Amaryllis at the Fair. Richard Jefferies
Чтение книги онлайн.

Читать онлайн книгу Amaryllis at the Fair - Richard Jefferies страница 9

Название: Amaryllis at the Fair

Автор: Richard Jefferies

Издательство: Bookwire

Жанр: Языкознание

Серия:

isbn: 4064066223144

isbn:

СКАЧАТЬ children at "touch wood," going out from a place of safety very cautiously, returning swiftly. The next time another mouse followed, and a third appeared at the other end of the fender. By degrees they got under the table, and helped themselves to the crumbs; one mounted a chair and reached the cloth, but soon descended, afraid to stay there. Five or six mice were now busy at their dinner.

      The sleeping man was as still and quiet as if carved.

      A mouse came to the foot, clad in a great rusty-hued iron-shod boot—the foot that rested on the fender, for he had crossed his knees. His ragged and dingy trouser, full of March dust, and earth-stained by labour, was drawn up somewhat higher than the boot. It took the mouse several trials to reach the trouser, but he succeeded, and audaciously mounted to Iden's knee. Another quickly followed, and there the pair of them feasted on the crumbs of bread and cheese caught in the folds of his trousers.

      One great brown hand was in his pocket, close to them—a mighty hand, beside which they were pigmies indeed in the land of the giants. What would have been the value of their lives between a finger and thumb that could crack a ripe and strong-shelled walnut?

      The size—the mass—the weight of his hand alone was as a hill overshadowing them; his broad frame like the Alps; his head high above as a vast rock that overhung the valley.

      His thumb-nail—widened by labour with spade and axe—his thumb-nail would have covered either of the tiny creatures as his shield covered Ajax.

      Yet the little things fed in perfect confidence. He was so still, so very still—quiescent—they feared him no more than they did the wall; they could not hear his breathing.

      Had they been gifted with human intelligence that very fact would have excited their suspicions. Why so very, very still? Strong men, wearied by work, do not sleep quietly; they breathe heavily. Even in firm sleep we move a little now and then, a limb trembles, a muscle quivers, or stretches itself.

      But Iden was so still it was evident he was really wide awake and restraining his breath, and exercising conscious command over his muscles, that this scene might proceed undisturbed.

      Now the strangeness of the thing was in this way: Iden set traps for mice in the cellar and the larder, and slew them there without mercy. He picked up the trap, swung it round, opening the door at the same instant, and the wretched captive was dashed to death upon the stone flags of the floor. So he hated them and persecuted them in one place, and fed them in another.

      A long psychological discussion might be held on this apparent inconsistency, but I shall leave analysis to those who like it, and go on recording facts. I will only make one remark. That nothing is consistent that is human. If it was not inconsistent it would have no association with a living person.

      From the merest thin slit, as it were, between his eyelids, Iden watched the mice feed and run about his knees till, having eaten every crumb, they descended his leg to the floor.

       Table of Contents

      E was not asleep—he was thinking. Sometimes, of course, it happened that slumber was induced by the position in which he placed himself; slumber, however, was not his intent. He liked to rest after his midday meal and think. There was no real loss of time in it—he had been at work since half-past five.

      His especial and striking characteristic was a very large, high, and noble forehead—the forehead attributed to Shakespeare and seen in his busts. Shakespeare's intellect is beyond inquiry, yet he was not altogether a man of action. He was, indeed, an actor upon the stage; once he stole the red deer (delightful to think of that!), but he did not sail to the then new discovered lands of America, nor did he fight the Spaniards. So much intellect is, perhaps, antagonistic to action, or rather it is averse to those arts by which a soldier climbs to the position of commander. If Shakespeare by the chance of birth, or other accident, had had the order of England's forces, we should have seen generalship such as the world had not known since Cæsar.

      His intellect was too big to climb backstairs till opportunity came. We have great thoughts instead of battles.

      Iden's forehead might have been sculptured for Shakespeare's. There was too much thought in it for the circumstances of his life. It is possible to think till you cannot act.

      After the mice descended Iden did sleep for a few minutes. When he awoke he looked at the clock in a guilty way, and then opening the oven of the grate, took out a baked apple. He had one there ready for him almost always—always, that is, when they were not ripe on the trees.

      A baked apple, he said, was the most wholesome thing in the world; it corrected the stomach, prevented acidity, improved digestion, and gave tone to all the food that had been eaten previously. If people would only eat baked apples they would not need to be for ever going to the chemists' shops for drugs and salines to put them right. The women were always at the chemists' shops—you could never pass the chemists' shops in the town without seeing two or three women buying something.

      The apple was the apple of fruit, the natural medicine of man—and the best flavoured. It was compounded of the sweetest extracts and essences of air and light, put together of sunshine and wind and shower in such a way that no laboratory could imitate: and so on in a strain and with a simplicity of language that reminded you of Bacon and his philosophy of the Elizabethan age.

      Iden in a way certainly had a tinge of the Baconian culture, naturally, and not from any study of that author, whose books he had never seen. The great Bacon was, in fact, a man of orchard and garden, and gathered his ideas from the fields.

      Just look at an apple on the tree, said Iden. Look at a Blenheim orange, the inimitable mixture of colour, the gold and bronze, and ruddy tints, not bright colours—undertones of bright colours—smoothed together and polished, and made the more delightful by occasional roughness in the rind. Or look at the brilliant King Pippin. Now he was getting older he found, however, that the finest of them all was the russet. For eating, at its proper season, it was good, but for cooking it was simply the Imperial Cæsar and Sultan of apples; whether for baking, or pies, or sauce, there was none to equal it. Apple-sauce made of the real true russet was a sauce for Jove's own table. It was necessary that it should be the real russet. Indeed in apple trees you had to be as careful of breeding and pedigree as the owners of racing stables were about their horses.

      Ripe apples could not be got all the year round in any variety; besides which, in winter and cold weather the crudity of the stomach needed to be assisted with a little warmth; therefore bake them.

      People did not eat nearly enough fruit now-a-days; they had too much butcher's meat, and not enough fruit—that is, home-grown fruit, straight from orchard or garden, not the half-sour stuff sold in the shops, picked before it was ready.

      The Americans were much wiser (he knew a good deal about America—he had been there in his early days, before thought superseded action)—the Americans had kept up many of the fine old English customs of two or three hundred years since, and among these was the eating of fruit. They were accused of being so modern, so very, very modern, but, in fact, the country Americans, СКАЧАТЬ