Pieces of Hate; And Other Enthusiasms. Broun Heywood

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СКАЧАТЬ him for some time came under sudden and dramatic circumstances. She was running away from him at the time and he was riding after her. Standing up in the stirrups, the Sheik shot the horse from under her and "Diana was flung far forward and landed on some soft sand." But even yet her blindness to the whispering of love persisted. She thought she hated Ahmed, but dawn was about to break in her starved heart. "He caught her wrist and flung her out of the way," yet it was not until he had lifted her up on the saddle in front of him, using his favorite hold—a half nelson and body scissors—that the punishing nature of the familiar grip roused Diana to an understanding of her great good fortune. "Quite suddenly she knew—knew that she loved him, that she had loved him for a long time, even when she thought that she hated him and when she had fled from him. She knew now why his face had haunted her in the little oasis at midday—that it was love calling to her sub-consciously." And all the time poor, foolish Diana had imagined that it was arnica which she wanted.

      Even after Ben Hassan had succeeded in impressing Diana with his affection, we feared that the story would not end happily. While riding some miles away from their own carefully restricted oasis Diana was captured by another Arab chief named Ibraheim Omair. It seemed to us that he was in his way just as persuasive a wooer as Ben Hassan. We read, "He forced her to her knees, and, with his hand twined brutally in her curls, thrust her head back," and later, "She realized that he was squeezing the life out of her." Worst of all from the point of view of a Ben Hassan partisan (and by this time we too had learned to love him) was the moment in which Omair dashed his hand against Diana's mouth, for the author records that "She caught it in her teeth, biting it to the bone." We feared, then, that Diana's heart was turning to this new and wondrously rowdy Arab. Already it was quite evident that she was not indifferent to him. Fortunately Ahmed came in time to shoot Omair before Diana's Unconscious could flash to her any realization of a new love.

      And the book does end happily, even more happily than anybody has a right to expect. Ahmed is badly wounded but only in the head, and recovers without any impairment of his punching power. The greatest surprise of all is reserved for the last chapter, when Diana and the reader learn that Ben isn't really an Arab at all, but the eldest son of Lord Glencaryll, and of Lady Glencaryll, too, for that matter. It seems Lord Glencaryll drank excessively, although his title was one of the oldest in England. Lady Glencaryll left him on account of his alcoholism and went to the Sahara desert for rest and contrast. A courtly sheik gave her shelter in his oasis. Here her son was born, and when he heard about his father's disgraceful conduct he turned Arab and stayed that way. Of course, if he had intended nothing more than a protest against overindulgence in alcoholic liquors he could have turned American. We suppose such a device would not have seemed altogether plausible. No Englishman could pass for an American. Nor can we say that we are altogether satisfied with the ending even as it stands. For all we know E. M. Hull may decide to take a shot at Uncle Tom's Cabin and add a chapter revealing the fact that Uncle Tom was not actually a colored man but the child of a couple of Caucasians who had happened to get a little sunburned. We are not even sure that E. M. Hull is a woman. Publishers do get fooled about such things. According to our theory, the E stands for Egbert. He is, we think, at least five feet four inches tall and lives in Bloomsbury, in very respectable bachelor diggings. He has never been to the desert or near it, but if "The Sheik" continues to run through new editions he plans to take a jaunt to the East. He thinks it might help his hay fever.

II

       JOHN ROACH STRATON

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      In the course of his Sabbath day talk at Calvary Baptist Church the other day the Rev. Dr. John Roach Straton spoke of "miserable Charlie Chaplin," or words to that effect. This seems to us an expression of the more or less natural antipathy of a man who regards life trivially for a serious artist. It is the venom of the clown confronted by the comedian.

      Dr. Straton is, of course, an utter materialist. He is concerned with such temporal and evanescent things as hellfire, and a heaven which he has pictured in one of his sermons as a sort of glorified Coney Island. Moreover, he has created a deity in his own image and has presented the invisible king as merely a somewhat more mannerly John Roach Straton. And while Dr. Straton has been thus engaged in debasing the ideals of mankind, Charlie Chaplin has brought to great masses of people some glint of things which are eternal. He has managed to show us beauty and, better than that, he has contrived to put us at ease in this presence. We belong to a Nation which is timorous of beauty, but Charlie has managed to soothe our fears by proving to us that it may also be merry.

      While Straton has been talking about jazz, debauchery, modesty, vengeance and other ugly things, Chaplin has given us the story of a child. "The Kid" captured a little of that curiously exalted something which belongs to paternity. All spiritual things must have in them a childlike quality. The belief in immortality rests not very much on the hope of going on. Few of us want to do that, but we would like very much to begin again.

      Naturally, we are under no delusions as to the innate goodness even of very small children. They are bad a great deal of the time, but before it has been knocked out of them they see no limit to the potentialities of the human will. Theirs is the faith to move mountains, because they do not yet know the fearful heft of them. The world is merely a rather big sandpile and much may be done to it with a tin pail and shovel. We would capture such confidence again.

      As a matter of fact, a great deal could be done with a pail and shovel. We do not try because we have lost our nerve. Nobody will ever get it back again by listening to Dr. Straton. He seems solely intent upon detailing the limitations and the frailties of man. We think he has outgrown his soul a little. He has sold his birthright for a mess of potterism.

      But Charlie Chaplin moves through the world which he pictures on the screen like a mischievous child. He confounds all the gross villains who come against him. His smile is a token and a symbol that man is too merry to die utterly. Fearful things menace us, but they will flee before the audacious one who has the fervor to draw back his foot and let it fly.

      Of course, we are not advocating any suppression of Dr. Straton by censorship. We regard him and his sermons as a bad influence. But after all, the man or woman who strays into Dr. Straton's church knows what to expect. In justice to the clergyman it must be said that he has never made any secret of his methods or his message. There is no deception. Sentimentally, we think it rather shocking that these talks of his should occur on Sunday. There really ought to be one day of the week upon which the citizens of New York turn away from frivolity. And still we do not urge that the Sunday Law be amended to include the performances of John Roach Straton. He is not one whit worse than some of the sensational Sunday magazines.

III

       PRIVATE OWNERSHIP OF OFFSPRING

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      Fannie Hurst gurgles with joy over the fact that her heroine in "Star Dust" is able to look over the whole tray of babies which is brought to her in the hospital and pick out her own. Miss Hurst attributes Lily's feat to "her mother instinct." A friend of ours, more practically minded than the novelist, suggests that she might have been aided by the fact that hospitals invariably place an identification tag around the neck of each child. For our part we have never been able to understand the fear of some parents about babies getting mixed up in the hospital. What difference does it make so long as you get a good one? Another's may be better than your own and Lily, with a whole tray from which to choose, should not have made an instinctive clutch immediately for her own. It would have been rational for the lady in the story to have looked at them all before coming to any decision.

      Of course, to tell the truth, there isn't much choice СКАЧАТЬ