The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 336, October 18, 1828. Various

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СКАЧАТЬ be, that gives such bodies as these their full play, without suffering the least disorder or confusion by it. What a glorious show are those beings entertained with, that can look into this great theatre of nature, and see myriads of such tremendous objects wandering through those immeasurable depths of ether, and running their appointed courses! Our eyes may hereafter be strong enough to command the magnificent prospect, and our understandings able to find out the several uses of these great parts of the universe. In the meantime, they are very proper objects for our imagination to contemplate, that we may form more extensive notions of infinite wisdom and power, and learn to think humbly of ourselves, and of all the little works of human invention." Seneca saw three comets, and says, "I am not of the common opinion, nor do I take a comet to be a sudden fire; but esteem it among the eternal works of nature."

P.T.WSONNETSBY LEIGH CLIFFE, AUTHOR OF "PARGA," "THE KNIGHTS OF RITZBERG," &c

      (For the Mirror.)

TO THE SUN

      Hail to thee, fountain of eternal light,

      Streaming with dewy radiance in the sky!

      Rising like some huge giant from the night,

      While the dark shadows from thy presence fly.

      Enshrin'd in mantle of a varied dye,

      Thou hast been chambering in the topmost clouds,

      List'ning to peeping, glist'ning stars on high,

      Pillow'd upon their thin, aërial shrouds;

      But when the breeze of dawn refreshfully

      Swept the rude waters of the ocean flood,

      And the dark pines breath'd from each leaf a sigh,

      To wake the sylvan genius of the wood,

      Thou burst in glory on our dazzled sight,

      In thy resplendent charms, a flood of golden light!

TO THE MOON

      Spirit of heaven! shadow-mantled queen,

      In mildest beauty peering in the sky,

      Radiant with light! 'Tis sweet to see thee lean,

      As if to listen, from cloud-worlds on high,

      Whilst murmuring nightingales voluptuously

      Breathe their soft melody, and dew-drops lie

      Upon the myrtle blooms and oaken leaves,

      And the winds sleep in sullen peacefulness!

      Oh! it is then that gentle Fancy weaves

      The vivid visions of the soul, which bless

      The poet's mind, and with sweet phantasies,

      Like grateful odours shed refreshfully

      From angels' wings of glistening beauty, tries

      To waken pleasure, and to stifle sighs!

EMBLEM OF WALES

      (For the Mirror.)

      It is supposed by some of the Welsh, and in some notes to a poem the author (Mr. P. Lewellyn) says he has been confidently assured, that the leek, as is generally supposed to be, is not the original emblem of Wales, but the sive, or chive, which is common to almost every peasant's garden. It partakes of the smell and taste of the onion and leek, but is not so noxious, and is much handsomer than the latter. It grows in a wild state on the banks of the Wye, infinitely larger than when planted in gardens. According to the above-mentioned author, the manner in which it became the national emblem of Cambria was as follows:—As a prince of Wales was returning victorious from battle, he wished to have some leaf or flower to commemorate the event; but it being winter, no plant or shrub was seen until they came to the Wye, when they beheld the sive, which the prince commanded to be worn as a memorial of the victory.

      Tipton, Staffordshire.

W.HHISTORY OF FAIRS

      (For the Mirror.)

      Fairs, among the old Romans, were holidays, on which there was an intermission of labour and pleadings. Among the Christians, upon any extraordinary solemnity, particularly the anniversary dedication of a church, tradesmen were wont to bring and sell their wares even in the churchyards, which continued especially upon the festivals of the dedication. This custom was kept up till the reign of Henry VI. Thus we find a great many fairs kept at these festivals of dedications, as at Westminster on St. Peter's day, at London on St. Bartholomew's, Durham on St. Cuthbert's day. But the great numbers of people being often the occasion of riots and disturbances, the privilege of holding a fair was granted by royal charter. At first they were only allowed in towns and places of strength, or where there was some bishop or governor of condition to keep them in order. In process of time there were several circumstances of favour added, people having the protection of a holiday, and being allowed freedom from arrests, upon the score of any difference not arising upon the spot. They had likewise a jurisdiction allowed them to do justice to those that came thither; and therefore the most inconsiderable fair with us has, or had, a court belonging to it, which takes cognizance of all manner of causes and disorders growing and committed upon the place, called pye powder, or pedes pulverizati. Some fairs are free, others charged with tolls and impositions. At free fairs, traders, whether natives or foreigners, are allowed to enter the kingdom, and are under the royal protection in coming and returning. They and their agents, with their goods, also their persons and goods, are exempt from all duties and impositions, tolls and servitudes; and such merchants going to or coming from the fair cannot be arrested, or their goods stopped. The prince only has the power to establish fairs of any kind. These fairs make a considerable article in the commerce of Europe, especially those of the Mediterranean, or inland parts, as Germany. The most famous are those of Frankfort and Leipsic; the fairs of Novi, in the Milanese; that of Riga, Arch-angel of St. Germain, at Paris; of Lyons; of Guibray, in Normandy; and of Beauclaire, in Languedoc: those of Porto-Bello, Vera Cruz, and the Havannah, are the most considerable in America.

HALBERTTHE VIRGINAL

      (For the Mirror.)

      A rare and beautiful relic of the olden time was lately presented to the museum of the Northern Institution, by William Mackintosh, Esq. of Milbank—an ancient virginal, which was in use among our ancestors prior to the invention of the spinnet and harpsichord. Mary, Queen of Scots, who delighted in music, in her moments of "joyeusitie" as John Knox phrases it, used to play finely on the virginal; and her more fortunate rival, Queen Elizabeth, was so exquisite a performer on the same instrument, that Melville says, on hearing her once play in her chamber, he was irresistibly drawn into the room. The virginal now deposited in the museum formerly belonged to a noble family in Inverness, and is considered to be the only one remaining in Scotland. It is made of oak, inlaid with cedar, and richly ornamented with gold. The cover and sides are beautifully painted with figures of birds, flowers, and leaves, the colours of which are still comparatively fresh and undecayed. On one part of the lid is a grand procession of warriors, whom a bevy of fair dames are propitiating by presents or offerings of wine and fruits. Altogether, the virginal may be regarded as a fine specimen of art, and is doubly interesting as a memorial of times long gone by.

W.G.CHERSCHEL'S TELESCOPE

      (To the Editor of the Mirror.)

      Your correspondent, a Constant Reader, in No. 330 of the MIRROR, is informed that the identical telescope which he mentions is now in the possession of Mr. J. Davies, optician, 101, High-street, Mary-le-bone, where it may be seen in a finished and perfect state. It is reckoned the best and most complete of its size in Europe.

      It was ordered to be made for his late majesty George III. as a challenge against the late Dr. Herschel's; but was prevented from being completed till some time after. The metals, 9-1/4 inches in diameter, having a diagonal eye-piece, four eye tubes of different magnifying powers, and three small specula of various radii, were made by Mr. Watson.

J.DANCIENT ROMAN FESTIVALSOCTOBER

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