Varney the Vampire. James Malcolm Rymer

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СКАЧАТЬ of fortune might have made the love cruel which would have yoked to its distresses a young and beautiful girl, reared in the lap of luxury, and who was not, even by those who loved her, suffered to feel, even in later years, any of the pinching necessities of the family.

      All these things were possible—some of them were probable; and yet none of them had occurred. She loved him still; and he, although he had looked on many a fair face, and basked in the sunny smiles of beauty, had never for a moment forgotten her faith, or lost his devotion to his own dear English girl.

      Fortune he had enough for both; death had not even threatened to rob him of the prize of such a noble and faithful heart which he had won. But a horrible superstition had arisen, which seemed to place at once an impassable abyss between them, and to say to him, in a voice of thundering denunciation—

      "Charles Holland, will you have a vampyre for your bride?"

      The thought was terrific. He paced the gloomy chamber to and fro with rapid strides, until the idea came across his mind that by so doing he might not only be proclaiming to his kind entertainers how much he was mentally distracted, but he likewise might be seriously distracting them.

      The moment this occurred to him he sat down, and was profoundly still for some time. He then glanced at the light which had been given to him, and he found himself almost unconsciously engaged in a mental calculation as to how long it would last him in the night.

      Half ashamed, then, of such terrors, as such a consideration would seem to indicate, he was on the point of hastily extinguishing it, when he happened to cast his eyes on the now mysterious and highly interesting portrait in the panel.

      The picture, as a picture, was well done, whether it was a correct likeness or not of the party whom it represented. It was one of those kind of portraits that seem so life-like, that, as you look at them, they seem to return your gaze fully, and even to follow you with their eyes from place to place.

      By candle-light such an effect is more likely to become striking and remarkable than by daylight; and now, as Charles Holland shaded his own eyes from the light, so as to cast its full radiance upon the portrait, he felt wonderfully interested in its life-like appearance.

      "Here is true skill," he said; "such as I have not before seen. How strangely this likeness of a man whom I never saw seems to gaze upon me."

      Unconsciously, too, he aided the effect, which he justly enough called life-like, by a slight movement of the candle, such as any one not blessed with nerves of iron would be sure to make, and such a movement made the face look as if it was inspired with vitality.

      Charles remained looking at the portrait for a considerable period of time. He found a kind of fascination in it which prevented him from drawing his eyes away from it. It was not fear which induced him to continue gazing on it, but the circumstance that it was a likeness of the man who, after death, was supposed to have borrowed so new and so hideous an existence, combined with its artistic merits, chained him to the spot.

      "I shall now," he said, "know that face again, let me see it where I may, or under what circumstances I may. Each feature is now indelibly fixed upon my memory—I never can mistake it."

      He turned aside as he uttered these words, and as he did so his eyes fell upon a part of the ornamental frame which composed the edge of the panel, and which seemed to him to be of a different colour from the surrounding portion.

      Curiosity and increased interest prompted him at once to make a closer inquiry into the matter; and, by a careful and diligent scrutiny, he was almost induced to come to the positive opinion, that it no very distant period in time past, the portrait had been removed from the place it occupied.

      When once this idea, even vague and indistinct as it was, in consequence of the slight grounds he formed it on, had got possession of his mind, he felt most anxious to prove its verification or its fallacy.

      He held the candle in a variety of situations, so that its light fell in different ways on the picture; and the more he examined it, the more he felt convinced that it must have been moved lately.

      It would appear as if, in its removal, a piece of the old oaken carved framework of the panel had been accidentally broken off, which caused the new look of the fracture, and that this accident, from the nature of the broken bit of framing, could have occurred in any other way than from an actual or attempted removal of the picture, he felt was extremely unlikely.

      He set down the candle on a chair near at hand, and tried if the panel was fast in its place. Upon the very first touch, he felt convinced it was not so, and that it easily moved. How to get it out, though, presented a difficulty, and to get it out was tempting.

      "Who knows," he said to himself, "what may be behind it? This is an old baronial sort of hall, and the greater portion of it was, no doubt, built at a time when the construction of such places as hidden chambers and intricate staircases were, in all buildings of importance, considered a disiderata."

      That he should make some discovery behind the portrait, now became an idea that possessed him strongly, although he certainly had no definite grounds for really supposing that he should do so.

      Perhaps the wish was more father to the thought than he, in the partial state of excitement he was in, really imagined; but so it was. He felt convinced that he should not be satisfied until he had removed that panel from the wall, and seen what was immediately behind it.

      After the panel containing the picture had been placed where it was, it appeared that pieces of moulding had been inserted all around, which had had the effect of keeping it in its place, and it was a fracture of one of these pieces which had first called Charles Holland's attention to the probability of the picture having been removed. That he should have to get two, at least, of the pieces of moulding away, before he could hope to remove the picture, was to him quite apparent, and he was considering how he should accomplish such a result, when he was suddenly startled by a knock at his chamber door.

      Until that sudden demand for admission at his door came, he scarcely knew to what a nervous state he had worked himself up. It was an odd sort of tap—one only—a single tap, as if some one demanded admittance, and wished to awaken his attention with the least possible chance of disturbing any one else.

      "Come in," said Charles, for he knew he had not fastened his door; "come in."

      There was no reply, but after a moment's pause, the same sort of low tap came again.

      Again he cried "come in," but, whoever it was, seemed determined that the door should be opened for him, and no movement was made from the outside. A third time the tap came, and Charles was very close to the door when he heard it, for with a noiseless step he had approached it intending to open it. The instant this third mysterious demand for admission came, he did open it wide. There was no one there! In an instant he crossed the threshold into the corridor, which ran right and left. A window at one end of it now sent in the moon's rays, so that it was tolerably light, but he could see no one. Indeed, to look for any one, he felt sure was needless, for he had opened his chamber-door almost simultaneously with the last knock for admission.

      "It is strange," he said, as he lingered on the threshold of his room door for some moments; "my imagination could not so completely deceive me. There was most certainly a demand for admission."

      Slowly, then, he returned to his room again, and closed the door behind him.

      "One thing is evident," he said, "that if I am in this apartment to be subjected to these annoyances, I shall get no СКАЧАТЬ