view and tossing the glove up into the air, passing it hand-to-hand, like a party favor. It landed near Harper’s feet – a wrinkled thing, with radium paint streaks showing like innards.

      ‘Hey, now, no souvenirs,’ the huge doorman said, snatching it out of his hands. ‘Give it here. That’s Miss Klara’s property.’

      On stage, the hands crept up to the veiled hood and unclasped it, letting loose a tumble of curls and revealing a sharp little face with a bow mouth and giant blue eyes under fluttering lashes, tipped with paint so they glowed too. A pretty decapitated head floating eerily above the stage.

      Miss Klara rolled her hips, twisting her arms above her head, waiting for the suspense of a dip in the melody and the sharp clang of the cymbals she held between her fingers before she removed another piece of clothing, like a butterfly shrugging out of the folds of a black cocoon. But the movement reminded him more of a snake wriggling out of its skin.

      She wore dainty wings underneath, and a costume beaded with insect-like segments. She fluttered her fingers and winked her big eyes, dropping into a contorted pose among the coils of fabric like a dying moth. When she re-emerged, she had slipped her arms into sleeves in the gauze and was swirling it around her. Above the bar, a projector flickered to life, casting the blurry silhouettes of butterflies on the gauzy cloth. Jeanette transformed into a swooping, diving creature among a whirlwind of illusory insects. It made him think of plague and infestation. He fingered the folding knife in his pocket.

      ‘Zank you! Zank you!’ she said at the end of it, in her little girl voice, standing on stage wearing only the paint and a pair of high heels, her arms crossed over her breasts, as if they hadn’t already seen all there was to see. She blew the audience a grateful kiss, in the process revealing her pink nipples to roaring approval. She widened her eyes and gave a coquettish giggle. She quickly covered up again, playing at modesty, and skipped off stage, kicking up her heels. She returned a moment later and wheeled round the stage, her arms held up high and wide in triumph, chin raised, eyes glittering, demanding that they look at her, take their fill.

      All it cost him was a penny’s worth of caramels, the box slightly battered from being under his coat all night. The doorman was distracted, dealing with a society lady who was vomiting copiously on the front steps, while her husband and his friends jeered.

      He was waiting for her when she emerged from the back door of the club, dragging her suitcase of props. She was hunched against the cold СКАЧАТЬ