Unfinished Portrait. Агата Кристи

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      Contents

       Cover

       Title Page

      Copyright

      Foreword

      BOOK I: The Island

      Chapter 1. The Woman in the Garden

      Chapter 2. Call to Action

BOOK II: Canvas

Chapter 1. Home

Chapter 2. Abroad

Chapter 3. Grannie

       Chapter 4. Death

       Chapter 5. Mother and Daughter

       Chapter 6. Paris

       Chapter 7. Grown Up

       Chapter 8. Jim and Peter

       Chapter 9. Dermot

       Chapter 10. Marriage

       Chapter 11. Motherhood

       Chapter 12. Peace

       Chapter 13. Companionship

       Chapter 14. Ivy

       Chapter 15. Prosperity

       Chapter 16. Loss

       Chapter 17. Disaster

       Chapter 18. Fear

       BOOK III: The Island

       Chapter 1. Surrender

       Chapter 2. Reflection

       Chapter 3. Flight

       Chapter 4. Beginning

       Also by Agatha Christie

       About the Publisher

       Foreword

      My Dear Mary: I send you this because I don’t know what to do with it. I suppose, really, I want it to see the light of day. One does. I suppose the complete genius keeps his pictures stacked in the studio and never shows them to anybody. I was never like that, but then I was never a genius—just Mr Larraby, the promising young portrait painter.

      Well, my dear, you know what it is, none better—to be cut off from the thing you loved doing and did well because you loved doing it. That’s why we were friends, you and I. And you know about this writing business—I don’t.

      If you read this manuscript, you’ll see that I’ve taken Barge’s advice. You remember? He said, ‘Try a new medium.’ This is a portrait—and probably a damned bad one because I don’t know my medium. If you say it’s no good, I’ll take your word for it, but if you think it has, in the smallest degree, that significant form we both believe to be the fundamental basis of art—well, then, I don’t see why it shouldn’t be published. I’ve put the real names, but you can change them. And who is to mind? Not Michael. And as for Dermot he would never recognize himself! He isn’t made that way. Anyway, as Celia herself said, her story is a very ordinary story. It might happen to anybody. In fact, it frequently does. It isn’t her story I’ve been interested in. All along it’s been Celia herself. Yes, Celia herself …

      You see I wanted to nail her in paint to a canvas, and that being out of the question, I’ve tried to get her in another way. But I’m working in an unfamiliar medium—these words and sentences and commas and full stops—they’re not my craft. You’ll remark, I dare say, que ça se voit!

      I’ve seen her, you know, from two angles. First, from my own. And secondly, owing to the peculiar circumstances of twenty-four hours, I’ve been able—at moments—to get inside her skin and see her from her own. And the two don’t always agree. That’s what’s so tantalizing and fascinating to me! I should like to be God and know the truth.

      But a novelist can be God to the creatures he creates. He has them in his power to do what he likes with—or so he thinks. But they do give him surprises. I wonder if the real God finds that too … Yes, I wonder СКАЧАТЬ