Rare Objects. Kathleen Tessaro

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СКАЧАТЬ she dug in her heels. “I’m afraid I have a prior arrangement, Maeve.”

      “If you help me, it will turn out all right, I know it will. I won’t look cheap or fast. But I can’t manage it on my own. Please!”

      I could feel her wavering between what she thought was respectable and what she knew was necessary.

      “Who knows when I’ll have another chance?” I begged.

      “Maybe. If you come to church.” She drove a hard bargain, leveraging my eternal soul against the certain depravity of becoming a blonde. “But I’m warning you, Maeve, this is a terrible, terrible mistake!”

      Nonetheless, she took me up to the ladies’ hair salon on the top floor and introduced me to M. Antoine. M. Antoine was French to his wealthy clients and considerably less Gallic in front of staff like Ma. Originally from Liverpool, he’d apparently acquired the accent along with most of his hairdressing skills on the boat on the way over.

      He gave me the once-over from behind an entirely useless gold pince-nez. “It’s a shame, really.” He poked a finger through my red curls. “I have clients that would kill for this color!”

      I avoided my mother’s eye. “Yes, but you can see how it limits me, can’t you?”

      “It’s true,” he conceded, “especially in this town. Some people have no imagination.”

      M. Antoine sent us home was a little bottle of peroxide wrapped in a brown paper bag, which Ma quickly jammed into her handbag as if it were bootleg gin. “No more than twenty minutes,” he instructed, firmly. “The difference between a beautiful blonde and a circus poodle is all in the timing. And remember to rinse, ladies, rinse! Rinse as if your very lives depended on it!”

      The sign above the door read “Winshaw and Kessler Antiquities, Rare Objects, and Fine Art” in faded gold lettering. It swung back and forth in the wind, creaking on its chains like an old rocking chair.

      I stood huddled in the doorway, waiting.

      Maude’s voice rang in my head: “The girl in question should be a young woman of quality, well-spoken and professional, able to create a favorable impression with affluent clientele.”

      A blueblood.

      I’d looked the word up the night before. The term came from the Spanish, literally translated sangre azul, describing the visible veins of the fair-skinned aristocrats. But of course here in Boston we had our own special name for these social and cultural elite, Brahmins—old East Coast families who’d stumbled off the Mayflower to teach the English a lesson. There was an even more telling lineage behind that word; it referred to the highest of the four major castes in traditional Indian society. The Boston Brahmins were a club you couldn’t join unless you married into it, and they didn’t like to mix with anyone who’d floated in on one of the newer ships, landing on Ellis Island rather than Plymouth Rock.

      Adjusting my hat in the shop-window reflection, I wondered if it would work. The effect was more dramatic than I’d expected. I looked not just different but like a whole other person; my eyes seemed wider, deeper in color, and my skin went from being white and translucent to a pale ivory beneath my soft golden-blond waves. But would it be enough?

      To my mother’s credit, she’d been thorough, covering every inch of my scalp in bleach at least three times to make certain there were no telltale signs. And when it was rinsed clean, she wound it into pin curls to be tied tight under a hairnet all night. When I woke, she was already up, sitting by the stove in her dressing gown sewing a Stearn’s label into the inside lapel of my coat. “It’s one of the only labels people ever notice,” she said. “And a coat from Stearn’s is a coat to be proud of.”

      “Even though it’s not from Stearn’s?” I asked.

      “They won’t know that. They’ll look at the name, not the cut.”

      For someone who didn’t approve of what I was doing, she was dedicated nonetheless.

      Now here I was, on a street I’d never even been down before, in my counterfeit coat and curls.

      It was almost nine in the morning, and no one was around. In the North End everything was open by seven; there were people to greet, gossip to share, deals to be struck. The streets hummed and buzzed morning till late into the night. But here was the stillness and order of money, of a life that wasn’t driven by hustle, sacrifice, and industry. Time was the luxury of another class.

      So I practiced smiling instead—not too eager, not too wide, but a discreet, dignified smile, the kind of gentle, unhurried expression that I imagined was natural to women in this part of town, an almost imperceptible softening of the lips, just enough to indicate the pleasant expectation of having every desire fulfilled.

      Eventually an older man arrived, head bent down against the wind. He was perhaps five foot five, almost as wide as he was tall, with round wire-rimmed glasses. He glanced up as he fished a set of keys from his coat pocket. “You’re the new girl? From the agency?”

      “Yes. I’m Miss Fanning.”

      “You’re tall.” It was an accusation.

      “Yes,” I agreed, uncertainly.

      “Hmm.” He unlocked the door. “I ask for a clerk, and they send me an Amazon.”

      He switched on the lights, and I followed him inside. Though narrow, the shop went back a long way and was much larger than it looked from the outside.

      “Stay here,” he said. “I’m going to turn on the heat.”

      He headed into the back.

      I’d never been in an antiques store before—the dream of everyone I knew was to own something new. And I knew all too well the used furniture stalls in the South End where things were piled on top of one another in a haphazard jumble, smelling of dust and mildew. But this couldn’t have been more different.

      Crystal chandeliers hung from the ceiling, the floors were covered with oriental carpets, and paintings of every description and time period were crowded on top of one another, dado rail to ceiling, like in a Victorian drawing room. There were ornate gilded mirrors, fine porcelain, gleaming silver. I picked up what I thought was a large pink seashell, only to discover that an elaborate cameo of the Three Graces had been painstakingly etched into one side. It was the most incredible, unnecessary thing I’d ever seen. And there was a table covered with maybe thirty tiny snuffboxes or more, all decorated with intricate mosaic designs of famous monuments, like the Leaning Tower of Pisa and the Great Pyramid at Giza, none of them bigger than a silver dollar. It was more like a museum than a shop.

      Little cards with neatly printed descriptions were everywhere.

      Here was a “17th-century French oak buffet,” a “gilded German Rococo writing desk,” a pair of stiff-backed “Tudor English chairs” in mahogany so old they were almost black. Tall freestanding cases housed porcelain vases, pottery urns, a trio of Italian Renaissance bronzes. A row of bizarre African wooden figures squatted on the floor, staring through round cartoon eyes, comical and yet shockingly sexual at the same time. And the prices! I had to keep myself from laughing out loud. Five hundred dollars for a dresser? You could buy a brand-new automobile for less! Near the back of the shop in glass display cases trinkets, watches, and fine estate jewelry were arranged СКАЧАТЬ