The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories. Honore de Balzac

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СКАЧАТЬ there were two vast armies to contend with—that of ideas and that of men. Royal power perished in the struggle, and we, in France, at this day are looking on at its last coalition with elements which make it difficult, not to say impossible.

      Power is action; the electoral principle is discussion. No political action is possible when discussion is permanently established. So we ought to regard the woman as truly great who foresaw that future, and fought it so bravely. The House of Bourbon was able to succeed to the House of Valois, and owed it to Catherine de' Medici that it found that crown to wear. If the second Balafré had been alive, it is very doubtful that the Béarnais, strong as he was, could have seized the throne, seeing how dearly it was sold by the Duc de Mayenne and the remnant of the Guise faction. The necessary steps taken by Catherine, who had the deaths of François II. and Charles IX. on her soul—both dying opportunely for her safety—are not, it must be noted, what the Calvinist and modern writers blame her for! Though there was no poisoning, as some serious authors have asserted, there were other not less criminal plots. It is beyond question that she hindered Paré from saving one, and murdered the other morally by inches.

      But the swift death of François II. and the skilfully contrived end of Charles IX. did no injury to Calvinist interests. The causes of these two events concerned only the uppermost sphere, and were never suspected by writers or by the lower orders at the time; they were guessed only by de Thou, by l'Hôpital, by men of the highest talents, or the chiefs of the two parties who coveted and clung to the Crown, and who thought such means indispensable.

      Popular songs, strange to say, fell foul of Catherine's morality. The anecdote is known of a soldier who was roasting a goose in the guardroom of the Château of Tours while Catherine and Henri IV. were holding a conference there, and who sang a ballad in which the Queen was insultingly compared to the largest cannon in the hands of the Calvinists. Henri IV. drew his sword to go out and kill the man; Catherine stopped him, and only shouted out:

      "It is Catherine who provides the goose!"

      Though the executions at Amboise were attributed to Catherine, and the Calvinists made that able woman responsible for all the inevitable disasters of the struggle, she must be judged by posterity, like Robespierre at a future date.

      And Catherine was cruelly punished for her preference for the Duc d'Anjou, which made her hold her two elder sons so cheap. Henri III. having ceased, like all spoilt children, to care for his mother, rushed voluntarily into such debauchery as made him, what the mother had made Charles IX., a childless husband, a king without an heir. Unhappily, Catherine's youngest son, the Duc d'Alençon, died—a natural death. The Queen-mother made every effort to control her son's passions. History preserves the tradition of a supper to nude women given in the banqueting-hall at Chenonceaux on his return from Poland, but it did not cure Henri III. of his bad habits.

      This great Queen's last words summed up her policy, which was indeed so governed by good sense that we see the Cabinets of every country putting it into practice in similar circumstances.

      "Well cut, my son," said she, when Henri III. came to her, on her deathbed, to announce that the enemy of the throne had been put to death. "Now you must sew up again."

      She thus expressed her opinion that the sovereign must make friends with the House of Lorraine, and make it useful, as the only way to hinder the effects of the Guises' hatred, by giving them a hope of circumventing the King. But this indefatigable cunning of the Italian and the woman was incompatible with Henri III.'s life of debauchery. When once the Great Mother was dead, the Mother of Armies (Mater castrorum), the policy of the Valois died too.

      Before attempting to write this picture of manners in action, the author patiently and minutely studied the principal reigns of French history, the quarrels of the Burgundians and the Armagnacs, and those of the Guises and the Valois, each in the forefront of a century. His purpose was to write a picturesque history of France. Isabella of Bavaria, Catherine and Marie de' Medici, each fills a conspicuous place, dominating from the fourteenth to the seventeenth centuries, and leading up to Louis XIV.

      Of these three queens, Catherine was the most interesting and the most beautiful. Hers was a manly rule, not disgraced by the terrible amours of Isabella, nor those, even more terrible though less known, of Marie de' Medici. Isabella brought the English into France to oppose her son, was in love with her brother-in-law, the Duc d'Orléans, and with Boisbourdon. Marie de' Medici's account is still heavier. Neither of them had any political genius.

      In the course of these studies and comparisons, the author became convinced of Catherine's greatness; by initiating himself into the peculiar difficulties of her position, he discerned how unjust historians, biased by Protestantism, had been to this queen; and the outcome was the three sketches here presented, in which some erroneous opinions of her, of those who were about her, and of the aspect of the times, are combated.

      The work is placed among my Philosophical Studies, because it illustrates the spirit of a period, and plainly shows the influence of opinions.

      But before depicting the political arena on which Catherine comes into collision with the two great obstacles in her career, it is necessary to give a short account of her previous life from the point of view of an impartial critic, so that the reader may form a general idea of this large and royal life up to the time when the first part of this narrative opens.

      Never at any period, in any country, or in any ruling family was there more contempt felt for legitimacy than by the famous race of the Medici (in French commonly written and pronounced Medicis). They held the same opinion of monarchy as is now professed in Russia: The ruler on whom the crown devolves is the real and legitimate monarch. Mirabeau was justified in saying, "There has been but one mésalliance in my family—that with the Medici;" for, notwithstanding the exertions of well-paid genealogists, it is certain that the Medici, till the time of Avérardo de' Medici, gonfaloniere of Florence in 1314, were no more than Florentine merchants of great wealth. The first personage of the family who filled a conspicuous place in the history of the great Tuscan Republic was Salvestro de' Medici, gonfaloniere in 1378. This Salvestro had two sons—Cosmo and Lorenzo de' Medici.

      From Cosmo descended Lorenzo the Magnificent, the Duc de Nemours, the Duke of Urbino, Catherine's father, Pope Leo X., Pope Clement VII., and Alessandro, not indeed Duke of Florence, as he is sometimes called, but Duke della città di Penna, a title created by Pope Clement VII. as a step towards that of Grand Duke of Tuscany.

      Lorenzo's descendants were Lorenzino—the Brutus of Florence—who killed Duke Alessandro; Cosmo, the first Grand Duke, and all the rulers of Florence till 1737, when the family became extinct.

      But neither of the two branches—that of Cosmo or that of Lorenzo—succeeded in a direct line, till the time when Marie de' Medici's father subjugated Tuscany, and the Grand Dukes inherited in regular succession. Thus Alessandro de' Medici, who assumed the title of Duke della città di Penna, and whom Lorenzino assassinated, was the son of the Duke of Urbino, Catherine's father, by a Moorish slave. Hence Lorenzino, the legitimate son of Lorenzo, had a double right to kill Alessandro, both as a usurper in the family and as an oppressor of the city. Some historians have indeed supposed that Alessandro was the son of Clement VII. The event that led to the recognition of this bastard as head of the Republic was his marriage with Margaret of Austria, the natural daughter of Charles V.

      Francesco de' Medici, the husband of Bianca Capello, recognized as his son a child of low birth bought by that notorious Venetian lady; and, strange to say, Fernando, succeeding Francesco, upheld the hypothetical rights of this boy. Indeed, this youth, known as Don Antonio de' Medici, was recognized by the family during four ducal reigns; he won the affection of all, did them important service, and was universally regretted.

      Almost all the early Medici had natural СКАЧАТЬ