Agincourt (Historical Novel). G. P. R. James

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СКАЧАТЬ but beyond the angle of the chimney, protruded into the light, the arm, shoulder, and part of the head of another tall old man, apparently clothed in the grey gown of some monastic order.

      On the left of Sir Philip Beauchamp was seated a young lady, perhaps eighteen or nineteen years of age, with her arm resting on his knee, and her head and figure bent gracefully towards him. Her hair was as black as jet, her skin soft and clear, and her complexion somewhat pale, though a slight tinge of the rose might be seen upon her cheek. Her eyes, like her father's, were of a deep clear blue, though the long black fringes that bordered her eyelids in a long sweeping line, made them, at a distance, look as dark as her hair. She seemed neither above nor below the ordinary height of woman; and her whole figure, though by no means thin, was slim and delicate. The small exquisite foot and rounded ancle inclining gracefully towards the fire, were displayed by the posture in which she had placed herself; and the hand that rested on her father's knee, with long fingers tapering to the point, showed in every line the high Norman blood of her race.

      Next to Isabel Beauchamp, the only daughter of the old knight, was another lady, perhaps a year younger. She was in several respects strikingly contrasted to her fair companion, though hardly less beautiful. Her hair was of a light glossy brown, catching a warm gleam wherever the light fell upon it, as fine as silk new spun from the cone, yet curling in large bunches wherever it could escape from the bands that confined it. Her complexion was fair and glowing; her cheek warm with health, and her skin as soft and smooth as that of a child. To look upon her at a little distance, one would have expected to find the merry grey or blue eye, so often seen in the pretty village maid; but hers was dark brown, large, and full, and soft, yet with a laughing light therein, that seemed to speak a buoyant and a happy heart. In form she was somewhat taller than the other; but though her waist looked as if it would have required no giant's hand to span it round, yet there was that sort of full and graceful sweep in all the lines, which painters and statuaries, I believe, call contour. Nought but the tip of one foot was seen from beneath the long and flowing petticoat then in fashion; but even from that, one might judge that nothing much more neat and small ever beat the turf, except amongst the elves of fairy land. Her hand rested upon a frame of embroidery, at which she had been working, and her head was slightly bent forward, as if to hear something said by the good Abbot of the convent, who sat opposite to his brother, in the seat within the chimney. But between her and him was another group, consisting of three persons, which somewhat detached itself from the rest. Two were seated, a lady and a gentleman, and the third was standing with his arms folded on his chest a little behind the others.

      The backs of these three were turned towards the door by which Woodville and his companions entered; and they were somewhat in the shade, being placed between the lower end of the hall and the light both of the fire and the sconce; but as we are now looking at the picture of the whole, we may as well examine the details before we proceed.

      The lady bore a striking resemblance in features, complexion, and form, to Isabel Beauchamp, whom we have already described; and the Lady Catherine might well be taken, as was often the case, for her cousin's sister. She was taller, indeed, though not much; but the chief difference was in the expression of the two countenances. Catherine's wanted all the gentleness, the tenderness, the thoughtfulness, of Isabel's. It could assume a look of playful coquetry, it could seem grave, it could seem joyous; but with each expression there mingled a touch of pride, perhaps, too, of vanity; and a scornful turn of the lip and well-chiseled nostril, as well as a quick flash of the eye, spoke the rash and haughty spirit which too certainly dwelt within her breast.

      We are the slaves of circumstances from our cradle; and the mother and the nurse form as much part of our fate as any of the other events which mould our character, guide our course, and lead us to high station, retain us in mediocrity, or plunge us into misfortune. Catherine Beauchamp, like her cousin, was an only child, and an heiress; but her mother had brought large possessions to her father, and with those large possessions an inexhaustible store of pride. She had looked upon herself, indeed, as her husband's benefactor, for he was a younger brother, of small estate; and, after his death, she and a foolish servant had rivalled each other in instilling into her daughter's mind high notions of her own importance. In this, as in many another thing, the mother had proved herself weak; and the spoilt child had early shown her the result of her own folly. She did not live long enough to correct her error, even if she had possessed sense enough to make the effort; and when Catherine came to the house of her uncle, as his ward, her character was too far fixed to render any lessons effectual, but the severe ones of the world. There, then, she sat, beautiful, rich, vain, and haughty, claiming all admiration as her due, and believing that even her faults ought to be admired for her loveliness and her wealth.

      Beside her was placed her mother's nearest relation, a distant cousin, named Simeon of Roydon. He was a tall, robust, well-proportioned man, of two or three and thirty years of age, with a quantity of light hair close cut in front, and left long upon the back of the head and over the temples. His features were in general good; and what with youth and health, a florid complexion, fair skin, bright keen eyes, an aquiline nose, somewhat too much depressed, and an air of calm self-importance and courtly ease, he was the sort of man so often called handsome by those who little consider or know in what beauty really consists. Nothing, indeed, that dress could do, was left undone, according to the fashions of the day, to set off his person to the best of advantage. His long limbs were clothed in the light-coloured breeches and hose, without division from the waist to the foot, which were then generally worn by men of the higher class; but so tightly did they fit, that scarce a muscle of the leg might not be traced beneath; and his coat was also cut so close to his shape, that except on the chest, where, perhaps, some padding added to the appearance of breadth, the garment seemed to be but an outer skin. His shoes exhibited points of at least six inches in length beyond the toe; and the sleeves of his mantle, which he continued to wear even in the hall, hung down till they swept the floor. He wore a dagger in his girdle with a jewelled hilt, and a clasp upon his coat with a ruby set in gold; while on his thumb appeared a large signet-ring of a very peculiar fashion and device.

      Notwithstanding dress, however, and good features, and a countenance under perfect command, there were certain minute, but very distinct signs, to be perceived by an eye practised in the study of the human character, which betrayed the fact, that his smooth exterior was but a shell containing a less pleasant core. There was a wandering of the eyes, which did not always seem to move in the same orbits; there was an occasional quiver of the lower lip, as if words which might be dangerous were restrained with difficulty; there was a look of keen, eager, almost fierce, inquiry, when anything was said, the meaning of which he did not at once comprehend; and then a sudden return to a bland and sweet expression almost of insipidity, which spoke of something false and hollow. He was talking to Catherine Beauchamp, when Richard of Woodville and Hal of Hadnock entered, in gay tones, often mingling a low laugh with his conversation, and eying his own foot and leg as it was stretched out towards the fire, with an air of great self-admiration and satisfaction.

      The figure of the third person, who stood close behind the lady--as if he had come round thither and left vacant a stool which appeared on the other side, to take part in her conversation with Sir Simeon of Roydon--was as tall and finer in all its proportions than that of the knight who sat by her side. His chest was broader; his arms more muscular; the turn of his head, and the fall of his shoulders, more graceful and symmetrical. His dark hair curled short round his forehead, and on his neck; his straight-cut features, of a grave and somewhat stern cast, wore their least pleasing look when in repose; for they wanted but the fire of expression to light them up in a moment, and render them all bright and glowing. His eye, however, the feature which soonest receives that light, had in it a fixed melancholy, which scarcely even left it when he smiled; and now, though he had come round thither to interchange a few words with Catherine, his betrothed wife, and her gay kinsman, Sir Henry Dacre had fallen into thought again, and remained standing with his arms folded on his chest, and his look fixed upon Isabel Beauchamp, as she leaned upon her father's knee. His gaze was intense, thoughtful--I might call it inquiring; but yet it was not rude, for he knew not that his eyes were so firmly fixed upon her. He was buried in his own thoughts; and perhaps the peculiar СКАЧАТЬ