The Old Inns of England (Vol. 1&2). Charles G. Harper

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СКАЧАТЬ and battlemented walls; and when even ecclesiastic and collegiate institutions were designed with the idea that they might ultimately have to be defended, it is quite reasonable to suppose that innkeepers were capable of evolving a plan for themselves by which they and their guests, and the goods of their guests, might reckon on a degree of security.

      This was the type of hostelry that, apart from the mere tavern, or alehouse, remained for so many centuries typical of the English good-class inns. It was at once, in a sense—to compare old times with new—the hotel and railway-station of an age that knew neither railways nor the class of house we style “hotel.” It was the fine flower of the hostelling business, and to it came and went the carriers’ waggons, the early travellers riding horseback, and, in the course of time, as the age of wonderful inventions began to dawn, the stage and mail-coaches. Travellers of the most gentle birth, equally with those rich merchants and clothiers who were the greatest travellers in the fifteenth and sixteenth centuries, inned at such establishments. It was at one such that Archbishop Leighton ended. He had said, years before, that “if he must choose a place to die in, it should be an inn, it looking like a pilgrim’s going home, to whom this world was an inn, and who was weary of the noise and confusion of it.” He died, that good and gentle man, at the “Bell” in Warwick Lane, in 1684.

      London, once rich in hostelries of this type, has now but one. In fine, it is not in the metropolis that the amateur of old inns of any kind would nowadays seek with great success; although, well within the memory of most people, it was exceptionally well furnished with them. It was neither good taste nor good business that, in 1897, demolished the “Old Bell,” Holborn, a pretty old-world galleried inn that maintained until the very last an excellent trade in all branches of licensed-victualling; and would have continued so to do had it not been that the greed for higher ground-rent ordained the ending of it, in favour of the giant (and very vulgar) building now occupying the spot where it stood. That may have been a remunerative transaction for the ground-landlord; but, looking at these commercial-minded clearances in a broader way, they are nothing less than disastrous. If, to fill some private purses over-full, you thus callously rebuild historic cities, their history becomes merely a matter for the printed page, and themselves to the eye nothing but a congeries of crowded streets where the motor-omnibuses scream and clash and stink, and citizens hustle to get a living. History, without visible ancient buildings to assure the sceptical modern traveller that it is not wholly lies, will never by itself draw visitors.

      Holborn, where the “Old Bell” stood, was, until quite recent years, a pleasant threshold to the City. There stood Furnival’s Inn, that quiet quadrangle of chambers, with the staid and respectable Wood’s Hotel. Next door was Ridler’s Hotel, with pleasant bay-window looking upon the street, and across the way, in Fetter Lane, remained the “White Horse” coaching inn; very much down on its luck in its last years, but interesting to prowling strangers enamoured of the antique and out-of-date.

      The vanished interest of other corners in London might be enlarged upon, but it is too melancholy a picture. Let us to the Borough High Street, and, resolutely refusing to think for the moment of the many queer old galleried inns that not so long since remained there, come to that sole survivor, the “George.”

      You would never by mere chance find the “George,” for it has no frontage to the street, and lies along one side of a yard not at first sight very prepossessing, and, in fact, used in these days for the unsentimental purposes of a railway goods-receiving depot. This, however, is the old yard once entirely in use for the business of the inn.

      The “George,” as it now stands, is the successor of a pre-Reformation inn that, formerly the “St. George,” became secularised in the time of Henry the Eighth, when saints, even patron saints, were under a cloud. It is an exceedingly long range of buildings, dating from the seventeenth century, and in two distinct and different styles: a timbered, wooden-balustraded gallery in two storeys, and a white-washed brick continuation. The long ground-floor range of windows to the kitchen, the bar, and the coffee-room, is, as seen in the illustration, protected from any accidents in the manœuvring of the railway waggons by a continuous bulkhead of sleepers driven into the ground. It is pleasing to be able to bear witness to the thriving trade that continues to be done in this sole ancient survivor of the old Southwark galleried inns, and to note that, however harshly fate, as personified by rapacious landlords, has dealt with its kind, the old-world savour of the inn is thoroughly appreciated by those not generally thought sentimental persons, the commercial men who dine and lunch, and the commercial travellers who sleep, here.

      But, however pleasing the old survivals in brick and stone, in timber and plaster, may be to the present generation, we seem, by the evidence left us in the literature and printed matter of an earlier age, to have travelled far from gross to comparatively ideal manners.

      THE LAST OF THE OLD GALLERIED INNS OF LONDON: THE “GEORGE,” SOUTHWARK.

       Photo by T. W. Tyrrell.

      The manners common to all classes in old times would scarce commend themselves to modern folk. We get a curious glimpse of them in one of a number of Manuals of Foreign Conversation for the use of travellers, published towards the close of the sixteenth century in Flanders, then a country of great trading importance, sending forth commercial travellers and others to many foreign lands. One of these handy books, styled, rather formidably, Colloquia et dictionariolum septem linguarum, including, as its title indicates, conversation in seven languages, was so highly successful that seven editions of it, dating from 1589, are known. The traveller in England, coming to his inn, is found talking on the subject of trade and civil wars, and at length desires to retire to rest. The conversation itself is sufficiently strange, and is made additionally startling by the capital W’s that appear in unconventional places. “Sir,” says the traveller, “by your leave, I am sum What euell at ease.” To which the innkeeper replies: “Sir, if you be ill at ease, go and take your rest, your chambre is readie. Jone, make a good fier in his chambre, and let him lacke nothing.”

      Then we have a dialogue with “Jone,” the chambermaid, in this wise:

      Traveller: My shee frinde, is my bed made? is it good?

      “Yea, Sir, it is a good feder bed, the scheetes be very cleane.”

      Traveller: I shake as a leafe upon the tree. Warme my kerchif and bynde my head well. Soft, you binde it to harde, bryng my pilloW and cover mee Well: pull off my hosen and Warme my bed: draWe the curtines and pinthen With a pin.

      Where is the camber pot?

      Where is the priuie?

      Chambermaid: FolloW mee, and I Will sheW you the Way: go up streight, you shall finde them at the right hand. If you see them not you shall smell them Well enough. Sir, doth it please you to haue no other thing? are you Wel?

      Traveller: Yea, my shee frinde, put out the candell, and come nearer to mee.

      Chambermaid: I Wil put it out When I am out of the chamber. What is your pleasure, are you not Well enough yet?

      Traveller: My head lyeth to loWe, lift up a little the bolster, I can not lie so loWe.—My shee friende, kisse me once, and I shall sleape the better.

      Chambermaid: Sleape, sleape, you are not sicke, seeing that you speake of kissyng. I had rather die then to kisse a man in his bed, or in any other place. Take your rest in God’s name, God geeue you good night and goode rest.

      Traveller: I thank you, fayre mayden.

      In the morning we have “Communication at the oprysing,” the traveller calling to the boy СКАЧАТЬ