Castles and Chateaux of Old Touraine and the Loire Country. M. F. Mansfield
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Название: Castles and Chateaux of Old Touraine and the Loire Country

Автор: M. F. Mansfield

Издательство: Bookwire

Жанр: Книги о Путешествиях

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isbn: 4064066206420

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СКАЧАТЬ of yards below the "Bassin du Miroir."

      The Château de la Source is a seventeenth-century edifice, of no great architectural beauty in itself, but sufficiently sylvan in its surroundings to give it rank as one of the notable places of pilgrimage for tourists who, said a cynical French writer, "take the châteaux of the Loire tour à tour as they do the morgue, the Moulin Rouge, and the sewers of Paris."

      In the early days the château belonged to the Cardinal Briçonnet, and it was here that Bolingbroke, after having been stripped of his titles in England, went into retirement in 1720. In 1722 he received Voltaire, who read him his "Henriade."

      The Loiret

      In 1815 the invading Prince Eckmühl, with his staff, installed himself in the château, when, after Waterloo, the Prussian and French armies were separated only by a barrier placed midway on the bridge at Orleans. It was here also that the Prussian army was disbanded, on the agreement of the council held at Angerville, near Orleans.

      There are three other châteaux on the borders of the Loiret, which are of more than ordinary interest, so far as great country houses and their surroundings go, though their histories are not very striking, with perhaps the exception of the Château de la Fontaine, which has a remarkable garden, laid out by Lenôtre, the designer of the parks at Versailles.

      Leaving Orleans by the right bank of the Loire, one first comes to La Chapelle-St. Mesmin. La Chapelle has a church dating from the eleventh century and a château which is to-day the maison de campagne of the Bishop of Orleans. On the opposite bank was the Abbaye de Micy, founded by Clovis at the time of his conversion. A stone cross, only, marks the site to-day.

      St. Ay follows next, and is usually set down in the guide-books as "celebrated for good wines." This is not to be denied for a moment, and it is curious to note that the city bears the same name as the famous town in the champagne district, celebrated also for good wine, though of a different kind. The name of the Orléannais Ay is gained from a hermitage founded here by a holy man, who died in the sixth century. His tomb was discovered in 1860, under the choir of the church, which makes it a place of pilgrimage of no little local importance.

      At Meung-sur-Loire one should cross the river to Cléry, five kilometres off, seldom if ever visited by casual travellers. But why? Simply because it is overlooked in that universal haste shown by most travellers—who are not students of art or architecture, or deep lovers of history—in making their way to more popular shrines. One will not regret the time taken to visit Cléry, which shared with Our Lady of Embrun the devotions of Louis XI.

      Cléry's three thousand pastoral inhabitants of to-day would never give it distinction, and it is only the Maison de Louis XI. and the Basilique de Notre Dame which makes it worth while, but this is enough.

      In "Quentin Durward" one reads of the time when the superstitious Louis was held in captivity by the Burgundian, Charles the Bold, and of how the French king made his devotions before the little image, worn in his hat, of the Virgin of Cléry; "the grossness of his superstition, none the less than his fickleness, leading him to believe Our Lady of Cléry to be quite a different person from the other object of his devotion, the Madonna of Embrun, a tiny mountain village in southwestern France.

      "'Sweet Lady of Cléry,' he exclaimed, clasping his hands and beating his breast as he spoke, 'Blessed Mother of Mercy! thou who art omnipotent with omnipotence, have compassion with me, a sinner! It is true I have sometimes neglected you for thy blessed sister of Embrun; but I am a king, my power is great, my wealth boundless; and were it otherwise, I would double my gabelle on my subjects rather than not pay my debts to you both.'"

      Louis endowed the church at Cléry, and the edifice was built in the fine flamboyant style of the period, just previous to his death, which De Commines gives as "le samedy pénultième jour d'Aoust, l'an mil quatre cens quatre-vingtz et trois, à huit heures du soir."

      Louis XI. was buried here, and the chief "sight" is of course his tomb, beside which is a flagstone which covers the heart of Charles VIII. The Chapelle St. Jacques, within the church, is ornamented by a series of charming sculptures, and the Chapelle des Dunois-Longueville holds the remains of the famous ally of Jeanne d'Arc and members of his family.

      In the choir is the massive oaken statue of Our Lady of Cléry (thirteenth century); the very one before which Louis made his vows. There is some old glass in the choir and a series of sculptured stalls, which would make famous a more visited and better known shrine. There is a fine sculptured stone portal to the sacristy, and within there are some magnificent old armoires, and also two chasubles, which saw service in some great church, perhaps here, in the times of Louis himself.

      The "Maison de Louis XI.," near the church, is a house of brick, restored in 1651, and now—or until a very recent date—occupied by a community of nuns. In the Grande Rue is another "Maison de Louis XI.;" at least it has his cipher on the painted ceiling. It is now occupied by the Hôtel de la Belle Image. Those who like to dine and sleep where have also dined and slept royal heads will appreciate putting up at this hostelry.

      The Loire at Meung

      Meung-sur-Loire was the birthplace of Jehan Clopinel, better known as Jean de Meung, who continued Guillaume de Lorris's "Roman de la Rose," the most famous bit of verse produced by the trouvères of the thirteenth century. The voice of the troubadour was soon after hushed for ever, but that thirteenth-century masterwork—though by two hands and the respective portions unequal in merit—lives for ever as the greatest of its kind. In memory of the author, Meung has its Rue Jehan de Meung, for want of a more effective or appealing monument.

      Dumas opens the history of "Les Trois Mousquétaires" with the following brilliantly romantic lines anent Meung: "Le premier lundi du mois d'Avril, 1625, le bourg de Meung, où naquit l'auteur du 'Roman de la Rose.'" (One of the authors, he should have said, but here is where Dumas nodded, as he frequently did.)

      Continuing, one reads: "The town was in a veritable uproar. It was as if the Huguenots were up in arms and the drama of a second Rochelle was being enacted." Really the description is too brilliant and entrancing to be repeated here, and if any one has forgotten his Dumas to the extent that he has forgotten D'Artagnan's introduction to the hostelry of the "Franc Meunier," he is respectfully referred back to that perennially delightful romance.

      Meung was once a Roman fortress, known as Maudunum, and in the eleventh century St. Liphard founded a monastery here.

      In the fifteenth century Meung was the prison of François Villon. Poor vagabond as he was then, it has become the fashion to laud both the personality and the poesy of Maître François Villon.

      By the orders of Thibaut d'Aussigny, Bishop of Orleans, Villon was confined in a strong tower attached to the side of the clocher of the parish church of St. Liphard, and which adjoined the château de plaisance belonging to the bishop. Primarily this imprisonment was due to a robbery in which the poet had been concerned at Orleans. He spent the whole of the summer in this dungeon, which was overrun with rats, and into which he had to be lowered by ropes. As his food consisted of bread and water only, his sufferings at this time were probably greater than at any other period in his life. Here the burglar-poet remained until October, 1461, when Louis XI. visited Meung, and, to mark the occasion, ordered the release of all prisoners. For this delivery, Villon, according to the accounts of his life, appears to have been genuinely grateful to the king.

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